標題: Titlebook: Border-Crossing and Comedy at the Théatre Italien, 1716–1723; Matthew J. McMahan Book 2021 The Editor(s) (if applicable) and The Author(s) [打印本頁] 作者: Reticent 時間: 2025-3-21 17:25
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書目名稱Border-Crossing and Comedy at the Théatre Italien, 1716–1723影響因子(影響力)學科排名
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作者: 最有利 時間: 2025-3-21 20:19
978-3-030-70073-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 努力趕上 時間: 2025-3-22 01:52
N. Lindenstrauss,Y. Sagiv,A. Serebrenikon also maps out the analytic framework of the book, synthetizing terms such as .-. and . as they relate to commedia dell’arte, eighteenth-century France, and comedy. Finally, the chapter outlines what may be revealed by comparing Riccoboni to other migrant comedians across time. Ultimately, the int作者: 尖叫 時間: 2025-3-22 06:45 作者: BANAL 時間: 2025-3-22 12:38
Lecture Notes in Computer Sciencengage in dialogue with the audience by self-consciously foregrounding their immigrant identities. The Nouveau Théatre Italien chose several creative ways to do so, including theatrical prologues and metatheatrical plays which addressed the actors’ feelings of foreignness, alienation, and cultural es作者: 壓倒 時間: 2025-3-22 13:31 作者: 滲入 時間: 2025-3-22 20:07 作者: mutineer 時間: 2025-3-22 23:58
Algorithm Analysis and Algorithm Schematat of cultural capital: how a nationally correlated form, like improvisation, can be strategically employed by migrant performers to make themselves more valuable to the host audience. Even though Riccoboni tried to move away from ., he saw its potential to appeal to the French and chose to leverage 作者: 嚴重傷害 時間: 2025-3-23 04:39
Deductive Inference in Automatic Programminge tragedies at the Comédie-Fran?aise and the operas of the Académie Royale de Musique. Even though, on the surface, these parodies look to be a derisive and divisive critique of the host nation, a close look at the theoretical defenses provided by Riccoboni and his collaborators reveals that the Nou作者: FLAT 時間: 2025-3-23 06:09
Deductive Inference in Automatic Programmingenure. These include the troupe of ., or comic actors, who sparked the famous “Querelle des Bouffons;” the Venetian reformer of commedia, Carlo Goldoni; and the impressive . of the nineteenth century. The epilogue also considers the broader theoretical principles of this book using social anthropolo作者: 解凍 時間: 2025-3-23 12:31
Matthew J. McMahanLooks at the challenges involved in coping with and adapting to migration in early modern comedy.Provides an interdisciplinary approach, using contemporary theories and examples.Examines ideas surroun作者: Organization 時間: 2025-3-23 14:19 作者: 可行 時間: 2025-3-23 18:24
Border-Crossing and Comedy at the Théatre Italien, 1716–1723978-3-030-70071-3Series ISSN 2946-5893 Series E-ISSN 2946-5907 作者: seroma 時間: 2025-3-24 01:00 作者: 逃避系列單詞 時間: 2025-3-24 03:45 作者: Guaff豪情痛飲 時間: 2025-3-24 08:35
Prologues, Metacomedy, and Cross-Cultural Rapport,ngage in dialogue with the audience by self-consciously foregrounding their immigrant identities. The Nouveau Théatre Italien chose several creative ways to do so, including theatrical prologues and metatheatrical plays which addressed the actors’ feelings of foreignness, alienation, and cultural es作者: 連接 時間: 2025-3-24 11:04 作者: 危險 時間: 2025-3-24 16:37 作者: FLAT 時間: 2025-3-24 19:24
Improvisation, Emotion, and Nationalized Esthetics,t of cultural capital: how a nationally correlated form, like improvisation, can be strategically employed by migrant performers to make themselves more valuable to the host audience. Even though Riccoboni tried to move away from ., he saw its potential to appeal to the French and chose to leverage 作者: 終點 時間: 2025-3-25 02:14 作者: embolus 時間: 2025-3-25 05:21 作者: 狂熱文化 時間: 2025-3-25 09:12 作者: 疾馳 時間: 2025-3-25 14:29 作者: 防銹 時間: 2025-3-25 15:56
Stereotypes, Self-Deprecation, and Refracted Satire,, they used the Italian stereotype as license to mock the French. Referring to examples from vaudeville, film, and television, McMahan analyzes the comic potential, as well as the risks, of self-deprecation and indirect satire.作者: 格言 時間: 2025-3-25 23:21
Improvisation, Emotion, and Nationalized Esthetics,French fascination with it to prompt a transnational discussion on acting. Consequently, this chapter compares and contrasts writings from the time period on French acting techniques, such as déclamation, with those on Italian improvisation.作者: overwrought 時間: 2025-3-26 01:25
Epilogue,gists such as Pierre Bourdieu and Michel de Certeau, who contend that immigration often occurs through a process of improvisation, momentary response, and revision that leads to new options and possibilities for both the immigrant and the host culture.作者: badinage 時間: 2025-3-26 07:07 作者: STRIA 時間: 2025-3-26 09:20 作者: 吸引力 時間: 2025-3-26 13:21
Logic Program Synthesis and Transformationns concerning the Italian theatre at the time. Through a series of comparisons to transnational theatre companies throughout time, McMahan also considers the politics of representation and how the work of the Nouveau Théatre Italien in Paris impacted the reputation of the Italian nation abroad.作者: 啞劇 時間: 2025-3-26 18:32
Deductive Inference in Automatic Programmingve and divisive critique of the host nation, a close look at the theoretical defenses provided by Riccoboni and his collaborators reveals that the Nouveau Théatre Italien sought to position the parody as a communal strengthening device, a means for these migrant performers to forge a sense of belonging in their new home.作者: 無可爭辯 時間: 2025-3-26 23:32
Introduction,nce, and comedy. Finally, the chapter outlines what may be revealed by comparing Riccoboni to other migrant comedians across time. Ultimately, the introduction characterizes Riccoboni and his actors as cultural ambassadors, ones who used comedy to address notions of national identity and cultural difference on stage.作者: Gorilla 時間: 2025-3-27 02:55
The Italian Brand on the French Stage,ns concerning the Italian theatre at the time. Through a series of comparisons to transnational theatre companies throughout time, McMahan also considers the politics of representation and how the work of the Nouveau Théatre Italien in Paris impacted the reputation of the Italian nation abroad.作者: 粗糙 時間: 2025-3-27 06:10 作者: KEGEL 時間: 2025-3-27 10:08 作者: 蚊帳 時間: 2025-3-27 15:48 作者: GIBE 時間: 2025-3-27 18:22 作者: 審問,審訊 時間: 2025-3-27 23:33
Algorithm Analysis and Algorithm Schematahe French and Italian languages, while illustrating a desire for the Italian actors to translate themselves on behalf of their audience. The chapter ultimately theorizes the relationship between comedy, macaronics, and translation.作者: ADAGE 時間: 2025-3-28 03:08 作者: Feigned 時間: 2025-3-28 08:58
Algorithm Analysis and Algorithm SchemataFrench fascination with it to prompt a transnational discussion on acting. Consequently, this chapter compares and contrasts writings from the time period on French acting techniques, such as déclamation, with those on Italian improvisation.作者: 六邊形 時間: 2025-3-28 14:22
