標(biāo)題: Titlebook: Bond and Beyond; The Political Career Tony Bennett,Janet Woollacott Textbook 1987Latest edition Macmillan Publishers Limited 1987 career.cu [打印本頁(yè)] 作者: AMASS 時(shí)間: 2025-3-21 17:34
書目名稱Bond and Beyond影響因子(影響力)
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書目名稱Bond and Beyond網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Bond and Beyond被引頻次
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書目名稱Bond and Beyond讀者反饋
書目名稱Bond and Beyond讀者反饋學(xué)科排名
作者: 薄膜 時(shí)間: 2025-3-21 20:38 作者: HALO 時(shí)間: 2025-3-22 02:29 作者: Acetaminophen 時(shí)間: 2025-3-22 08:16 作者: flutter 時(shí)間: 2025-3-22 10:27 作者: chemical-peel 時(shí)間: 2025-3-22 13:33
Liebe als ?affektivste Wertantwort“t transformation seems relatively simple. A number of Ian Fleming’s books were made into films, beginning with . in 1962 and continuing on an annual basis with . (1963), . (1964) and . (1965). There was nothing new in this. The translation of literary or dramatic fiction could be said to be commonpl作者: Derogate 時(shí)間: 2025-3-22 20:18 作者: Obligatory 時(shí)間: 2025-3-23 00:16 作者: 浮雕 時(shí)間: 2025-3-23 02:17
Liebe – kulturübergreifend betrachtet will be back in ...’ In this chapter we want to discuss why James Bond could depart from and return to the sphere of popular fiction so effectively and over such a long period and ‘speak’ to many different reading formations. In order to do so, we want to reconsider the nature of ‘popular heroes’ a作者: NAV 時(shí)間: 2025-3-23 09:28
https://doi.org/10.1007/978-3-322-91070-7icant event of the two. The release of . was something of a media occasion. Accompanied by a television special (narrated by Tina Turner) showing various aspects of the film’s production, the publicity for . both contributed to and benefited considerably from the more general promotion of the star c作者: Truculent 時(shí)間: 2025-3-23 11:15
http://image.papertrans.cn/b/image/189628.jpg作者: EPT 時(shí)間: 2025-3-23 17:14
Liebe – kulturübergreifend betrachtet‘I am very much a Domino sort of girl myself. A fun-loving extrovert. Whatever it is I am doing I enjoy doing it — loving, driving, riding, shopping, travelling, even cooking.’作者: 紅腫 時(shí)間: 2025-3-23 21:36 作者: 起皺紋 時(shí)間: 2025-3-24 02:15
https://doi.org/10.1007/978-1-349-18610-5career; culture; social science; sociology作者: Guileless 時(shí)間: 2025-3-24 06:25
Macmillan Publishers Limited 1987作者: Foolproof 時(shí)間: 2025-3-24 09:13
Zur Methode und zum Erkenntnisinteresse,el Siegal, of ABC’s . reported: ‘Bond is wonderful. For Bond fans I was up there cheering.’ The same year also saw a revival in Bond’s literary fortunes with the publication of John Gardner’s . three months on the . best seller list. ‘Literature’s most celebrated spy,’ according to . ‘still retains his license to kill.’作者: 步兵 時(shí)間: 2025-3-24 14:31 作者: VOC 時(shí)間: 2025-3-24 15:43
,Hilfe für ?ltere Sexualstraft?ter,re of Bond constitutes a particular type of cultural phenomenon. Our purpose, in examining the organisation of this phenomenon and the means by which it has been produced, is to convey something of the scope and reach of Bond’s popularity as well as to specify and account for the peculiar nature of his appeal as a popular hero.作者: 繁榮中國(guó) 時(shí)間: 2025-3-24 21:26
Liebe als ?affektivste Wertantwort“volve upon questions such as whether or not film versions of a book or play remain true to the original author’s intentions or to concentrate on the respective merits of films and the literary texts from which they have been derived.作者: Tonometry 時(shí)間: 2025-3-25 02:09 作者: ENACT 時(shí)間: 2025-3-25 04:35
Introduction,re of Bond constitutes a particular type of cultural phenomenon. Our purpose, in examining the organisation of this phenomenon and the means by which it has been produced, is to convey something of the scope and reach of Bond’s popularity as well as to specify and account for the peculiar nature of his appeal as a popular hero.作者: MUMP 時(shí)間: 2025-3-25 09:09 作者: 分開如此和諧 時(shí)間: 2025-3-25 13:55 作者: Expertise 時(shí)間: 2025-3-25 18:24
Introduction, detail. Rather, our interest lies in the figure of Bond, in the diverse and changing forms in which it has been produced and circulated, and in the varying cultural business that has been, conducted around, by means of and through this figure during the now considerable slice of post-war history in作者: 有助于 時(shí)間: 2025-3-25 20:22 作者: MAG 時(shí)間: 2025-3-26 00:08 作者: APO 時(shí)間: 2025-3-26 06:51 作者: 絆住 時(shí)間: 2025-3-26 09:05
Bonded Ideologies,urn the next page.’. In this sense, perhaps, Fleming was his own ideal reader, the reader who would want, as he put it, to ‘turn the page’, to find out what happens next.. Although in itself no more than a happy coincidence, this symmetry between Fleming’s account of his experience of the process of作者: Gentry 時(shí)間: 2025-3-26 13:39
The Transformations of James Bond,t transformation seems relatively simple. A number of Ian Fleming’s books were made into films, beginning with . in 1962 and continuing on an annual basis with . (1963), . (1964) and . (1965). There was nothing new in this. The translation of literary or dramatic fiction could be said to be commonpl作者: orient 時(shí)間: 2025-3-26 19:41 作者: 效果 時(shí)間: 2025-3-26 22:10 作者: Brain-Imaging 時(shí)間: 2025-3-27 04:07
Never Again?, will be back in ...’ In this chapter we want to discuss why James Bond could depart from and return to the sphere of popular fiction so effectively and over such a long period and ‘speak’ to many different reading formations. In order to do so, we want to reconsider the nature of ‘popular heroes’ a作者: 乏味 時(shí)間: 2025-3-27 08:30 作者: Stress 時(shí)間: 2025-3-27 09:54
Zur Methode und zum Erkenntnisinteresse,957, he wrote:In hard covers my books are written for and appeal principally to an ‘A’ readership but they have all been reprinted in paperbacks both in England and America and it appears that the ‘B’ and ‘C’ classes find them equally readable, although one might have thought that the sophistication作者: 泥瓦匠 時(shí)間: 2025-3-27 17:02
Die Liebe als Tugend oder Gabe?dimentations of Bond in the world of objects. Through its use in advertising and commodity design, the figure of Bond has become tangled up in the world of things resulting in a series of coded objects (lipstick, lingerie, Action Man type dolls), functioning like textual meteorites, highly condensed作者: hegemony 時(shí)間: 2025-3-27 17:46
https://doi.org/10.1007/978-3-658-17874-1r ‘ways-oftelling’ devices which condition the mode of their narrative realisation. This is clearly not the case. Whilst plot and narrative mechanisms are logically separable for the purpose of analysis, the reader encounters the plot only in the form of a ‘plot-in-the-text’, indissociable from the 作者: Mhc-Molecule 時(shí)間: 2025-3-27 23:02
Liebe als ?affektivste Wertantwort“which accompanied the opening of the film. In terms of its theoretical orientations, the case-study attempted to combine an analysis of the occupational ideologies of the film-makers with an analysis of the ideological economy of the Bond films generally and particularly of .. In this chapter, we ex作者: CHURL 時(shí)間: 2025-3-28 06:03 作者: infantile 時(shí)間: 2025-3-28 08:48 作者: Orthodontics 時(shí)間: 2025-3-28 13:58 作者: 頭腦冷靜 時(shí)間: 2025-3-28 16:08
Reading Bond,dimentations of Bond in the world of objects. Through its use in advertising and commodity design, the figure of Bond has become tangled up in the world of things resulting in a series of coded objects (lipstick, lingerie, Action Man type dolls), functioning like textual meteorites, highly condensed作者: 拋物線 時(shí)間: 2025-3-28 20:23
Bonded Ideologies,r ‘ways-oftelling’ devices which condition the mode of their narrative realisation. This is clearly not the case. Whilst plot and narrative mechanisms are logically separable for the purpose of analysis, the reader encounters the plot only in the form of a ‘plot-in-the-text’, indissociable from the 作者: 索賠 時(shí)間: 2025-3-29 01:27
,The Bond Films: ‘Determination’ and ‘Production’,which accompanied the opening of the film. In terms of its theoretical orientations, the case-study attempted to combine an analysis of the occupational ideologies of the film-makers with an analysis of the ideological economy of the Bond films generally and particularly of .. In this chapter, we ex作者: indemnify 時(shí)間: 2025-3-29 04:14
Pleasure and the Bond Films,ions in differently gendered reading formations, could differ very greatly in relation to the same incidents in the same texts. This suggests that popular fiction can, indeed, be expected to activate or sometimes establish different reading formations and that, in this sense, the texts of popular fi作者: 凹處 時(shí)間: 2025-3-29 08:27
Never Again?,ts are implicated in more general ideologies in a complex and ambiguous variety of ways. We want to review those suggestions at this point and examine the role of popular heroes such as Bond and popular genres such as the Bond films and novels in relation to the ideological formations present in Bri作者: Ancillary 時(shí)間: 2025-3-29 13:28
Waterborne Parasites and Diagnostic Tools,raduate vivas is critiqued. The author makes two points: firstly, while research into the professional viva suggests some theorisation, it fails to evaluate these theories critically through competing theories. Research into the academic doctoral viva is by way of contrast more clearly lacking in th作者: dictator 時(shí)間: 2025-3-29 15:41 作者: 有毒 時(shí)間: 2025-3-29 21:45
