標(biāo)題: Titlebook: Bluestockings; Women of Reason from Elizabeth Eger Book 2010 Elizabeth Eger 2010 Great Britain.Romanticism.William Shakespeare.women.Britis [打印本頁] 作者: digestive-tract 時間: 2025-3-21 18:59
書目名稱Bluestockings影響因子(影響力)
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書目名稱Bluestockings網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Bluestockings被引頻次
書目名稱Bluestockings被引頻次學(xué)科排名
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書目名稱Bluestockings年度引用學(xué)科排名
書目名稱Bluestockings讀者反饋
書目名稱Bluestockings讀者反饋學(xué)科排名
作者: 驚惶 時間: 2025-3-21 20:46
Living Muses: the Female Icon,he symbolic figures of women. Pondering the question of why women had been chosen by the ancients to personify wisdom, knowledge and intelligence, he thought immediately of his contemporary, Mary Wollstonecraft, a prolific writer and a woman of significant cultural standing. Barry was writing in the作者: Terminal 時間: 2025-3-22 00:27
,‘Female Champions’: Women Critics of Shakespeare,-century theatre. In this short essay, first published in 1750, she reflected upon the moral importance of tragedy as an improving form of entertainment, regretting the current vogue for ‘masquerades, assemblies and ridottos’. She argued that serious drama was in need of revival and that women must 作者: 他姓手中拿著 時間: 2025-3-22 07:08 作者: bifurcate 時間: 2025-3-22 11:25 作者: 流利圓滑 時間: 2025-3-22 15:09
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Printhttp://image.papertrans.cn/b/image/189374.jpg作者: Ferritin 時間: 2025-3-22 17:06
https://doi.org/10.1007/978-94-015-8196-7When Elizabeth Montagu spotted the printed version of Samuel’s . in Johnson’s . (see Plate 13), she immediately wrote to her closest friend, Elizabeth Carter:作者: 運(yùn)氣 時間: 2025-3-22 21:25 作者: ANTH 時間: 2025-3-23 02:12 作者: 使激動 時間: 2025-3-23 06:40
https://doi.org/10.1057/9780230250505Great Britain; Romanticism; William Shakespeare; women; British and Irish Literature作者: septicemia 時間: 2025-3-23 11:11
2634-6516 alms of Shakespeare criticism and poetry. Eger traces the transition between Enlightenment and Romantic culture, arguing for the relevance of rational argument in the history of women‘s writing.978-1-137-01847-2978-0-230-25050-5Series ISSN 2634-6516 Series E-ISSN 2634-6524 作者: CALL 時間: 2025-3-23 14:17
Springer Texts in Business and Economicsd group identity of women’s literary and intellectual activity between 1750 and 1812. Samuel’s ‘muses’ were Elizabeth Montagu, Elizabeth Griffith, Elizabeth Carter, Charlotte Lennox, Elizabeth Linley, Angelica Kauffman, Catharine Macaulay, Anna Barbauld and Hannah More (see Plate 1). Together they f作者: 結(jié)構(gòu) 時間: 2025-3-23 19:15 作者: artless 時間: 2025-3-24 00:22
Marc S. Moonen,Gene H. Golub,Bart L. R. Moor-century theatre. In this short essay, first published in 1750, she reflected upon the moral importance of tragedy as an improving form of entertainment, regretting the current vogue for ‘masquerades, assemblies and ridottos’. She argued that serious drama was in need of revival and that women must 作者: 繁忙 時間: 2025-3-24 04:05 作者: eucalyptus 時間: 2025-3-24 07:56
Probability Distribution of Vectors,eat at the Battle of Waterloo. This frenzied scene is very different in character from the classical harmony of Richard Samuel’s . (see Plate 1), or the civilised society of tea and conversation promoted by the early bluestockings. A tea-tray slides perilously to the floor as two central figures, lo作者: persistence 時間: 2025-3-24 11:00
Bluestockings978-0-230-25050-5Series ISSN 2634-6516 Series E-ISSN 2634-6524 作者: Encoding 時間: 2025-3-24 17:33
Living Muses: the Female Icon,hich women’s capabilities are fulfilled and recognized. His reflections convey the ongoing tension between real and symbolic female figures as depicted in literature, the visual arts and philosophy, raising questions relating to women’s extensive involvement in all aspects of culture during the eigh作者: Juvenile 時間: 2025-3-24 20:01
,‘Female Champions’: Women Critics of Shakespeare,, playwright, novelist, critic, reader or member of the audience.. Haywood’s sense of women’s broad cultural influence was so strong that she chose to present, in this passage, the story of how a group of women could rescue a male writer from oblivion — a writer who is now the most famous of England作者: myocardium 時間: 2025-3-25 02:47
https://doi.org/10.1007/978-3-642-20570-5hich women’s capabilities are fulfilled and recognized. His reflections convey the ongoing tension between real and symbolic female figures as depicted in literature, the visual arts and philosophy, raising questions relating to women’s extensive involvement in all aspects of culture during the eigh作者: 遵循的規(guī)范 時間: 2025-3-25 04:55
Marc S. Moonen,Gene H. Golub,Bart L. R. Moor, playwright, novelist, critic, reader or member of the audience.. Haywood’s sense of women’s broad cultural influence was so strong that she chose to present, in this passage, the story of how a group of women could rescue a male writer from oblivion — a writer who is now the most famous of England作者: 中止 時間: 2025-3-25 08:36
2634-6516 alms of Shakespeare criticism and poetry. Eger traces the transition between Enlightenment and Romantic culture, arguing for the relevance of rational argument in the history of women‘s writing.978-1-137-01847-2978-0-230-25050-5Series ISSN 2634-6516 Series E-ISSN 2634-6524 作者: Orchiectomy 時間: 2025-3-25 13:44 作者: 浮夸 時間: 2025-3-25 18:38
Conclusion, pours an urn of boiling water over the face of her opponent. To the far right, a desperate figure tries to escape from a young woman who is brandishing a brass kettle-stand, her breasts flying loose from her dress and her face flushed with exertion. Three huge cats look excited, or perhaps terrified, by the general uproar.作者: Indecisive 時間: 2025-3-25 23:44 作者: NAIVE 時間: 2025-3-26 01:14 作者: debunk 時間: 2025-3-26 08:18
Introduction: ,brates the relationship between the arts along the lines of the classical humanist model of a harmonious society, capturing the moment when English women as a group first gained acceptance as powerful contributors to the artistic world.作者: Excitotoxin 時間: 2025-3-26 09:56 作者: 食道 時間: 2025-3-26 16:14
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