標(biāo)題: Titlebook: Blockbuster Performances; How Actors Contribut Daniel Smith-Rowsey Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 stars.pop [打印本頁] 作者: 要求 時間: 2025-3-21 19:36
書目名稱Blockbuster Performances影響因子(影響力)
作者: CUR 時間: 2025-3-21 21:39
https://doi.org/10.1007/2-287-33001-1r work to his work as Sparrow, as well as Ian McKellen’s non-blockbuster work to his work as (the .’) Gandalf, in order to better understand how (or if) accomplished actors “scale up” or alter their performative styles for blockbusters.作者: GOAT 時間: 2025-3-22 03:56
https://doi.org/10.1007/2-287-33001-1tralizing “right for the part” actors over stars. This chapter pays particular attention to skillful performances by Heath Ledger, Michael Caine, Christian Bale, Robert Downey Jr., and Jeff Bridges, making case studies of the highly regarded “interrogation scene” in . and of Downey’s “audition tapes” for ..作者: 復(fù)習(xí) 時間: 2025-3-22 07:13 作者: 男生戴手銬 時間: 2025-3-22 12:25 作者: Detonate 時間: 2025-3-22 14:58
https://doi.org/10.1007/2-287-33001-1 female-led crime films modeled after . (1991). Among Smith-Rowsey’s suggestions for future research: work on “blockbuster performances” in musicals, comedies, and animated films, as well as more work on so-called “synthespians.”作者: 違法事實 時間: 2025-3-22 18:58 作者: incredulity 時間: 2025-3-22 22:40 作者: 不溶解 時間: 2025-3-23 03:16 作者: Visual-Acuity 時間: 2025-3-23 05:50
,Male-Led Science Fiction Blockbusters: Performing “Faster, More Intense”,,” and “Faster, more intense.” Smith-Rowsey also performs a limited “commutation test” comparing Eric Stoltz and Michael J. Fox in the role of Marty McFly. Finally, the author explains why the famously under-praised Keanu Reeves was a better fit for Neo than a more lauded actor such as, say, Sean Penn or Christian Bale.作者: barium-study 時間: 2025-3-23 10:44 作者: 分開如此和諧 時間: 2025-3-23 13:54 作者: 草率男 時間: 2025-3-23 21:57 作者: 使虛弱 時間: 2025-3-23 23:52 作者: disrupt 時間: 2025-3-24 02:46
Book 2018 offering unique readings of some of cinema’s biggest hits, such as .The Dark Knight.,. Pirates of the Caribbean., .Star Wars., .Iron Man. and .The Hunger Games., this unprecedented study sheds new light on the importance ofperformance in the Hollywood blockbuster.?作者: Flustered 時間: 2025-3-24 09:51
Why Do Critics and Scholars Dismiss Blockbuster Performances?, blockbuster films. Formal strategies of blockbusters—for example, green screens, kinetic action, rapid-fire editing—are thought to result in “artificial” or “cartoonish” performances, but here the author counters that the acting in influential big-budget films is better and more appropriate than it作者: inspiration 時間: 2025-3-24 14:35
,Historical Epic Blockbusters: Are You Not Entertained … By Actors?, of the initial blockbuster cycle (of the 1950s and 1960s) because of what were often considered “ham-fisted,” “declamatory,” “histrionic,” or simply “bad” performances. Prompted by Vivian Sobchack’s famous essay about “surge and splendor” in the historical epic, Smith-Rowsey asks if audiences want 作者: 爵士樂 時間: 2025-3-24 15:11 作者: 不能根除 時間: 2025-3-24 22:16
Superhero Blockbusters: Actors Ahead of the Curve,nt superhero films . (2008) and . (2008). The author’s argument builds upon the timeline established in Chaps. . and ., whereby so-called “character acting” in lead performances in blockbusters became steadily more desirable than “star acting,” situating . and . as culminations and accelerations of 作者: Pert敏捷 時間: 2025-3-25 01:14 作者: 行業(yè) 時間: 2025-3-25 05:32 作者: 沖突 時間: 2025-3-25 11:03 作者: Duodenitis 時間: 2025-3-25 15:31 作者: bromide 時間: 2025-3-25 16:16 作者: 血統(tǒng) 時間: 2025-3-25 19:57
Palgrave Studies in Screen Industries and Performancehttp://image.papertrans.cn/b/image/189172.jpg作者: 等級的上升 時間: 2025-3-26 01:42
,Rééducation des prothèses totales du genou, blockbuster films. Formal strategies of blockbusters—for example, green screens, kinetic action, rapid-fire editing—are thought to result in “artificial” or “cartoonish” performances, but here the author counters that the acting in influential big-budget films is better and more appropriate than it作者: ironic 時間: 2025-3-26 04:58
https://doi.org/10.1007/2-287-33001-1 of the initial blockbuster cycle (of the 1950s and 1960s) because of what were often considered “ham-fisted,” “declamatory,” “histrionic,” or simply “bad” performances. Prompted by Vivian Sobchack’s famous essay about “surge and splendor” in the historical epic, Smith-Rowsey asks if audiences want 作者: Minuet 時間: 2025-3-26 12:12
https://doi.org/10.1007/2-287-33001-1this change was led by strong, believable performances. Smith-Rowsey explains how the excellent acting in the first three live-action . films both elaborated those films’ themes and, along with the initial films of WB’s . franchise, transformed possibilities for blockbusters. In response, Disney mou作者: 環(huán)形 時間: 2025-3-26 15:38
https://doi.org/10.1007/2-287-33001-1nt superhero films . (2008) and . (2008). The author’s argument builds upon the timeline established in Chaps. . and ., whereby so-called “character acting” in lead performances in blockbusters became steadily more desirable than “star acting,” situating . and . as culminations and accelerations of 作者: 征服 時間: 2025-3-26 20:48 作者: CHAFE 時間: 2025-3-27 00:01 作者: 革新 時間: 2025-3-27 03:27 作者: Congestion 時間: 2025-3-27 06:36
https://doi.org/10.1007/2-287-33001-1 that remains to be done. Among the author’s findings: actors convey the themes and meanings of blockbusters; genre-appropriate acting makes spectacle matter; blockbusters rely upon actors acting, giving “dialogue scenes” more screen time than “action scenes.” Among Smith-Rowsey’s work that was fini作者: 難解 時間: 2025-3-27 10:20 作者: BIAS 時間: 2025-3-27 16:04 作者: strain 時間: 2025-3-27 18:03
The Editor(s) (if applicable) and The Author(s) 2018作者: faculty 時間: 2025-3-28 00:04 作者: giggle 時間: 2025-3-28 05:03 作者: 慢跑 時間: 2025-3-28 06:33 作者: 構(gòu)想 時間: 2025-3-28 12:42 作者: 六個才偏離 時間: 2025-3-28 17:31
,Historical Epic Blockbusters: Are You Not Entertained … By Actors?,t epic’s melodrama. Research shows that preview audiences for ., importuned to suggest cuts, preferred that the film trim the ship-sinking scenes and preserve the quieter love scenes. The idea that blockbuster audiences prefer “acting” over “action” runs counter to most film criticism and scholarshi
