作者: Aerophagia 時(shí)間: 2025-3-21 20:52
Critical Exclusions: Spectres and Blake Criticism,philosophical contexts) now constitutes something of an interpretive citadel in itself, as if Blake criticism aspired to be a saving corpus upon which, like the unsteady figure of Jehovah in the design from ., Blake can safely lean.作者: 無辜 時(shí)間: 2025-3-22 01:55
,Qualit?tssicherung in der Nuklearmedizin,philosophical contexts) now constitutes something of an interpretive citadel in itself, as if Blake criticism aspired to be a saving corpus upon which, like the unsteady figure of Jehovah in the design from ., Blake can safely lean.作者: 矛盾 時(shí)間: 2025-3-22 07:20
ic Jerusalem, ceaselessly explored the conflicts between limitation and possibility, reason and energy, torment and joy. But the contradictions within Blake‘s own ‘visionary‘ poetics are less often considered. Throughout his work, Blake powerfully dramatises the energies and agonies of his own poeti作者: 油氈 時(shí)間: 2025-3-22 08:45 作者: Rct393 時(shí)間: 2025-3-22 15:53 作者: Awning 時(shí)間: 2025-3-22 17:48
,‘Drawing a third part’: Destruction and Redemption in Milton,nto the name of the great English poet and divides it — it becomes MIL/TON. This act neatly figures the ambivalence around which the whole of . turns, for the poem performs an act of revision which is both a redemption of Milton as poetic father and a violence committed against him. Indeed, Blake’s 作者: HALO 時(shí)間: 2025-3-23 00:55 作者: Self-Help-Group 時(shí)間: 2025-3-23 04:23
,‘Drawing a third part’: Destruction and Redemption in Milton, As a radically revisionary text, Blake’s . usurps the authority of its poetic father’s truth, daringly reinventing him. But this re-invention also involves an act of disinventing, insubordination and violence, and the text gives Milton a new body in a move that, as the title page suggests, also dis作者: CUMB 時(shí)間: 2025-3-23 07:15
http://image.papertrans.cn/b/image/189057.jpg作者: harrow 時(shí)間: 2025-3-23 10:35 作者: 蘑菇 時(shí)間: 2025-3-23 17:07
Therapie mit offenen radioaktiven Stoffen,king up, Blake saw ‘a(chǎn) horrible grim figure, “scaly, speckled, very awful”, stalking downstairs towards him’ at which ‘more frightened than ever before or after [he] took to his heels, and ran out of the house’.作者: Mingle 時(shí)間: 2025-3-23 21:58 作者: 外形 時(shí)間: 2025-3-23 23:44
https://doi.org/10.1007/978-3-662-12259-4Blake’s composite figure of God, priest and king — and prototype of the Spectre of the late epics — is variously dubbed ‘Urizen’ and ‘Nobodaddy’. In ., he is a sublime demon:作者: flaunt 時(shí)間: 2025-3-24 04:01
Therapie mit offenen radioaktiven Stoffen, opens with the disruption of eternity by Urizen, a ‘horror’ which is unknown:作者: PHAG 時(shí)間: 2025-3-24 09:13
,Qualit?tssicherung in der Nuklearmedizin,As in ., a disaster opens ., and also like the earlier poem, the catastrophe is shadowy and unknown. G. E. Bentley transcribes the heavily revised opening of . thus:作者: GNAW 時(shí)間: 2025-3-24 13:03 作者: 猛然一拉 時(shí)間: 2025-3-24 18:13 作者: 審問 時(shí)間: 2025-3-24 22:29
Shadows of Horror: Binding and Unbinding in the Lambeth Prophecies, opens with the disruption of eternity by Urizen, a ‘horror’ which is unknown:作者: Ige326 時(shí)間: 2025-3-25 00:47
Excesses of Joy and Grief: The Veil, Sexuality and Apocalypse in The Four Zoas,As in ., a disaster opens ., and also like the earlier poem, the catastrophe is shadowy and unknown. G. E. Bentley transcribes the heavily revised opening of . thus:作者: 宣傳 時(shí)間: 2025-3-25 05:08
,‘Continually Building, Continually Destroying’: Language in Jerusalem,In his 1830 ., Allan Cunningham writes of his anxiety on reading .. For Cunningham, the poem does not ‘display’ its giant forms as the preface promises, but obscures them, hopelessly befogging its meaning:作者: peritonitis 時(shí)間: 2025-3-25 08:06 作者: stratum-corneum 時(shí)間: 2025-3-25 14:30
https://doi.org/10.1007/978-1-349-22619-1epic; poet; poetics; poetry作者: Hypomania 時(shí)間: 2025-3-25 16:41
,The ‘Cloud and Vision’: Vision, Revolution and the Sublime,king up, Blake saw ‘a(chǎn) horrible grim figure, “scaly, speckled, very awful”, stalking downstairs towards him’ at which ‘more frightened than ever before or after [he] took to his heels, and ran out of the house’.作者: 尖 時(shí)間: 2025-3-25 20:01 作者: 凹室 時(shí)間: 2025-3-26 03:28
ic Jerusalem, ceaselessly explored the conflicts between limitation and possibility, reason and energy, torment and joy. But the contradictions within Blake‘s own ‘visionary‘ poetics are less often considered. Throughout his work, Blake powerfully dramatises the energies and agonies of his own poetic labour.978-1-349-22621-4978-1-349-22619-1作者: 使成波狀 時(shí)間: 2025-3-26 04:18
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