標(biāo)題: Titlebook: Blake‘s Night Thoughts; Jeremy Tambling Book 2005 Palgrave Macmillan, a division of Macmillan Publishers Limited 2005 lyric.poet.poetry.Wi [打印本頁(yè)] 作者: 郊區(qū) 時(shí)間: 2025-3-21 16:44
書(shū)目名稱Blake‘s Night Thoughts影響因子(影響力)
書(shū)目名稱Blake‘s Night Thoughts影響因子(影響力)學(xué)科排名
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書(shū)目名稱Blake‘s Night Thoughts網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
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書(shū)目名稱Blake‘s Night Thoughts被引頻次學(xué)科排名
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書(shū)目名稱Blake‘s Night Thoughts讀者反饋學(xué)科排名
作者: 間諜活動(dòng) 時(shí)間: 2025-3-21 20:18 作者: escalate 時(shí)間: 2025-3-22 02:48 作者: 狼群 時(shí)間: 2025-3-22 05:12 作者: 確定 時(shí)間: 2025-3-22 10:16 作者: arboretum 時(shí)間: 2025-3-22 12:56 作者: isotope 時(shí)間: 2025-3-22 17:43 作者: 骨 時(shí)間: 2025-3-22 21:26
,‘In the Silent of the Night’, favourite, William Blake’.. Mann’s understanding of Blake came from W.H. Auden (who said that ‘the whole of Freud’s teaching may be found in .),. and his choice of poems from the . is created by their subject: night. Leverkühn is writing a Nocturne. Piano pieces called Nocturnes were first written 作者: GEON 時(shí)間: 2025-3-23 03:40
,Young and ‘Weary Night’,s immensely influential.. Karl Philipp Moritz (1756–1793) in . (1785–1790) shows the Pietistic, melancholic, young autobiographical subject letting his physical pain ‘put his soul in a mood where Young’s ., which he happened to acquire at that time, was a most welcome book — he fancied that here he 作者: Irrepressible 時(shí)間: 2025-3-23 09:04 作者: 不公開(kāi) 時(shí)間: 2025-3-23 13:29
,‘I see London, blind …’,daytime identity. So does the American Djuna Barnes’s novel . (1936, originally .), which also has . behind it.. . starts with Hedvig Volkbein, a Viennese, giving birth to Felix, a posthumous child. During the 1880s, Vienna was close to the racism where it was dangerous to be Jewish, like Felix’s fa作者: Dawdle 時(shí)間: 2025-3-23 14:48
,‘Forests of the Night’: Blake and Madness,rms and identities? — as in . (1790)? This is cited by Bataille in ., associating it with the French Revolution, in his argument of Blake’s need to ‘look Evil [including madness] boldly in the face’:..The language of the religious, paraphrased, betrays them. If ‘Good’ is defined as passive, ‘the act作者: 填滿 時(shí)間: 2025-3-23 20:35 作者: somnambulism 時(shí)間: 2025-3-23 23:56 作者: 協(xié)定 時(shí)間: 2025-3-24 05:13 作者: NEG 時(shí)間: 2025-3-24 07:04
,Lungenvenenfehlmündung und Cor triatriatum,s immensely influential.. Karl Philipp Moritz (1756–1793) in . (1785–1790) shows the Pietistic, melancholic, young autobiographical subject letting his physical pain ‘put his soul in a mood where Young’s ., which he happened to acquire at that time, was a most welcome book — he fancied that here he 作者: Inoperable 時(shí)間: 2025-3-24 13:41
,Transposition der gro?en Arterien,as followed by the next page, ‘Rest before labour’ with a pencil-drawing of a male nude, and on page 3, a Biblical quotation (Ephesians 6.12), and the title, ‘VALA: Night the First’ with the text beneath. Below that comes a picture of a sexually provocative Vala, reclining in a posture analogous to 作者: 尾巴 時(shí)間: 2025-3-24 18:03
https://doi.org/10.1007/978-3-662-12258-7daytime identity. So does the American Djuna Barnes’s novel . (1936, originally .), which also has . behind it.. . starts with Hedvig Volkbein, a Viennese, giving birth to Felix, a posthumous child. During the 1880s, Vienna was close to the racism where it was dangerous to be Jewish, like Felix’s fa作者: 中古 時(shí)間: 2025-3-24 21:28
https://doi.org/10.1007/978-3-662-53539-4rms and identities? — as in . (1790)? This is cited by Bataille in ., associating it with the French Revolution, in his argument of Blake’s need to ‘look Evil [including madness] boldly in the face’:..The language of the religious, paraphrased, betrays them. If ‘Good’ is defined as passive, ‘the act作者: 大雨 時(shí)間: 2025-3-25 02:39 作者: 懲罰 時(shí)間: 2025-3-25 03:49
https://doi.org/10.1057/9780230505612lyric; poet; poetry; William Blake; British and Irish Literature作者: Blood-Vessels 時(shí)間: 2025-3-25 08:25
978-1-349-52166-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2005作者: 搏斗 時(shí)間: 2025-3-25 12:39 作者: LUT 時(shí)間: 2025-3-25 16:24
,‘Forests of the Night’: Blake and Madness,ive springing from Energy’ must be preferable to that (and gender-considerations might give priority to the active). The religious equate evil with Hell, but the next passage, being called ‘The voice of the Devil’, asks, implicitly, who spoke earlier? The Devil’s? But he cannot have the right answers, since he is inside the system he describes:作者: 極少 時(shí)間: 2025-3-25 21:01 作者: 功多汁水 時(shí)間: 2025-3-26 02:05
,Dante’s ‘Deep and Woody Way’,Blake and his wife existed in (. 564–7, . 393). Here he worked — ‘too much attach’d to Dante to think of much else’ (letter to Linnell, 25 April 1827, E. 784, K. 879) — until his body, ‘the Machine’ (E. 778, K. 873), as though it, like the tyger, was part of an industrial manufacturing process, proved ‘incapable’ in August 1827.作者: Jocose 時(shí)間: 2025-3-26 07:27 作者: 古代 時(shí)間: 2025-3-26 10:21
ught and of thought based on concepts of identity, the book reads the lyric poetry, some Prophetic works, including a chapter on The Four Zoas , the illustrations to Young, and Dante, and look‘s at Blake‘s writing of madness.978-1-349-52166-1978-0-230-50561-2作者: Modify 時(shí)間: 2025-3-26 13:55 作者: 說(shuō)笑 時(shí)間: 2025-3-26 20:31
-century, urbanism in the nineteenth and Levinas and Blanchot‘s writings in the twentieth. Taking ‘night‘ as the breakdown of rational progressive thought and of thought based on concepts of identity, the book reads the lyric poetry, some Prophetic works, including a chapter on The Four Zoas , the i作者: 車(chē)床 時(shí)間: 2025-3-26 23:04 作者: Jogging 時(shí)間: 2025-3-27 02:52
,‘In the Silent of the Night’, his choice of poems from the . is created by their subject: night. Leverkühn is writing a Nocturne. Piano pieces called Nocturnes were first written by the composer John Field (1782–1837), influential on Chopin, and they appear around 1812. But in Mann’s Blake, the night is not just part of a mood, but active, troubling, disorganizing.作者: incision 時(shí)間: 2025-3-27 07:38 作者: Ceremony 時(shí)間: 2025-3-27 12:10
,Young and ‘Weary Night’,frontation between the worlding, whose hopes end with this life, and the Christian, who has a joyous prospect of the future beyond the grave’.. The contrast recalls Young’s ninth night, which offers Christian consolation, though contradictorily expressed in the last line’s expectation: ‘MIDNIGHT, . Midnight! reigns’ (9.2434).作者: Ostrich 時(shí)間: 2025-3-27 14:02
Book 2005urbanism in the nineteenth and Levinas and Blanchot‘s writings in the twentieth. Taking ‘night‘ as the breakdown of rational progressive thought and of thought based on concepts of identity, the book reads the lyric poetry, some Prophetic works, including a chapter on The Four Zoas , the illustratio作者: 消極詞匯 時(shí)間: 2025-3-27 21:16
9樓作者: Condescending 時(shí)間: 2025-3-28 01:04
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