標(biāo)題: Titlebook: Black Magic Woman and Narrative Film; Race, Sex and Afro-R Montré Aza Missouri Book 2015 The Editor(s) (if applicable) and The Author(s) 20 [打印本頁] 作者: 新石器時(shí)代 時(shí)間: 2025-3-21 16:35
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書目名稱Black Magic Woman and Narrative Film讀者反饋學(xué)科排名
作者: 發(fā)出眩目光芒 時(shí)間: 2025-3-21 22:06
,Sprachentwicklung und ihre St?rungen,ro-religiosity and expressive culture, as well as the ‘tragic mulatto’ character and cinematic representations of ‘passing’. As previously discussed, the Black Magic Woman, a reversal of Hollywood’s ‘tragic mulatto’ as victim/whore, is a pivotal departure from the ‘othering’ position of black women 作者: Camouflage 時(shí)間: 2025-3-22 02:52 作者: floodgate 時(shí)間: 2025-3-22 05:37
,Abh?ngigkeit von Drogen und Genu?mitteln,hralled by the “moor”, Othello (2008:225). According to Desdemona, Othello’s exotic tales of extraordinary adventures captivated her and she was attracted not only to the stories themselves but the way in which this colourful storyteller embellished them. As Toni Morrison highlights in her recent pl作者: Mendicant 時(shí)間: 2025-3-22 09:52
,Oligophrenien und Demenzzust?nde,l of cultural identity, at times fuelling the imagination of a white southern elite eager for signifiers of cultural demarcations between themselves and their northern neighbours in the United States. African American folklore and culture, as embodied in the Voodoo lady figure, provides this desired作者: 打谷工具 時(shí)間: 2025-3-22 13:58 作者: 逢迎春日 時(shí)間: 2025-3-22 19:48 作者: Gobble 時(shí)間: 2025-3-22 21:55
,Abh?ngigkeit von Drogen und Genu?mitteln,y focus of this work is forging a theoretical framework for decoding film centred on the reversal of the “tragic mulatto” stereotype as transformed into the Black Magic Woman figure, the character of mixed heritage and adherent of Afro-religiosity. This character seeks freedom from the confines of r作者: MIME 時(shí)間: 2025-3-23 03:53 作者: ornithology 時(shí)間: 2025-3-23 06:11 作者: 苦惱 時(shí)間: 2025-3-23 11:16
Eltern, ihre Probleme und ihre Beratung,gions in black films of the 1990s. The objective of this work is to consider how race, sex and religion intersect in constructing a cultural identity for African Diasporas in the United States. Although this cinematic identity is intended for African Diasporas in the US, its implication is that of a wider New World identity.作者: enlist 時(shí)間: 2025-3-23 15:02
Book 2015Black Magic Woman and Narrative Film examines the transformation of the stereotypical ‘tragic mulatto‘ from tragic to empowered, as represented in independent and mainstream cinema. The author suggests that this transformation is through the character‘s journey towards African-based religions.作者: 保全 時(shí)間: 2025-3-23 21:23 作者: CLAM 時(shí)間: 2025-3-24 01:23 作者: CUR 時(shí)間: 2025-3-24 02:56
,Introduction — From ‘Tragic Mulatto’ to Black Magic Woman: Race, Sex and Religion in Film,gions in black films of the 1990s. The objective of this work is to consider how race, sex and religion intersect in constructing a cultural identity for African Diasporas in the United States. Although this cinematic identity is intended for African Diasporas in the US, its implication is that of a wider New World identity.作者: GIDDY 時(shí)間: 2025-3-24 07:33
,Introduction — From ‘Tragic Mulatto’ to Black Magic Woman: Race, Sex and Religion in Film,gions in black films of the 1990s. The objective of this work is to consider how race, sex and religion intersect in constructing a cultural identity for African Diasporas in the United States. Although this cinematic identity is intended for African Diasporas in the US, its implication is that of a作者: Vldl379 時(shí)間: 2025-3-24 12:24 作者: laceration 時(shí)間: 2025-3-24 18:37
Beauty as Power: In/visible Woman and Womanist Film in ,heatrical release. Set in 1903 at the dawn of the twentieth century, this story chronicles the experiences of the Peazants, three generations of Gullah women and their family’s migration from the remote southern Sea Islands to the urban, industrial north of the United States. Framed amid the seeming作者: CANON 時(shí)間: 2025-3-24 19:28 作者: deadlock 時(shí)間: 2025-3-25 00:40
: Baadasssss Mamas and Third Cinema in ,l of cultural identity, at times fuelling the imagination of a white southern elite eager for signifiers of cultural demarcations between themselves and their northern neighbours in the United States. African American folklore and culture, as embodied in the Voodoo lady figure, provides this desired作者: enumaerate 時(shí)間: 2025-3-25 06:59
Not Another ,: Nuyorican Women and New Black Realism in,n’ which in . is the embodiment of a malecentred socio-political objective. Within that chapter, it is argued that although . presents itself as black woman’s narrative by framing powerful female characters, namely the warrior figure Nunu and her initiand Shola, a character that is identified as a B作者: conceal 時(shí)間: 2025-3-25 10:18 作者: 桉樹 時(shí)間: 2025-3-25 14:43 作者: 整潔 時(shí)間: 2025-3-25 18:26
,Sprachentwicklung und ihre St?rungen,ists who possess socio-political and cultural agency. These productions further seek to challenge notions of American identity by constructing the Black Magic Woman, a female of mixed racial and cultural heritage, as a New World identity.作者: BOOM 時(shí)間: 2025-3-25 22:41
Womanism and Womanist Gaze,ists who possess socio-political and cultural agency. These productions further seek to challenge notions of American identity by constructing the Black Magic Woman, a female of mixed racial and cultural heritage, as a New World identity.作者: Seminar 時(shí)間: 2025-3-26 03:57 作者: Oratory 時(shí)間: 2025-3-26 07:30
,It , Easy Being Green: Disney’s Post-Racial Princess and Black Magic Nostalgia in ,dioproduced films directed by black filmmakers. This final chapter centres on the Hollywood adoption of the Black Magic Woman archetype in the Walt Disney Pictures’ 2009 classically animated musical ..作者: 沖突 時(shí)間: 2025-3-26 10:18 作者: 香料 時(shí)間: 2025-3-26 16:37 作者: 四海為家的人 時(shí)間: 2025-3-26 19:32 作者: Magisterial 時(shí)間: 2025-3-27 00:32
,Abh?ngigkeit von Drogen und Genu?mitteln,acial and gender inequalities while positioned as a defender of the compound, a space of collective black female empowerment and agency. The Black Magic Woman and her world is a counter to the Hollywood conventions of black female in/visibility and of the dominant cinematic preoccupation with the white male hero grounded in Judeo-Christian mores.作者: languid 時(shí)間: 2025-3-27 02:41 作者: 搏斗 時(shí)間: 2025-3-27 06:39 作者: 易于交談 時(shí)間: 2025-3-27 10:38
Not Another ,: Nuyorican Women and New Black Realism in,lack Magic Woman, this production exists outside the realm of womanist film. While women characters with agency do appear on screen, the film does not empower the womanist gaze as it neither renders pleasure for the womanist spectator nor does it frame characters that can survive beyond the constraints of patriarchal systems.作者: Conquest 時(shí)間: 2025-3-27 13:54
Conclusion,acial and gender inequalities while positioned as a defender of the compound, a space of collective black female empowerment and agency. The Black Magic Woman and her world is a counter to the Hollywood conventions of black female in/visibility and of the dominant cinematic preoccupation with the white male hero grounded in Judeo-Christian mores.作者: Accolade 時(shí)間: 2025-3-27 19:33 作者: 精致 時(shí)間: 2025-3-28 01:08 作者: Hyperlipidemia 時(shí)間: 2025-3-28 04:25
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