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標題: Titlebook: Biennials - art on a global scale; Sabine B. Vogel Book 2010Latest edition Springer-Verlag GmbH Wien 2010 Architecture.Art History.Biennia [打印本頁]

作者: graphic    時間: 2025-3-21 18:48
書目名稱Biennials - art on a global scale影響因子(影響力)




書目名稱Biennials - art on a global scale影響因子(影響力)學科排名




書目名稱Biennials - art on a global scale網(wǎng)絡(luò)公開度




書目名稱Biennials - art on a global scale網(wǎng)絡(luò)公開度學科排名




書目名稱Biennials - art on a global scale被引頻次




書目名稱Biennials - art on a global scale被引頻次學科排名




書目名稱Biennials - art on a global scale年度引用




書目名稱Biennials - art on a global scale年度引用學科排名




書目名稱Biennials - art on a global scale讀者反饋




書目名稱Biennials - art on a global scale讀者反饋學科排名





作者: anticipate    時間: 2025-3-21 22:09

作者: Nonthreatening    時間: 2025-3-22 03:26
La Biennale di Veneziarganized to to sell their works. The Venice Biennale officially began as part of the celebrations of the silver jubilee of the Italian royal couple Umberto and Margherita of Savoy. Up to the 1960’s the Biennale also functioned as an art market but the commercial aspect was not central.
作者: Obligatory    時間: 2025-3-22 05:49

作者: Dawdle    時間: 2025-3-22 11:38
Intersex on Earth as It Is in Heaven — read political correctness — all contributed to the ongoing biennial boom of the 1990’s. The intricate interconnections, however, would merit a separate discussion; in the following we will take a closer look at the basic underlying structures of these developments.
作者: 沉思的魚    時間: 2025-3-22 14:52

作者: ALE    時間: 2025-3-22 20:54
Book 2010Latest edition today? Which developments do they reflect, which ones do they initiate? Through the portraits of 22 selected biennials, the book seeks answers for these questions. Thanks to numerous illustrations and a list of the most important biennials founded, this book gives the first compact overview of this complex topic.
作者: 憤慨一下    時間: 2025-3-23 01:17
Intersex, Theology, and the Bibletwork exists by promising that national art is part of the latest trends and most recent thinking — a factor that has become even more important in the second phase of the biennials when humanity seems to be growing together to a “world community”.
作者: BOAST    時間: 2025-3-23 02:07
New Social and Political Developmentstwork exists by promising that national art is part of the latest trends and most recent thinking — a factor that has become even more important in the second phase of the biennials when humanity seems to be growing together to a “world community”.
作者: 脖子    時間: 2025-3-23 09:02
1866-248X aits of 22 selected biennials, the book seeks answers for these questions. Thanks to numerous illustrations and a list of the most important biennials founded, this book gives the first compact overview of this complex topic.
作者: OCTO    時間: 2025-3-23 10:32

作者: Essential    時間: 2025-3-23 17:29

作者: STAT    時間: 2025-3-23 20:39
Biennials at the Beginning of the 20th Centuryy 78 international artists were present, while at the 7. in 1907, only 127 of the 766 artists who participated were international artists. In spite of all these fluctuations the Biennale di Venezia was able to establish itself as an international forum and the “Biennale” model came to stand for the
作者: Progesterone    時間: 2025-3-23 23:48

作者: Liberate    時間: 2025-3-24 05:08
Sabine B. VogelThe book gives the first comprehensive overview of the history of biennials.Introduction into main issues of a global history of arts.The book portrays 22 selected biennials and traces their historica
作者: 逃避現(xiàn)實    時間: 2025-3-24 09:40
Edition Angewandtehttp://image.papertrans.cn/b/image/185517.jpg
作者: 分開    時間: 2025-3-24 12:35

作者: 為寵愛    時間: 2025-3-24 18:17

作者: 墻壁    時間: 2025-3-24 22:18
Perception and Perceptual Developmentdid not exist yet, only a fraction of the artists became known beyond the borders of their respective country. Up until the middle of the 20. century the main forums providing information were exhibitions in bourgeois art associations, public institutions, salons and Secessions. Even if the work sho
作者: 配偶    時間: 2025-3-25 00:43

作者: Aggregate    時間: 2025-3-25 04:52

作者: 攤位    時間: 2025-3-25 11:34
The Future: Intersex Shaping Inclusive Laws,common, a growing number of countries participated in Venice and there were more and more artists in Kassel. With the creation of further biennials worldwide, the West was for the first time no longer able to claim for itself the sole right to art centers. A ‘global art’ was making its first quiet a
作者: Malcontent    時間: 2025-3-25 14:38

作者: 放牧    時間: 2025-3-25 18:14

作者: UTTER    時間: 2025-3-25 21:09

作者: 高貴領(lǐng)導    時間: 2025-3-26 04:01
https://doi.org/10.1057/9781137349019xpensive and effective marketing instrument in disguise, especially when lesser known towns like Esslingen or Fellbach, Busan, Brisbane or Sonsbeek are able to attain supraregional media presence with relatively little funding?
作者: 刀鋒    時間: 2025-3-26 08:01
https://doi.org/10.1007/978-1-4615-9197-9“.. With these words the history of the biennials begins. Riccardo Selvatico, the mayor of Venice at the time, formulated these high expectations that were placed in art on April 6, 1894, when he announced the foundation of the Biennale di Venezia.
作者: Ordeal    時間: 2025-3-26 10:26

作者: 非實體    時間: 2025-3-26 15:16
The Creation of the Biennale“.. With these words the history of the biennials begins. Riccardo Selvatico, the mayor of Venice at the time, formulated these high expectations that were placed in art on April 6, 1894, when he announced the foundation of the Biennale di Venezia.
作者: 散步    時間: 2025-3-26 17:56

作者: 腐敗    時間: 2025-3-26 21:03
Introductiontralia or even South Korea, these events may even be hosted by several cities. Today, with more than 150 such exhibitions being held every few years, it is difficult to ascertain their exact number. Biennials can be short-lived and disappear from the scene unnoticed, or may even be reanimated.
作者: 預(yù)感    時間: 2025-3-27 04:20

作者: cancellous-bone    時間: 2025-3-27 07:24

作者: Amylase    時間: 2025-3-27 10:28

作者: patriot    時間: 2025-3-27 16:18
Biennials as a Marketing Toolxpensive and effective marketing instrument in disguise, especially when lesser known towns like Esslingen or Fellbach, Busan, Brisbane or Sonsbeek are able to attain supraregional media presence with relatively little funding?
作者: 平躺    時間: 2025-3-27 20:49

作者: 邪惡的你    時間: 2025-3-27 22:12
Springer-Verlag GmbH Wien 2010
作者: Aids209    時間: 2025-3-28 04:44
https://doi.org/10.1007/978-3-030-16766-0tralia or even South Korea, these events may even be hosted by several cities. Today, with more than 150 such exhibitions being held every few years, it is difficult to ascertain their exact number. Biennials can be short-lived and disappear from the scene unnoticed, or may even be reanimated.
作者: achlorhydria    時間: 2025-3-28 09:07

作者: 整潔    時間: 2025-3-28 12:38

作者: 人類的發(fā)源    時間: 2025-3-28 14:56
Intersex on Earth as It Is in Heavenl, which are so central to the second phase of this type of exhibition, it seems appropriate to adopt a new terminology that does not make a geographic and geopolitical distinction between Western and non-Western contemporary art.
作者: Esophagus    時間: 2025-3-28 19:41
https://doi.org/10.1057/9781137349019xpensive and effective marketing instrument in disguise, especially when lesser known towns like Esslingen or Fellbach, Busan, Brisbane or Sonsbeek are able to attain supraregional media presence with relatively little funding?
作者: 先兆    時間: 2025-3-28 23:48

作者: Immunotherapy    時間: 2025-3-29 04:49

作者: assail    時間: 2025-3-29 09:14
Biennials at the Beginning of the 20th Centurydid not exist yet, only a fraction of the artists became known beyond the borders of their respective country. Up until the middle of the 20. century the main forums providing information were exhibitions in bourgeois art associations, public institutions, salons and Secessions. Even if the work sho
作者: 滲入    時間: 2025-3-29 11:46
Biennials of the 1950’sto assert an unbroken continuation of pre-war modernism. In his text “The Era of Retrospectives 1948 – 1962” Peter Joch writes that the goal was to . At the same time the first international successor models also appeared, and the hegemony of the Biennale di Venezia began to crumble.
作者: 熱情的我    時間: 2025-3-29 16:54

作者: Watemelon    時間: 2025-3-29 23:14

作者: incarcerate    時間: 2025-3-29 23:53

作者: 急急忙忙    時間: 2025-3-30 07:38
Global Art and Contemporary Artl, which are so central to the second phase of this type of exhibition, it seems appropriate to adopt a new terminology that does not make a geographic and geopolitical distinction between Western and non-Western contemporary art.
作者: 智力高    時間: 2025-3-30 11:48





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