作者: lipoatrophy 時間: 2025-3-21 22:32 作者: 消耗 時間: 2025-3-22 04:26
Book 2016hdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics – a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre..作者: Glutinous 時間: 2025-3-22 06:09
Exchange-Rate Management and Policy immaterial production in the neoliberal economy, along with the cultural resonances of narcissistic participation, revealing the close imbrication of aesthetics and politics while immersed in the box’s interior.作者: Ascribe 時間: 2025-3-22 12:43 作者: TRUST 時間: 2025-3-22 16:15 作者: flaggy 時間: 2025-3-22 20:42
Exchange-Rate Management and Policyenge a particular casting of fun and pleasure in the experience economy and undermine the derivation of profit and value from the seductions of neoliberalism by remaining sensitive to the politics of immersive theatre aesthetics, and especially the politics of productive participation.作者: Manifest 時間: 2025-3-23 00:23 作者: Contend 時間: 2025-3-23 01:39 作者: Processes 時間: 2025-3-23 06:23 作者: conference 時間: 2025-3-23 11:16 作者: Mosaic 時間: 2025-3-23 13:57
Frustrating Theatre: Shunt in the Experience Economy,enge a particular casting of fun and pleasure in the experience economy and undermine the derivation of profit and value from the seductions of neoliberalism by remaining sensitive to the politics of immersive theatre aesthetics, and especially the politics of productive participation.作者: BLUSH 時間: 2025-3-23 19:50
,Theatre in the Marketplace: Immaterial Production in Theatre Delicatessen’s Theatre Souk, theatre makers, and redistribute the appearance of immaterial production to audience participants. He argues that the Souks do not elude the material networks of neoliberalism, but they nonetheless explore alternatives to the aesthetic and political logics of the neoliberal marketplace.作者: Facet-Joints 時間: 2025-3-23 23:10 作者: limber 時間: 2025-3-24 04:07
Exchange-Rate Management and Policy case study Ray Lee’s . (2011), a headphone performance for an audience of one to be experienced whilst shut inside a very small and very cold box. Through a critical analysis of . informed by affect studies, he identifies the production and experience of affect as important aesthetic features of an作者: Narcissist 時間: 2025-3-24 06:46
https://doi.org/10.1057/9780230372290lston asks: what happens to the productivity of spectatorship in total darkness? He proposes that the inherent creativity and productivity of spectators is exacerbated when faced with the risky prospect of participation. Drawing on risk research in the social sciences and its influence on Third Way 作者: debase 時間: 2025-3-24 13:33
Explaining Global Macroeconomic Eventsvalues inform the company’s influential brand of immersive theatre aesthetics. He addresses the immersion and productivity of audiences in the company’s corporate partnerships and the implicit politics of Punchdrunk’s free-roaming immersive theatre by critically analysing what he calls ‘entrepreneur作者: 半導(dǎo)體 時間: 2025-3-24 16:37 作者: 合群 時間: 2025-3-24 19:39 作者: 淺灘 時間: 2025-3-25 01:05 作者: 使出神 時間: 2025-3-25 03:29
http://image.papertrans.cn/b/image/185204.jpg作者: Fortify 時間: 2025-3-25 08:01
https://doi.org/10.1057/978-1-137-48044-6audience participation; experimentation; immersion; narcissistic participation; performance; Punchdrunk; p作者: 我們的面粉 時間: 2025-3-25 13:33
978-1-349-69394-8The Editor(s) (if applicable) and The Author(s) 2016作者: MIRTH 時間: 2025-3-25 16:56
,Theatre in a Box: Affect and Narcissism in Ray Lee’s ,, case study Ray Lee’s . (2011), a headphone performance for an audience of one to be experienced whilst shut inside a very small and very cold box. Through a critical analysis of . informed by affect studies, he identifies the production and experience of affect as important aesthetic features of an作者: Graves’-disease 時間: 2025-3-25 21:34
,Theatre in the Dark: Spectatorship and Risk in Lundahl & Seitl’s Pitch-Black Theatre,lston asks: what happens to the productivity of spectatorship in total darkness? He proposes that the inherent creativity and productivity of spectators is exacerbated when faced with the risky prospect of participation. Drawing on risk research in the social sciences and its influence on Third Way 作者: 口訣法 時間: 2025-3-26 03:28 作者: cogent 時間: 2025-3-26 06:17
Frustrating Theatre: Shunt in the Experience Economy, consumers. However, Alston considers how immersive theatre makers are finding ways to subvert a culture of producing consumerism by frustrating the productive participation of audiences. Focusing on work by the British theatre collective shunt, he explores frustration as that which interrupts a per作者: 淘氣 時間: 2025-3-26 11:50
,Theatre in the Marketplace: Immaterial Production in Theatre Delicatessen’s Theatre Souk,cognition. However, Alston contends that a young and inexperienced demographic, which risks marginalisation, also make important contributions as immersive theatre makers. Focusing on Theatre Delicatessen’s curation of such work in their pop-up ‘Theatre Souks’, and appropriating the writing of Jacqu作者: Urgency 時間: 2025-3-26 14:50
Dynamic Firewall Configuration Optimization,e compared with the peer standardization efforts for open node interfaces. Two example applications demonstrate how ANs can improve the functionality of today’s networks, and how mobile agents enhance the robustness and performance of the AN solution.作者: 壓迫 時間: 2025-3-26 18:39 作者: 大氣層 時間: 2025-3-26 23:14
Stuart Ibsen,Michael Benchimol,Dmitri Simberg,Sadik Esenernkelhebel und die Bohrbuchse sollen mit der Grundplatte verschwei?t werden. Die Losgr??e betr?gt 5000 Stück..Zun?chst müssen gem?? dem vorgestellten Kap.?1, ?Aufbau und Vorgehensweise des Buches“, die Anforderungen an die Konstruktion definiert werden (siehe auch Hinweise zu Aufbau und Vorgehensweis作者: Inveterate 時間: 2025-3-27 03:00 作者: 懶惰民族 時間: 2025-3-27 08:12 作者: 聯(lián)邦 時間: 2025-3-27 11:36
Applying HCI Methods and Concepts to Architectural Design (Or Why Architects Could Use HCI Even If Tological toolbox of HCI, we demonstrate how user-centric planning can be placed in a structured framework, with tested and easy-to-apply methods serving as the vehicle for holistic user-centered planning processes..The chapter proposes a formal model for understanding usability and user experience i作者: hidebound 時間: 2025-3-27 14:17 作者: 陰謀 時間: 2025-3-27 19:48
Introductionogical phenomena are constituted in certain ways by cultural processes. This recognition has led to the development of a field of studies called cultural psychology. Broadly conceived, it seeks to comprehend the ways in which psychological phenomena are part of cultural life and are interdependent w
