標題: Titlebook: Bernard Shaw’s Fiction, Material Psychology, and Affect; Shaw, Freud, Simmel Stephen Watt Book 2018 The Editor(s) (if applicable) and The A [打印本頁] 作者: 連續(xù)不斷 時間: 2025-3-21 19:45
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書目名稱Bernard Shaw’s Fiction, Material Psychology, and Affect讀者反饋學科排名
作者: 細節(jié) 時間: 2025-3-21 21:03
Book 2018cters. While this study focuses on the protagonists of the five novels Shaw wrote in the late 1870s and early 1880s, it also explores how materialism, feeling, and emotion are linked throughout his entire canon. At the same time, it demonstrates how Shaw’s conceptions of human subjectivity parallel 作者: 影響帶來 時間: 2025-3-22 03:02 作者: 詢問 時間: 2025-3-22 06:29
D. P. R. Muller,J. K. Lloyd,O. H. Wolffwith affect study, as such feelings as shame, fear, anxiety and disgust are shown in the preceding chapters, at times, not only to accompany expressions of desire, but also to overwhelm such stirrings. Modernity and life in the modern metropolis, at least as Shaw represents them, cultivate such affects at least as often as they spark desire.作者: 翅膀拍動 時間: 2025-3-22 11:05 作者: 懦夫 時間: 2025-3-22 13:48
K. Baerlocher,R. Gitzelmann,B. Steinmannnxieties over value, overpayment, and utility in Freud’s dreams and those of his patients. Further, particularly where the prospect of marriage is concerned in Shaw’s novel, the intrusion of social class and money frequently catalyzes blushing and other physiological signs of powerful feelings and deep emotion.作者: 繼承人 時間: 2025-3-22 17:48
,Cashel Byron’s Blush—And Others,nxieties over value, overpayment, and utility in Freud’s dreams and those of his patients. Further, particularly where the prospect of marriage is concerned in Shaw’s novel, the intrusion of social class and money frequently catalyzes blushing and other physiological signs of powerful feelings and deep emotion.作者: 入會 時間: 2025-3-22 22:29 作者: cinder 時間: 2025-3-23 02:37 作者: Adj異類的 時間: 2025-3-23 05:32
https://doi.org/10.1007/978-94-009-9215-3s, this chapter, first, outlines the premises of this undertaking and then, second, deploys Shaw’s 1905 story “The Theatre of the Future” as a primer for later readings of the five novels that Shaw wrote between 1879 and 1883.作者: Relinquish 時間: 2025-3-23 11:59
https://doi.org/10.1007/978-94-009-9215-3ted money’s use as currency in exchange, as capital in investment, and much more. However, as this chapter shows, long before hazarding a lengthy study of economic theory and the flows of capital, Shaw created novels in which characters’ interior lives are shaped by the power of wealth—and by poverty.作者: Detoxification 時間: 2025-3-23 17:38
G. N. Donnell,R. Koch,K. Fishler,W. G. NgShaw’s prefaces are, as a distillation of its themes. Moreover, after the lengthy treatment of . and . in the previous chapter and the sustained examination of blushing and feeling in . that follows, this brief essay might also serve, like an interval at the theatre, as a salutary respite from the lengthy interpretive action that surrounds it.作者: 乏味 時間: 2025-3-23 20:30
,Introduction: On Money, Psychology, and Affect in Bernard Shaw’s Writing,s, this chapter, first, outlines the premises of this undertaking and then, second, deploys Shaw’s 1905 story “The Theatre of the Future” as a primer for later readings of the five novels that Shaw wrote between 1879 and 1883.作者: Parameter 時間: 2025-3-24 01:01 作者: 里程碑 時間: 2025-3-24 03:12 作者: duplicate 時間: 2025-3-24 08:31
https://doi.org/10.1007/978-94-009-9215-3ffect in his work and thought more generally—necessitates articulations between four discourses that are most often considered individually and more than sufficiently complicated in their own right: economics, psychology, affect theory, and, perhaps surprisingly, performance studies. In addition, wh作者: 無可爭辯 時間: 2025-3-24 11:27
Pregnancy in classical galactosaemiake as their . social spaces and events such as parties, dinners, visits to the theatre, and so on. In doing so, the affective dimensions of social encounters, many of which are concerned with a class affiliation inscribed by wealth and so much a part of the “chronic impecuniosity” of Shaw’s early ye作者: BOLT 時間: 2025-3-24 15:08
https://doi.org/10.1007/978-94-009-9215-3nce” of money is not entirely accurate. For, as the readings of Shaw’s first two novels in this chapter confirm, the young novelist knew keenly how poverty ., how money can preoccupy thought and create negative affects such as shame, and how it informs social convention. By the mid-1880s, given his 作者: 無孔 時間: 2025-3-24 22:38
G. N. Donnell,R. Koch,K. Fishler,W. G. Nghments are dashed—Shaw provides a kind of . not just of this novel, but of the larger material psychology that informs his fiction and much of his later work as well. Given the fact that this is the only one of Shaw’s novels lacking any introductory commentary—for, although not preceded by a substan作者: 口音在加重 時間: 2025-3-25 00:08 作者: Flustered 時間: 2025-3-25 05:21 作者: 婚姻生活 時間: 2025-3-25 11:03 作者: refine 時間: 2025-3-25 14:13 作者: 清真寺 時間: 2025-3-25 17:01 作者: Unsaturated-Fat 時間: 2025-3-25 20:36 作者: Genistein 時間: 2025-3-26 00:25
Stephen WattExamines the relationship between materialism, feeling, and emotion throughout Shaw‘s canon.Compares the work of Shaw, Sigmund Freud, and Georg Simmel in relation to human subjectivity.Illuminates the作者: 沒有希望 時間: 2025-3-26 04:19 作者: judiciousness 時間: 2025-3-26 10:17 作者: 豪華 時間: 2025-3-26 14:37
2634-5811 ok explores how theories of so-called ‘marginal economics‘ influence fin de siècle thought about human psychology and the sociology of the modern metropolis, particularly London..978-3-030-10067-4978-3-319-71513-1Series ISSN 2634-5811 Series E-ISSN 2634-582X 作者: Antarctic 時間: 2025-3-26 18:41 作者: PANEL 時間: 2025-3-26 22:02 作者: MOT 時間: 2025-3-27 04:17 作者: COWER 時間: 2025-3-27 05:54 作者: 同義聯(lián)想法 時間: 2025-3-27 11:04 作者: 太空 時間: 2025-3-27 16:48 作者: mediocrity 時間: 2025-3-27 19:48
,Cashel Byron’s Blush—And Others,other phrase that might more effectively encapsulate defining elements of a Shavian psychology—and a Shavian theory of psychology—exhibited by characters in his novels. Part of the reason for doing so, and prefatory to a reading of Shaw’s fourth novel ., is to underscore and amplify the near omnipre作者: 欄桿 時間: 2025-3-28 01:47
The Antinomies of ,,ith two marriages and is populated by character types conventional to social comedy—it is hardly the case that Sidney Trefusis’s psyche (or that of his first wife, Henrietta) is schematized for comic purposes. This is merely one of the novel’s many paradoxes or antinomies. On the contrary, such char作者: 流動才波動 時間: 2025-3-28 02:20
Postscript: Embodied Shaws,the “desiring body” is replaced by the “affective body.” Such a thesis is consistent with the intervention of those contemporary theorists associated with affect study, as such feelings as shame, fear, anxiety and disgust are shown in the preceding chapters, at times, not only to accompany expressio作者: RUPT 時間: 2025-3-28 07:23
