作者: aerial 時(shí)間: 2025-3-21 23:48 作者: Irrigate 時(shí)間: 2025-3-22 04:19
Poet and State,structive because it concerned — literally — the representation of authority. The play is dominated by Asper, whose ‘character’ is defined in the printed text: ‘He is of an ingenious and free spirit, eager and constant in reproof, without fear controlling the world’s abuses. One, whom no servile hop作者: Memorial 時(shí)間: 2025-3-22 04:36
,The ‘Laws’ of Poetry,etween Jonson’s sense of his place as an author within the state (the law of the land) and his respect for the formal ‘laws’ of literature, often (though not always) derived from classical precedent. We have also observed that this respect, although the emphasis might vary from context to context, w作者: Bmd955 時(shí)間: 2025-3-22 11:59
Jonson and Shakespeare,mpany (the Lord Chamberlain’s/King’s Men) staged six of Jonson’s plays . and .) while Shakespeare was alive, and Jonson records that Shakespeare himself acted in the first and third of these. But what we like to think we know beyond this (the mythology) is deeply embedded in the literary culture of 作者: 保守黨 時(shí)間: 2025-3-22 16:07 作者: tendinitis 時(shí)間: 2025-3-22 18:51
Jonson and Shakespeare,Britain, and reveals a good deal of what later ages made of what was — only belatedly and for a very mixed bag of reasons — hailed as a golden age of English letters. In assessing Jonson’s criticism of Shakespeare, we need carefully to steer round the very potent constructions that those later ages have placed upon their relationship.作者: 分發(fā) 時(shí)間: 2025-3-22 21:17
Book 1996 the old supposed rivalry as evidence of competing definitions of authorship. Throughout Richard Dutton suggests how Jonson‘s criticism set the terms for the profession of letters in England for more than a century. Finally an appendix provides a representative selection of Jonson‘s critical work.作者: Juvenile 時(shí)間: 2025-3-23 02:51
The Measurement of Income Inequality,Britain, and reveals a good deal of what later ages made of what was — only belatedly and for a very mixed bag of reasons — hailed as a golden age of English letters. In assessing Jonson’s criticism of Shakespeare, we need carefully to steer round the very potent constructions that those later ages have placed upon their relationship.作者: Oversee 時(shí)間: 2025-3-23 06:17
Book 1996cedented role as a professional author. Each chapter explores a different facet: ‘The Lone Wolf‘ looks at Jonson‘s role in creating a critical discourse to respond to a new literary market-place; ‘Poet and Critic‘ explores the relationship between his ‘creative‘ and ‘critical‘ writing; ‘Poet and Sta作者: nocturnal 時(shí)間: 2025-3-23 11:29 作者: Agronomy 時(shí)間: 2025-3-23 15:35
The Measurement of Income Inequality,o which he turned his hand, and the differing audiences and publishing contexts which these entailed. He was a writer of plays (among which he would distinguish the forms of comedy, comical satire, tragedy and pastoral), of masques and other entertainments commissioned by royal, aristocratic and civ作者: 突變 時(shí)間: 2025-3-23 18:45 作者: 無目標(biāo) 時(shí)間: 2025-3-23 23:41 作者: Synthesize 時(shí)間: 2025-3-24 04:23 作者: 不要不誠(chéng)實(shí) 時(shí)間: 2025-3-24 09:03 作者: Infiltrate 時(shí)間: 2025-3-24 12:32
https://doi.org/10.1057/9780230372498bibliography; chronology; discourse; England; Greece; knowledge; literary criticism; poetry; William Shakesp作者: 并置 時(shí)間: 2025-3-24 18:14
Palgrave Macmillan, a division of Macmillan Publishers Limited 1996作者: Itinerant 時(shí)間: 2025-3-24 21:50 作者: engrossed 時(shí)間: 2025-3-25 01:12 作者: incite 時(shí)間: 2025-3-25 04:22 作者: Friction 時(shí)間: 2025-3-25 10:24
,The ‘Laws’ of Poetry, court and its hangers on. In respect of both of these categories, though for different reasons in either case, the appeal to the ‘laws’ is (for at least the first half of his career) concomitant with a defence of print culture, though there are cases — Spenser is an example — where Jonson will also作者: 腫塊 時(shí)間: 2025-3-25 11:56
‘ examines the old supposed rivalry as evidence of competing definitions of authorship. Throughout Richard Dutton suggests how Jonson‘s criticism set the terms for the profession of letters in England for more than a century. Finally an appendix provides a representative selection of Jonson‘s critical work.978-0-230-37249-8作者: 我沒有強(qiáng)迫 時(shí)間: 2025-3-25 17:51 作者: Intercept 時(shí)間: 2025-3-25 20:27
The Measurement of Income Inequality,nslated Horace’s ., and planned ‘a(chǎn)n epic poem, entitled ., of the worthies of his country roused by fame’ and . of his ‘foot pilgrimage’, which would have been a topographical poem about Scotland (., 1–3, 347–9), though neither of these seems to have come to fruition; he kept a commonplace book, ., 作者: 顯示 時(shí)間: 2025-3-26 02:50
https://doi.org/10.1007/978-0-387-79253-8 of this, and restored to his ‘character’ of Asper, by the sight of the Queen: that is, a boy disguised as Queen Elizabeth actually appeared on stage, and ‘her’ appearance shocked Macilente back to his senses. Someone, however, objected to this (Jonson implies that it was the public, but it may have作者: 殘忍 時(shí)間: 2025-3-26 07:56 作者: 長(zhǎng)處 時(shí)間: 2025-3-26 12:05
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