標(biāo)題: Titlebook: Beckett and Modernism; Olga Beloborodova,Dirk Van Hulle,Pim Verhulst Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Postmo [打印本頁] 作者: 司法權(quán) 時間: 2025-3-21 17:35
書目名稱Beckett and Modernism影響因子(影響力)
書目名稱Beckett and Modernism影響因子(影響力)學(xué)科排名
書目名稱Beckett and Modernism網(wǎng)絡(luò)公開度
書目名稱Beckett and Modernism網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Beckett and Modernism被引頻次
書目名稱Beckett and Modernism被引頻次學(xué)科排名
書目名稱Beckett and Modernism年度引用
書目名稱Beckett and Modernism年度引用學(xué)科排名
書目名稱Beckett and Modernism讀者反饋
書目名稱Beckett and Modernism讀者反饋學(xué)科排名
作者: Cervical-Spine 時間: 2025-3-21 20:47
https://doi.org/10.1007/978-94-009-7651-1 premises. This essay focuses on Joyce’s later work and analyses how Beckett took over from Joyce a concept of the ‘posthuman’ that he deployed in .. It requires to be interpreted with the help of the theories of the philosophers quoted above.作者: Conduit 時間: 2025-3-22 03:19
https://doi.org/10.1007/978-1-4613-3599-3ethan author Edmund Spenser is referenced in ., and how his presence might provide a significant key to understanding how Beckett establishes a political engagement with the recently founded Irish Free State (1922).作者: prosperity 時間: 2025-3-22 06:52
Seksak Chouichom,Lawrence M. Liao these themes, ‘Le Concentrisme’ performs a modernist twist on the classic hoax topos of the falsified posthumous memoir and its proliferating archive, undoing its ostensibly satirical ends through a comic poetics of failure and radical self-negation.作者: 天氣 時間: 2025-3-22 11:17
Seksak Chouichom,Lawrence M. Liaons of theatre to create performances central to Modernist thought, Blau towards the performance of thought on the page, Beckett with a series of theatrical reconceptions that undervalued story and theme to offer a theatre at the limits of thought, a theatre of affective lyricism.作者: 聽寫 時間: 2025-3-22 14:56
Group Cognition and Collaborative AIwork produces a radical normalization of the act that presents it as both unexceptional and lacking in pathos. In Beckett, suicide is (in Henry Maudsley’s phrase) ‘just a necessary incident from time to time’ in the course of the subject’s evolutions.作者: SNEER 時間: 2025-3-22 19:13
How Beckett Has Modified Modernism: From Beckett to Blanchot and Bataille, premises. This essay focuses on Joyce’s later work and analyses how Beckett took over from Joyce a concept of the ‘posthuman’ that he deployed in .. It requires to be interpreted with the help of the theories of the philosophers quoted above.作者: 元音 時間: 2025-3-22 21:29 作者: Fibroid 時間: 2025-3-23 01:53 作者: 易達(dá)到 時間: 2025-3-23 08:18 作者: EWE 時間: 2025-3-23 10:53
,‘Temporarily sane’: Beckett, Modernism, and the Ethics of Suicide,work produces a radical normalization of the act that presents it as both unexceptional and lacking in pathos. In Beckett, suicide is (in Henry Maudsley’s phrase) ‘just a necessary incident from time to time’ in the course of the subject’s evolutions.作者: 賞錢 時間: 2025-3-23 17:10
Book 2018s work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies..作者: 敲竹杠 時間: 2025-3-23 22:06
F. Matsumura,John Quensen,G. Tsushimotoeflecting on Lewis’s novel, and that he tried to supersede both works by means of an intricate labyrinth of allusions, parodies, and witticisms. The triangle which these three novels represent is taken here as an opportunity to trace the dynamic interplay of Lewis and Joyce’s novels in the composition of ..作者: 移動 時間: 2025-3-24 02:10
Beckett, Lewis, Joyce: Reading , through , and ,,eflecting on Lewis’s novel, and that he tried to supersede both works by means of an intricate labyrinth of allusions, parodies, and witticisms. The triangle which these three novels represent is taken here as an opportunity to trace the dynamic interplay of Lewis and Joyce’s novels in the composition of ..作者: 鞏固 時間: 2025-3-24 03:15 作者: 免除責(zé)任 時間: 2025-3-24 07:53
P. Laconte,J. Gibson,A. Rapoport, it first discusses the ‘epiphanic’ modernism of his more canonical predecessors and then traces the contours of Beckett’s own poetics of ‘pejorism’ (a term he coined in the margins of his copy of Olga Plümacher’s . and in his ‘Whoroscope’ Notebook) to examine how his negative modernism is enacted in his works.作者: Conduit 時間: 2025-3-24 13:28
P. Laconte,J. Gibson,A. Rapoportnegativism in relation to that of a number of other twentieth-century European writers, including Franz Kafka, Maurice Blanchot, and Paul Celan, to argue that their ‘unwording’ practices are characteristic of a ‘late’ modernism.作者: white-matter 時間: 2025-3-24 16:23
P. Laconte,J. Gibson,A. Rapoportdetectable in Beckett’s novel .. Focusing on issues of nominalism, serialism, and an ambivalent relationship with Kant, I will read selected passages from the novel in order to demonstrate my argument. The essay will finish with some reflections on what this connection means for notions of Beckett’s Modernism.作者: 微粒 時間: 2025-3-24 20:12 作者: pulse-pressure 時間: 2025-3-25 00:44
F. Matsumura,John Quensen,G. Tsushimotod powerlessness that he drew from the work of André Gide, Fyodor Dostoevsky, and Arthur Schopenhauer. The chapter concludes by arguing that Beckett came to see Joyce’s work as rooted in a Catholic mindset, whereas . is built upon low-church, heretical, or anti-Catholic sensibilities found in Gide, Dostoevsky, and also Arnold Geulincx.作者: 傷心 時間: 2025-3-25 03:46
H. Tosine,D. Smillie,G. A. V. Reesthis essay considers how the conflicts between Beckett’s rejection of Eliot as a critic and his more ambivalent treatment of Eliot as a poet allow for an exploration of the tensions that are central to modernism, and how this impacts the configuration of both Eliot and Beckett within what has come to be thought of as ‘Late Modernism’.作者: Cabg318 時間: 2025-3-25 09:30
Himangana Gupta,Raj Kumar Guptaary on 1920s and 1930s Ireland that should be read as the author’s response of resistance to what he observed. The comic method which Beckett employs as political commentary will be demonstrated as a singularly modernist literary response, and one which he shares with a number of his Irish contemporaries.作者: CARE 時間: 2025-3-25 14:30 作者: COLON 時間: 2025-3-25 19:31 作者: Encumber 時間: 2025-3-25 21:53
Marko Robnik-?ikonja,Marko Bohanectheories of extended cognition, we seek to nuance this position by proposing that Beckett does not exclude external reality but instead collapses the distinction between ‘external’ and ‘internal’, so that ‘what are called outside and inside are one and the same’, as Beckett wrote about the painter Bram van Velde to Georges Duthuit in 1949.作者: Sinus-Node 時間: 2025-3-26 02:06 作者: 賞錢 時間: 2025-3-26 05:15 作者: flex336 時間: 2025-3-26 11:47 作者: 失敗主義者 時間: 2025-3-26 14:37 作者: 使虛弱 時間: 2025-3-26 20:30
,‘Omniscience and omnipotence’: , and the End of ‘Joyceology’,d powerlessness that he drew from the work of André Gide, Fyodor Dostoevsky, and Arthur Schopenhauer. The chapter concludes by arguing that Beckett came to see Joyce’s work as rooted in a Catholic mindset, whereas . is built upon low-church, heretical, or anti-Catholic sensibilities found in Gide, Dostoevsky, and also Arnold Geulincx.作者: FOIL 時間: 2025-3-26 23:59
,‘A new occasion, a new term of relation’: Samuel Beckett and T. S. Eliot,this essay considers how the conflicts between Beckett’s rejection of Eliot as a critic and his more ambivalent treatment of Eliot as a poet allow for an exploration of the tensions that are central to modernism, and how this impacts the configuration of both Eliot and Beckett within what has come to be thought of as ‘Late Modernism’.作者: 窗簾等 時間: 2025-3-27 04:07 作者: 引水渠 時間: 2025-3-27 06:06
Samuel Beckett and Modern Dance, of glorious bodies of the Nazis. His representation of weakness, illness, and disability on stage has had a major influence on French contemporary dance, in particular the choreographer Maguy Marin, who continues in a certain way Samuel Beckett’s political work.作者: 是剝皮 時間: 2025-3-27 11:11
,‘Execrations on another plane’: Film Theory in , and Beckett’s Late Prose,a significant cultural meeting point of literature and cinema. Taking Eisenstein’s writing on film published in . and the magazine’s overall cultural project as points of departure, this paper explores the traces of early cinematic forms and editing theories in Beckett’s late text, . (1981).作者: 造反,叛亂 時間: 2025-3-27 14:53 作者: malign 時間: 2025-3-27 18:42
2634-6478 ewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies..978-3-030-09951-0978-3-319-70374-9Series ISSN 2634-6478 Series E-ISSN 2634-6486 作者: 土坯 時間: 2025-3-28 01:23 作者: 畫布 時間: 2025-3-28 04:32 作者: 全神貫注于 時間: 2025-3-28 10:07
Palgrave Studies in Modern European Literaturehttp://image.papertrans.cn/b/image/181972.jpg作者: NORM 時間: 2025-3-28 13:23
P. Laconte,J. Gibson,A. Rapoports been questioned both on the grounds of periodization and style, with the term ‘late modernist’ increasingly gaining ground in the more recent scholarship. Without disputing Weller’s definition, this essay suggests a different approach by foregrounding Beckett’s trademark ‘fidelity to failure’ and 作者: Optometrist 時間: 2025-3-28 15:51
https://doi.org/10.1007/978-94-009-7651-1t-gardes, modernism as a category was applied retroactively to a preceding corpus. One often hears that modernism culminated in 1922, which situates Beckett as a belated ‘late modernist’. I would suggest a longer periodicity for modernism and see it continue after 1950. It would be represented by wr作者: MELD 時間: 2025-3-28 22:39 作者: adj憂郁的 時間: 2025-3-29 01:21
P. Laconte,J. Gibson,A. Rapoportp after fleeing Paris in 1939. Beckett and Duchamp’s careers cross in other ways in the early 1930s and the two men had many shared interests and enthusiasms. Drawing on well-known sources such as the Kaun letter and ‘Les Peintures des van Veldes’, together with archival sources such as Duchamp’s ‘N作者: refraction 時間: 2025-3-29 04:25
P. Laconte,J. Gibson,A. Rapoportforce of punctuation by suggesting logical and syntactic connections between the fragmentary phrases they interpose upon. Through the weight of their accumulation they also suggest—as per Derrida’s argument in ‘Ulysses gramophone’—an affirmation of the very possibility of affirmation. However, such 作者: Decongestant 時間: 2025-3-29 09:12 作者: 喊叫 時間: 2025-3-29 15:26
F. Matsumura,John Quensen,G. Tsushimotoformer mentor James Joyce. It argues that he came to see Joyce’s heroic aesthetic as representative of the same fault that he had, in the 1930s, found in the work of nineteenth-century realist writers such as Jane Austen and Honoré de Balzac: namely, too much mastery over one’s material and a sense 作者: Camouflage 時間: 2025-3-29 18:32 作者: EVEN 時間: 2025-3-29 20:33 作者: synovial-joint 時間: 2025-3-30 01:56
Himangana Gupta,Raj Kumar Guptatity which sought to accommodate . the contrasting impulses of the historical tradition of Irish myth, the reality of a postcolonial existence, and the promotion of a modern industrialized nation based on new technology. ‘Echo’s Bones’, I argue, demonstrates Beckett’s direct assessment of the nation作者: objection 時間: 2025-3-30 07:38
Seksak Chouichom,Lawrence M. Liaoopoi of the literary hoax. It aims to historicize diverse strands of hoax writing in order to identify more precisely their distinct influences on ‘Le Concentrisme’ specifically, and on Beckett’s modernist poetics more broadly. The significance of these hoax traditions is their interweaving of key B作者: LAVA 時間: 2025-3-30 10:35 作者: Forsake 時間: 2025-3-30 14:19 作者: 盲信者 時間: 2025-3-30 19:29 作者: armistice 時間: 2025-3-30 23:19
Group Cognition and Collaborative AIcusing on the prominence of representations of suicide in modernist literature, I suggest that while Virginia Woolf and James Joyce represent the act with considerable sympathy and understanding, Woolf’s writing gives suicide the privileged status of an event, while in Joyce’s work it is often laden作者: Urologist 時間: 2025-3-31 01:43
Marko Robnik-?ikonja,Marko Bohaneco play, ., was still quite conventional in the way it resorts to dramatic techniques and depicts fictional minds as an interaction between inside and outside, . set off on a radical course leading to the later ‘bare’ soundscapes. Critics have typically defined the evolution of Beckett’s radio drama 作者: 潛移默化 時間: 2025-3-31 07:45
https://doi.org/10.1007/978-3-319-70374-9Postmodernism; Historicism; Radio; Theatre; Avant-Garde作者: 對待 時間: 2025-3-31 12:46
