標(biāo)題: Titlebook: Barry MacSweeney and the Politics of Post-War British Poetry; Seditious Things Luke Roberts Book 2017 The Editor(s) (if applicable) and The [打印本頁] 作者: Taylor 時(shí)間: 2025-3-21 20:02
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作者: Decongestant 時(shí)間: 2025-3-21 23:43 作者: 袋鼠 時(shí)間: 2025-3-22 01:28 作者: 灰姑娘 時(shí)間: 2025-3-22 08:11
,Seeing and Being Seen: Serial Poetry and Surveillance, 1970–75,as a political device. With reference to Brecht, I suggest that the trajectory of MacSweeney’s long sequence ., begun in 1971 and published in 1978, uses the idea of surveillance to combine the poet’s domestic anxieties with an increasingly volatile national political climate.作者: 決定性 時(shí)間: 2025-3-22 10:30 作者: Hamper 時(shí)間: 2025-3-22 14:08 作者: contradict 時(shí)間: 2025-3-22 19:04
Conduction with Heat Generation,e Last Bud’ in the context of its publication in .. I detail the way the poem mocks and travesties the discourse of the magazine and establishes a dialogue with Shelley’s Alastor. The chapter concludes by tracing a set of allusions to Villon, and arguing for the thematic and conceptual coherence of MacSweeney’s early work.作者: GULLY 時(shí)間: 2025-3-23 00:52 作者: flaggy 時(shí)間: 2025-3-23 04:24 作者: 乏味 時(shí)間: 2025-3-23 06:41
Introduction. Technical Applications, Maggie O’Sullivan and John James, and looks at his correspondence with Prynne. The concluding argument focuses on . and looks again at MacSweeney’s representation of the lumpenproletariat, this time in the light of the Meadowell riots in Newcastle, 1991.作者: PIZZA 時(shí)間: 2025-3-23 10:27 作者: charisma 時(shí)間: 2025-3-23 17:10 作者: 教育學(xué) 時(shí)間: 2025-3-23 21:12
Books, Devices, Verbal Chicanery, and Cosmological Range,e Last Bud’ in the context of its publication in .. I detail the way the poem mocks and travesties the discourse of the magazine and establishes a dialogue with Shelley’s Alastor. The chapter concludes by tracing a set of allusions to Villon, and arguing for the thematic and conceptual coherence of MacSweeney’s early work.作者: 委派 時(shí)間: 2025-3-23 23:10
Strikers with Poems: From , to ,,econd half of the chapter focuses on the neglected book-length poem . and MacSweeney’s involvement with the London Poetry Society and the National Union of Journalists in the 1970s. It reads . alongside the work of E.P. Thompson and elucidates how the poem was abandoned at the end of the Grunwick dispute in 1978.作者: 貝雷帽 時(shí)間: 2025-3-24 03:58
,Into the Dangerous Decade: 1979–82,rt Hall, and examines the aesthetic history of representing class domination and the nation state in sexualised terms. The chapter concludes by reading . as a satire of the news coverage of the Falklands War and a critique of changes to the citizenship laws of the UK.作者: Oversee 時(shí)間: 2025-3-24 09:01
Class and Representation: From , to ,, Maggie O’Sullivan and John James, and looks at his correspondence with Prynne. The concluding argument focuses on . and looks again at MacSweeney’s representation of the lumpenproletariat, this time in the light of the Meadowell riots in Newcastle, 1991.作者: 冷淡周邊 時(shí)間: 2025-3-24 11:19 作者: ITCH 時(shí)間: 2025-3-24 18:19 作者: Delirium 時(shí)間: 2025-3-24 20:39 作者: 該得 時(shí)間: 2025-3-25 01:43 作者: Esophagus 時(shí)間: 2025-3-25 05:24
Modern and Contemporary Poetry and Poeticshttp://image.papertrans.cn/b/image/180892.jpg作者: Cultivate 時(shí)間: 2025-3-25 07:46 作者: 完整 時(shí)間: 2025-3-25 15:39 作者: CERE 時(shí)間: 2025-3-25 18:40 作者: 希望 時(shí)間: 2025-3-25 20:18 作者: 弄皺 時(shí)間: 2025-3-26 01:08
https://doi.org/10.1007/978-981-10-1557-1nticism and the New American Poetry. Through an extended interpretation of . (1972), this chapter considers MacSweeney’s portrayal of martyrdom and glamour in the lives of Shelley and Thomas Chatterton. Through a biographical reading of his relationship with Elaine Randell and the death of his frien作者: 我就不公正 時(shí)間: 2025-3-26 06:28 作者: braggadocio 時(shí)間: 2025-3-26 12:07
Introduction. Technical Applications, on MacSweeney’s ambivalent depiction of the unemployed, with reference to Marx’s famous description of the lumpenproletariat and to popular journalism about poverty in the North of England. The reading of the long poem . situates it within the context of the miners’ strike of 1984–85 and the politi作者: meritorious 時(shí)間: 2025-3-26 16:33 作者: Insatiable 時(shí)間: 2025-3-26 17:50
Heat conduction and mass diffusion,ected miners’ utopia in County Durham. It goes on to discuss . as a work bruised by decades of political defeat, invested in complex fantasies of history. While Tony Blair was ‘modernising’ the Labour Party, MacSweeney was in and out of clinics for alcohol addiction. MacSweeney’s reaction to New Lab作者: Salivary-Gland 時(shí)間: 2025-3-26 23:58 作者: QUAIL 時(shí)間: 2025-3-27 05:11
978-3-319-83407-8The Editor(s) (if applicable) and The Author(s) 2017作者: Flagging 時(shí)間: 2025-3-27 07:04 作者: 使腐爛 時(shí)間: 2025-3-27 13:29 作者: 追逐 時(shí)間: 2025-3-27 17:11 作者: Headstrong 時(shí)間: 2025-3-27 20:22 作者: 會(huì)犯錯(cuò)誤 時(shí)間: 2025-3-28 01:20 作者: lethargy 時(shí)間: 2025-3-28 03:17
,Seeing and Being Seen: Serial Poetry and Surveillance, 1970–75,nticism and the New American Poetry. Through an extended interpretation of . (1972), this chapter considers MacSweeney’s portrayal of martyrdom and glamour in the lives of Shelley and Thomas Chatterton. Through a biographical reading of his relationship with Elaine Randell and the death of his frien作者: circumvent 時(shí)間: 2025-3-28 06:25
,Into the Dangerous Decade: 1979–82,amining manuscript material and goes on to elaborate the political context of the turn of the decade. . takes as one of its subjects the ABC trials of whistleblowers and radical journalists in 1977–78. Through archival research, this chapter shows MacSweeney’s interest in these trials with reference作者: Lipoprotein(A) 時(shí)間: 2025-3-28 13:49
Class and Representation: From , to ,, on MacSweeney’s ambivalent depiction of the unemployed, with reference to Marx’s famous description of the lumpenproletariat and to popular journalism about poverty in the North of England. The reading of the long poem . situates it within the context of the miners’ strike of 1984–85 and the politi
