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標(biāo)題: Titlebook: Baroque Aesthetics in Contemporary American Horror; Gabriel Eljaiek-Rodríguez Book 2021 The Editor(s) (if applicable) and The Author(s), u [打印本頁]

作者: LH941    時間: 2025-3-21 16:29
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作者: forecast    時間: 2025-3-21 23:16
Baroque Aesthetics and Horrors,lyzing corresponding cultural products. I define baroque horror, a term that I create and that I use throughout the book, as a contemporary manifestation of baroque and neo-baroque ideas, feelings, and tropes in US horror cinema of the twenty-first century. I clarify how my use of the term baroque h
作者: 關(guān)心    時間: 2025-3-22 02:27
US Baroque Horror Series: ,. and with particular attention to . In these series, ghosts, serial killers, vampires, and demons –that typically would have their own movie or show –share spaces with living humans, an interaction that can be either enlightening or deadly for inhabitants and visitors. I read this monstrous multipl
作者: 牽索    時間: 2025-3-22 08:26

作者: 抵押貸款    時間: 2025-3-22 11:20
Baroque Horror Politics. , and ,heir stance concerning social and political issues—both in the US and internationally. In this chapter, I read Jordan Peele’s . and ., the seventh season of . as baroque horror products designed to propagate discussions on race, class, and violence, as well as to question the place of the horror gen
作者: 描繪    時間: 2025-3-22 13:34
,Conclusion: “My name is Legion for we are many.”,lf. I tie together the films and series analyzed in the book through their responses to contemporary US politics, particularly to the re-adoption of nationalist and nativist ideologies and the push for an exclusive, monolithic US identity. This analysis will solidify the book’s interest in portrayin
作者: 大包裹    時間: 2025-3-22 17:13
his book as?.Baroque Horror.. In many ways similar to the reactions provoked by the artistic movement of the same name that flourished in the XVII century, these productions induce shock, awe, fear, and surpris978-3-030-88253-2978-3-030-88251-8
作者: 織布機    時間: 2025-3-22 21:26
Baroque Aesthetics in Contemporary American Horror
作者: Presbycusis    時間: 2025-3-23 02:20
Baroque Aesthetics in Contemporary American Horror978-3-030-88251-8
作者: 流逝    時間: 2025-3-23 06:32
Book 2021nres of iconic horror films come together to make up an aesthetic that is referred to in this book as?.Baroque Horror.. In many ways similar to the reactions provoked by the artistic movement of the same name that flourished in the XVII century, these productions induce shock, awe, fear, and surpris
作者: instructive    時間: 2025-3-23 11:31

作者: Mortar    時間: 2025-3-23 16:04

作者: 技術(shù)    時間: 2025-3-23 21:09

作者: BOOR    時間: 2025-3-24 01:26

作者: Kinetic    時間: 2025-3-24 04:42
Blood Viscosity in Myocardial Infarction. and with particular attention to . In these series, ghosts, serial killers, vampires, and demons –that typically would have their own movie or show –share spaces with living humans, an interaction that can be either enlightening or deadly for inhabitants and visitors. I read this monstrous multipl
作者: Cabinet    時間: 2025-3-24 07:29

作者: Phenothiazines    時間: 2025-3-24 11:51
Blood Viscosity in Myocardial Infarctionheir stance concerning social and political issues—both in the US and internationally. In this chapter, I read Jordan Peele’s . and ., the seventh season of . as baroque horror products designed to propagate discussions on race, class, and violence, as well as to question the place of the horror gen
作者: 方便    時間: 2025-3-24 15:23

作者: 王得到    時間: 2025-3-24 22:51
https://doi.org/10.1007/978-3-030-88251-8Baroque; Horror; American Film and TV; Contemporary Cinema; Influence; Hybrid; Socio-political Commentary
作者: Osteoporosis    時間: 2025-3-25 02:22

作者: Banister    時間: 2025-3-25 06:25
Blood Viscosity in Myocardial Infarctionalized unitarian identity. The two series, therefore, approach the contemporary US political and cultural crisis as complex and in need of baroque discussions that interconnect discourses of race, class, gender—instead of resorting to complacent identity simplifications.
作者: Entreaty    時間: 2025-3-25 09:10
https://doi.org/10.1007/978-1-62703-386-2 horror movies. I will read . as a key organization that embodies the broader methodological perspectives discussed in my book, as well as a force motivating the restructuration of modern-day filmic US horror.
作者: Heretical    時間: 2025-3-25 12:00
Baroque Horror Politics. , and ,alized unitarian identity. The two series, therefore, approach the contemporary US political and cultural crisis as complex and in need of baroque discussions that interconnect discourses of race, class, gender—instead of resorting to complacent identity simplifications.
作者: prosthesis    時間: 2025-3-25 18:05

作者: 蓋他為秘密    時間: 2025-3-25 22:17

作者: 健壯    時間: 2025-3-26 02:04

作者: 職業(yè)    時間: 2025-3-26 06:39
Heart Perfusion, Energetics, and Ischemiaion of baroque and neo-baroque ideas, feelings, and tropes in US horror cinema of the twenty-first century. I clarify how my use of the term baroque horror is rooted aesthetically in the saturation of tropes and characters distinctive of the movement, tracing the different variations of the baroque in Spain, Latin America, the US—and its fringes.
作者: 愛社交    時間: 2025-3-26 09:18

作者: savage    時間: 2025-3-26 14:26

作者: 緯度    時間: 2025-3-26 16:58

作者: 食道    時間: 2025-3-26 23:06

作者: 輕快走過    時間: 2025-3-27 02:31
US Baroque Horror Series: ,tand the excess of representation of US social horrors—mass shootings, serial killers, racial violence—in . as a way in which baroque horror complicates socio-political discussion, opposing multiplicity against simple unitary identities.
作者: 蛛絲    時間: 2025-3-27 06:36

作者: 流浪    時間: 2025-3-27 11:27
Blood Viscosity in Myocardial Infarctionelf. It allows baroque horror to reflect and challenge contemporary US socio-political discourses that advocate for a unitarian and exclusive identity, such as right-wing nationalisms, anti-immigration ideologies, nativist policies, monolithic identity politics.
作者: micronized    時間: 2025-3-27 15:19
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作者: 價值在貶值    時間: 2025-3-27 19:23
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作者: 寵愛    時間: 2025-3-27 23:28
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作者: 統(tǒng)治人類    時間: 2025-3-28 05:34
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