標(biāo)題: Titlebook: Art and Memorialisation; Truth-Telling Throug Genevieve Grieves,Amy Spiers Book 2024 The Editor(s) (if applicable) and The Author(s), under [打印本頁] 作者: 迅速 時間: 2025-3-21 18:21
書目名稱Art and Memorialisation影響因子(影響力)
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書目名稱Art and Memorialisation網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Art and Memorialisation被引頻次
書目名稱Art and Memorialisation被引頻次學(xué)科排名
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書目名稱Art and Memorialisation讀者反饋
書目名稱Art and Memorialisation讀者反饋學(xué)科排名
作者: 托人看管 時間: 2025-3-21 21:12
Analytic Torsion, Flows and Foliationss irredeemably colonial; they also came up with several propositions that could counter the Cottage more substantively than any gestures towards incorporating Indigenous perspectives into its existing displays.作者: 神圣不可 時間: 2025-3-22 02:44
https://doi.org/10.1007/b104338Wiradjuri artist Brook Andrew and settler artist and designer Trent Walter in late 2016. In the chapter that follows, the authors reflect upon Christina Sharpe’s notion of . and through it identify a need for a deeper ethical relationship of care between the living and those who have passed when engaging in acts of memorialisation.作者: GULLY 時間: 2025-3-22 07:01 作者: 名次后綴 時間: 2025-3-22 09:16
Exposure Therapy: Spectacles, Monuments and the Question of CareWiradjuri artist Brook Andrew and settler artist and designer Trent Walter in late 2016. In the chapter that follows, the authors reflect upon Christina Sharpe’s notion of . and through it identify a need for a deeper ethical relationship of care between the living and those who have passed when engaging in acts of memorialisation.作者: 生氣的邊緣 時間: 2025-3-22 15:07
Hamiltonian Cycle Problem and Markov Chainse including . (1986), . (2003), . (2004) and . (2008). It also describes Foley’s strong wish to see a public memorial commemorating the 1851 massacre of Badtjala people on K’gari (Fraser Island) in her lifetime.作者: HEAVY 時間: 2025-3-22 19:14 作者: Defense 時間: 2025-3-23 00:50
2524-5767 es on contemporary Indigenous public art practice with contr.This edited volume reflects on the profound effort undertaken by artists to contest settler denial and amnesia to disclose Australia‘s foundations in racialised violence and land theft. The book examines how First Nations creative and cult作者: Conduit 時間: 2025-3-23 02:43 作者: 忙碌 時間: 2025-3-23 08:53 作者: 細胞 時間: 2025-3-23 12:26 作者: 一再困擾 時間: 2025-3-23 16:42
The Violence of Denial: Genevieve Grieves in Conversation with Tony Birch the works in the exhibition, the absence of memorials to First Peoples, and the means by which First Nations creatives resist the colonial psychosis of denial to produce recognition of Australia’s foundation in violence.作者: 暖昧關(guān)系 時間: 2025-3-23 18:15
Introduction: Artists confronting the violence of denial in Australia,e colonisers while remaining silent about their theft and mass murder, as First Peoples repeatedly call for truth-telling about Australia’s troubling foundations in violence. Positioning and grounding their separate research practices, Grieves and Spiers continue by identifying that the realm of art作者: Dislocation 時間: 2025-3-23 22:25
The Violence of Denial: Genevieve Grieves in conversation with Vicki Couzens and Julie Goughfestival based in Naarm (Melbourne). The exhibition showcased female and non-binary First Nations artists who work with screen-based media to disclose Australia’s violent colonial past. The artists featured in the exhibition—Dianne Jones, Vicki Couzens, Julie Gough and?r e a—are all engaged in regen作者: 情感脆弱 時間: 2025-3-24 05:07
The Violence of Denial: Genevieve Grieves in Conversation with Dianne Jones and r e aorimi researcher, curator, artist and filmmaker, Genevieve Grieves at Arts House for Yirramboi First Nations arts festival, Naarm (Melbourne) in 2017. In this second talk transcript, Genevieve Grieves discusses artworks from the exhibition, . (2009) and . (2017), with artists r e a (Gamilaraay/Wailw作者: Flu表流動 時間: 2025-3-24 07:00 作者: 騷動 時間: 2025-3-24 11:35 作者: chance 時間: 2025-3-24 17:17
Remembering Those Who Have Gone Beforestrated brutality that occurred on Queensland‘s colonial frontier through a committed public and contemporary art practice that started during her undergraduate studies in the 1980s. Foley argues that public art is a way of putting in plain sight a history that has been shrouded in silence and compl作者: Ankylo- 時間: 2025-3-24 22:16 作者: Ligneous 時間: 2025-3-25 01:32 作者: Apoptosis 時間: 2025-3-25 03:23 作者: 低能兒 時間: 2025-3-25 07:45
Exposure Therapy: Spectacles, Monuments and the Question of Care authors’ double positions as descendant relatives of Aboriginal historical figures represented by public monuments as well as observers of an emerging cultural obsession with public monuments that commemorate traumatic colonial events. In this dialogical text Alizzi and Lehman discuss their shared 作者: Discrete 時間: 2025-3-25 13:48
Book 2024nt contribution to scholarship on the public memorialisation of difficult histories, this significant edited collection?foregrounds First Nations, female, queer, trans and gender diverse artists and scholars from the continent that is known as ‘Australia‘...Taken together these deeply researched, co作者: FRAX-tool 時間: 2025-3-25 16:23 作者: indignant 時間: 2025-3-25 21:04 作者: 預(yù)兆好 時間: 2025-3-26 00:33
The Violence of Denial: Genevieve Grieves in conversation with Vicki Couzens and Julie Goughcademic and writer, Tony Birch. The transcripts reveal how artists resist colonial amnesia and engage in truth-telling through creative practice, while at the same time acknowledging the emotional cost of engaging in such memorial acts. In this first transcript, Genevieve Grieves yarns with?artists 作者: NATTY 時間: 2025-3-26 06:46
Mass Exposure: Memory Laundering, Racial Literacy and the Art of Truth-Tellingl in education and the visual colonising through statues, street names and commemorative practices in place making, are pivotal to this process. Kelada and Jones explore how this strategic use of forgetting may be countered through increasing racial literacy, drawing on art by Jones and other First 作者: CAND 時間: 2025-3-26 11:15
What Should the City of Melbourne Do with the Inaccurate and Offensive John Batman Memorial Obelisk?ion that the Batman obelisk will quietly disappear due to a forthcoming multi-million-dollar renewal of the market, Spiers’ chapter argues that the redevelopment provides a significant opportunity for the City of Melbourne to fulfil its declared commitment to truth-tell the impact of the colonial pa作者: 向宇宙 時間: 2025-3-26 13:37 作者: FIS 時間: 2025-3-26 17:20
Hamiltonian Cycle Problem and Markov Chainscademic and writer, Tony Birch. The transcripts reveal how artists resist colonial amnesia and engage in truth-telling through creative practice, while at the same time acknowledging the emotional cost of engaging in such memorial acts. In this first transcript, Genevieve Grieves yarns with?artists 作者: 法律 時間: 2025-3-26 22:43 作者: 脫毛 時間: 2025-3-27 04:50
L. H. Eliasson,Sergei B. Kuksinion that the Batman obelisk will quietly disappear due to a forthcoming multi-million-dollar renewal of the market, Spiers’ chapter argues that the redevelopment provides a significant opportunity for the City of Melbourne to fulfil its declared commitment to truth-tell the impact of the colonial pa作者: impaction 時間: 2025-3-27 07:30 作者: 有罪 時間: 2025-3-27 11:45
Hamiltonian Cycle Problem and Markov Chainsrialscape, the toppling of Cook statues by activists in Naarm (Melbourne), the blindness of settlers and the ongoing invisibility and absence of memorials to Yamaji on their Country in?Geraldton, Western Australia.作者: 不成比例 時間: 2025-3-27 17:41 作者: Minuet 時間: 2025-3-27 21:49
Hamiltonian Cycle Problem and Markov Chainsfestival based in Naarm (Melbourne). The exhibition showcased female and non-binary First Nations artists who work with screen-based media to disclose Australia’s violent colonial past. The artists featured in the exhibition—Dianne Jones, Vicki Couzens, Julie Gough and?r e a—are all engaged in regen作者: 鋼筆尖 時間: 2025-3-27 22:56 作者: musicologist 時間: 2025-3-28 03:22 作者: 格子架 時間: 2025-3-28 07:25 作者: 發(fā)源 時間: 2025-3-28 13:50 作者: DAMN 時間: 2025-3-28 15:11 作者: 性行為放縱者 時間: 2025-3-28 20:16
Analytic Torsion, Flows and Foliationsed in a central Melbourne park. In 2018, Paola Balla, Clare Land, and Kate Golding came together to respond collaboratively to an approach from the City of Melbourne to assist the City in ‘incorporating Indigenous perspectives’ into the historical displays at Cooks’ Cottage. They renegotiated the br作者: 離開真充足 時間: 2025-3-29 00:07 作者: 尖叫 時間: 2025-3-29 07:04
https://doi.org/10.1007/b104338 authors’ double positions as descendant relatives of Aboriginal historical figures represented by public monuments as well as observers of an emerging cultural obsession with public monuments that commemorate traumatic colonial events. In this dialogical text Alizzi and Lehman discuss their shared
