標(biāo)題: Titlebook: Alessandro Scarlatti; Das kompositorische Sabine Ehrmann-Herfort,Gerhard Kuck Book 2024Latest edition B?renreiter-Verlag Karl V?tterle Gmb [打印本頁] 作者: 轉(zhuǎn)變 時間: 2025-3-21 16:52
書目名稱Alessandro Scarlatti影響因子(影響力)
書目名稱Alessandro Scarlatti影響因子(影響力)學(xué)科排名
書目名稱Alessandro Scarlatti網(wǎng)絡(luò)公開度
書目名稱Alessandro Scarlatti網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Alessandro Scarlatti被引頻次
書目名稱Alessandro Scarlatti被引頻次學(xué)科排名
書目名稱Alessandro Scarlatti年度引用
書目名稱Alessandro Scarlatti年度引用學(xué)科排名
書目名稱Alessandro Scarlatti讀者反饋
書目名稱Alessandro Scarlatti讀者反饋學(xué)科排名
作者: 我怕被刺穿 時間: 2025-3-21 21:26
,Introduction – What Is This Guide About?,uftr?ge an und erhoffte sich dadurch Chancen für eine Anstellung, die sich allerdings in beiden F?llen nicht realisieren lie?.1 Doch waren bereits Ende des 17. Jahrhunderts gerade Scarlattis Opern – zumindest gefühlt – überall in Italien pr?sent.作者: 外面 時間: 2025-3-22 02:47 作者: tangle 時間: 2025-3-22 05:25
Book 2024Latest editionEntstehungssituationen sowie die vielf?ltigen Kontakte, die Scarlatti zu Kulturschaffenden pflegte, als konstituierend mit ein. So entfaltet sich ein umfangreiches Panorama seines an der Tradition orientierten, mitunter auch innovativ vorausweisenden kompositorischen Schaffens.作者: 愛好 時間: 2025-3-22 12:24
Book 2024Latest edition stammende Komponist t?tig, und dies mit gro?em Erfolg. Aber auch an anderen Orten Italiens sch?tzte man seine Musik, sodass Scarlattis vielf?ltiges und weit verbreitetes ?uvre um 1700 einen pr?genden Einfluss auf die musikalische Kultur seines Landes gewann.Der Band pr?sentiert in methodisch unters作者: 突變 時間: 2025-3-22 14:55
Analecta musicologicahttp://image.papertrans.cn/b/image/167373.jpg作者: 交響樂 時間: 2025-3-22 20:32
https://doi.org/10.1007/978-3-7618-7139-3Jahrhundert; Jahrhundert; über Personen; Barock; Jahrbücher und wissenschaftliche Reihen作者: 作繭自縛 時間: 2025-3-22 23:53 作者: 星球的光亮度 時間: 2025-3-23 05:00
,Introduction – What Is This Guide About?,ucht, Fu? zu fassen, freilich nicht immer mit demselben Erfolg. So verbindet sein Lebenslauf den tiefen Süden des Landes mit Mittel- und Oberitalien. Geboren wurde Scarlatti in Palermo auf Sizilien, am südlichen Ende der italienischen Halbinsel. Neapel und Rom, beide auf dem italienischen Festland g作者: 寬度 時間: 2025-3-23 05:48 作者: 胰島素 時間: 2025-3-23 12:17 作者: 有常識 時間: 2025-3-23 13:53
,Learners’ Alternative Conceptions, settings fully ascribed to Scarlatti, leaving aside revisions and ...Some preliminary thoughts are offered on the principal elements of plot and on the models and their adaptation in the case of long-standing librettos. Following this excursus, the interactions between music, word and gesture are e作者: 過渡時期 時間: 2025-3-23 21:54 作者: deforestation 時間: 2025-3-24 01:46
The Variety of Data Science Learnerscluded culturally influential figures of Roman society such as Cardinal Benedetto Pamphilj and the exiled Swedish Queen Christina. Christina founded a literary academy, which gave birth to the Accademia dell’Arcadia. This academy brought together many of Scarlatti’s other patrons like Prince Frances作者: CLAN 時間: 2025-3-24 05:30
,Introduction—What is This Guide About?,t different sources..Focusing on collectors and historiographers active in Italy and elsewhere during the 18. and 19. centuries, the first part of the essay analyses the mutability of opinion on Alessandro Scarlatti’s cantatas. A reflection on the current dissemination of Scarlatti’s manuscripts in 作者: Tincture 時間: 2025-3-24 09:18
,Introduction—What is This Guide About?,erior compared to the secular repertoire. However, Scarlatti wrote church compositions throughout his life. This essay is divided into five parts. The first concerns the relationship between the composer and the musical institutions in which he worked, between Rome and Naples, and the different cont作者: 失敗主義者 時間: 2025-3-24 12:47
Social and Ethical Issues of Data Sciencentatas, and for setting Guarini’s madrigal ?Cor mio deh non languire? to music. Einstein would only have known this one madrigal, printed by Giovanni Battista Martini in 1775 in his .. Since then, Scarlatti’s eight extant madrigals have been published, and their bibliographical provenance has been p作者: saphenous-vein 時間: 2025-3-24 17:00
Data Science as a Research Method70 instrumental works. In addition, due to the paucity of surviving source material – and the associated problems of dating and contextualisation – these works have so far received little attention in research and practice. Scarlatti’s instrumental music, however, is characterized on closer examinat作者: 護(hù)身符 時間: 2025-3-24 20:14 作者: Pseudoephedrine 時間: 2025-3-25 01:20
Einleitung,ucht, Fu? zu fassen, freilich nicht immer mit demselben Erfolg. So verbindet sein Lebenslauf den tiefen Süden des Landes mit Mittel- und Oberitalien. Geboren wurde Scarlatti in Palermo auf Sizilien, am südlichen Ende der italienischen Halbinsel. Neapel und Rom, beide auf dem italienischen Festland g作者: Acetaminophen 時間: 2025-3-25 05:15 作者: sorbitol 時間: 2025-3-25 07:42 作者: 發(fā)酵 時間: 2025-3-25 15:30 作者: 鎮(zhèn)壓 時間: 2025-3-25 16:27 作者: 小樣他閑聊 時間: 2025-3-25 21:12 作者: 獨輪車 時間: 2025-3-26 00:19
,Alessandro Scarlatti – ?der fruchtbarste und originellste Komponist von Kammerkantaten?,t different sources..Focusing on collectors and historiographers active in Italy and elsewhere during the 18. and 19. centuries, the first part of the essay analyses the mutability of opinion on Alessandro Scarlatti’s cantatas. A reflection on the current dissemination of Scarlatti’s manuscripts in 作者: Apraxia 時間: 2025-3-26 08:15
Alessandro Scarlattis geistliche Musik,erior compared to the secular repertoire. However, Scarlatti wrote church compositions throughout his life. This essay is divided into five parts. The first concerns the relationship between the composer and the musical institutions in which he worked, between Rome and Naples, and the different cont作者: inventory 時間: 2025-3-26 09:03
Die spekulative Kunst des Komponierens Scarlatti und das polyphone Madrigal,ntatas, and for setting Guarini’s madrigal ?Cor mio deh non languire? to music. Einstein would only have known this one madrigal, printed by Giovanni Battista Martini in 1775 in his .. Since then, Scarlatti’s eight extant madrigals have been published, and their bibliographical provenance has been p作者: 蟄伏 時間: 2025-3-26 16:00 作者: surmount 時間: 2025-3-26 20:08 作者: 驕傲 時間: 2025-3-26 21:29
Orit Hazzan,Tami Lapidot,Noa Ragonischapel. The composer was absolutely essential to Carpio’s larger project ? raising the quality and production standards of opera in Naples. This survey of Scarlatti’s operas to 1687 describes the typology of the operas, the nature of the arias, operatic casting, the circumstances of production (wher作者: d-limonene 時間: 2025-3-27 02:27
Orit Hazzan,Tami Lapidot,Noa Ragonisw patterns in the formal arrangement of operas that had not previously been taken into account. The final part of the article examines the physical and musical production of operas, taking a close look at the carnival season of 1696-1697 and at the cycle of five librettos written by Stampiglia for v作者: dapper 時間: 2025-3-27 06:39
,Learners’ Alternative Conceptions, final part explores the introductory sinfonias; situations having a visual impact calling for instrumental insertions; instances that accommodate . recitative; the use in arias or ensembles of special instrumental colouring (wind instruments or instrumental soloists) or changes in meters and tempo,作者: cornucopia 時間: 2025-3-27 11:49
Orit Hazzan,Noa Ragonis,Tami Lapidotorio composition. The librettos of his first oratorios appear to be quite archaic and the tonal language still noticeably related to the recitar cantando, while in the later works the libretti seem to be moving, astonishingly, towards the metastasian model. Furthermore, the mature baroque tonal lang作者: Irascible 時間: 2025-3-27 14:47
The Variety of Data Science Learnerstti influenced the genre like almost no other composer of his time. One characteristic of these cantatas for Roman patrons catches the eye: the exclusivity of the compositions for certain performance contexts. The cantatas were composed for the . and . of the Roman elite and unlike numerous other co作者: 勉強(qiáng) 時間: 2025-3-27 21:09 作者: 抱負(fù) 時間: 2025-3-27 23:15 作者: opportune 時間: 2025-3-28 04:08 作者: Lacerate 時間: 2025-3-28 06:57 作者: 秘密會議 時間: 2025-3-28 11:58 作者: 輕快走過 時間: 2025-3-28 17:17 作者: 異端邪說2 時間: 2025-3-28 18:56
,überlegungen zu den Opern von Alessandro Scarlatti nach 1702, final part explores the introductory sinfonias; situations having a visual impact calling for instrumental insertions; instances that accommodate . recitative; the use in arias or ensembles of special instrumental colouring (wind instruments or instrumental soloists) or changes in meters and tempo,作者: Implicit 時間: 2025-3-29 01:30
Historische und evolutive Dynamik im Oratorienschaffen von Alessandro Scarlatti,orio composition. The librettos of his first oratorios appear to be quite archaic and the tonal language still noticeably related to the recitar cantando, while in the later works the libretti seem to be moving, astonishingly, towards the metastasian model. Furthermore, the mature baroque tonal lang作者: BLUSH 時間: 2025-3-29 06:09
,?By the genius and abilities of Ales. Scarlatti?,tti influenced the genre like almost no other composer of his time. One characteristic of these cantatas for Roman patrons catches the eye: the exclusivity of the compositions for certain performance contexts. The cantatas were composed for the . and . of the Roman elite and unlike numerous other co
