標(biāo)題: Titlebook: Audience Participation in Theatre; Aesthetics of the In Gareth White Book 20131st edition Palgrave Macmillan, a division of Macmillan Publi [打印本頁(yè)] 作者: 出租車 時(shí)間: 2025-3-21 16:11
書目名稱Audience Participation in Theatre影響因子(影響力)
書目名稱Audience Participation in Theatre影響因子(影響力)學(xué)科排名
書目名稱Audience Participation in Theatre網(wǎng)絡(luò)公開(kāi)度
書目名稱Audience Participation in Theatre網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書目名稱Audience Participation in Theatre被引頻次
書目名稱Audience Participation in Theatre被引頻次學(xué)科排名
書目名稱Audience Participation in Theatre年度引用
書目名稱Audience Participation in Theatre年度引用學(xué)科排名
書目名稱Audience Participation in Theatre讀者反饋
書目名稱Audience Participation in Theatre讀者反饋學(xué)科排名
作者: progestin 時(shí)間: 2025-3-21 20:39 作者: APEX 時(shí)間: 2025-3-22 01:49 作者: 盤旋 時(shí)間: 2025-3-22 06:52
Conclusion,vitation to join the action of a performance is made and accepted, the audience participant becomes material of a different kind, more carefully shaped and manipulated, more productive of signs and affects, more complex as a site of perception and action. To unpack some of this complexity (and inevi作者: LASH 時(shí)間: 2025-3-22 09:30 作者: 改正 時(shí)間: 2025-3-22 16:50
Book 20131st editionThis book asks that we consider the practices that facilitate audience participation on equal terms with other elements of the theatre maker‘s art; it offers a theoretical basis for this new approach, illustrated by examples from diverse participatory performances.作者: Abnormal 時(shí)間: 2025-3-22 18:41
978-1-137-35463-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2013作者: SUGAR 時(shí)間: 2025-3-23 01:12
https://doi.org/10.1007/978-3-322-83750-9 taking part in an audience participatory performance. These three questions present areas of uncertainty in the understanding of interactive artworks when we consider them alongside more conventional works. They are also concerned with the nature of the artwork, especially in relation to the contri作者: 禍害隱伏 時(shí)間: 2025-3-23 03:41
Martin K. Welge,Michael A. Peschkethe characters we watch most closely in audience participatory performance are often the people who perform, rather than the characters they portray. Audience participants are not professionals, so they do not put their reputations in jeopardy in the way that Goffman describes here, but they have re作者: 發(fā)起 時(shí)間: 2025-3-23 09:21 作者: flaggy 時(shí)間: 2025-3-23 11:03
https://doi.org/10.1007/978-3-8349-4625-6vitation to join the action of a performance is made and accepted, the audience participant becomes material of a different kind, more carefully shaped and manipulated, more productive of signs and affects, more complex as a site of perception and action. To unpack some of this complexity (and inevi作者: ALOFT 時(shí)間: 2025-3-23 14:28
http://image.papertrans.cn/b/image/164969.jpg作者: 寬度 時(shí)間: 2025-3-23 21:15
https://doi.org/10.1007/978-3-322-82856-9There are few things in the theatre that are more despised than audience participation. The prospect of audience participation makes people fearful; the use of audience participation makes people embarrassed, not only for themselves but for the theatre makers who choose to inflict it on their audiences.作者: OATH 時(shí)間: 2025-3-24 00:18 作者: overreach 時(shí)間: 2025-3-24 03:05 作者: 美色花錢 時(shí)間: 2025-3-24 07:13
Accepting the Invitation,The questions of this chapter relate to the experience of accepting an invitation to participate, in particular the consequences that this has for the reception of a piece of participatory theatre for the audience participant, as their ‘point of view’ in relation to the performance alters radically at this point. The key questions are:作者: 有幫助 時(shí)間: 2025-3-24 11:18
https://doi.org/10.1007/978-3-8349-4625-6tably only some of it) I have examined the invitation itself, and described it as an authored procedure. From this proposition I have asked what aspects of the participant become manipulable material and how this happens, what kinds of resistance and embodied engagement are likely to be at stake, and what involvement in the action may feel like.作者: 壯麗的去 時(shí)間: 2025-3-24 18:15
https://doi.org/10.1007/978-3-322-83750-9 when we consider them alongside more conventional works. They are also concerned with the nature of the artwork, especially in relation to the contribution of the audience participant. The questions are:作者: 無(wú)能力之人 時(shí)間: 2025-3-24 22:17 作者: 謙虛的人 時(shí)間: 2025-3-25 02:36 作者: BUDGE 時(shí)間: 2025-3-25 03:46
Risk and Rational Action,utational damage, such that the maintenance of control and the assertion of agency that protects this decorum is important to the potential audience participant, especially at the moment of invitation.作者: photophobia 時(shí)間: 2025-3-25 09:26
Irrational Interactions,scious decision making of individuals, and make them susceptible to guidance from a crowd or from a performer. This idea of ‘state of mind’ is also largely misleading, as changes in the mind are often initiated and evidenced in changes in the body — and as I shall show, a clear distinction between m作者: 重力 時(shí)間: 2025-3-25 12:10
Martin K. Welge,Michael A. Peschkeutational damage, such that the maintenance of control and the assertion of agency that protects this decorum is important to the potential audience participant, especially at the moment of invitation.作者: 高爾夫 時(shí)間: 2025-3-25 16:20 作者: CHIP 時(shí)間: 2025-3-25 20:57
Dynamics of Homogeneous Systems a system to occupy a nonequilibrium state. Thus, we now turn our attention to the situations when the system initially is not in one of the states of equilibrium and would like to know what happens to the system next. Specifically, we want to answer the following question: What is the equation that作者: sed-rate 時(shí)間: 2025-3-26 00:30 作者: 易碎 時(shí)間: 2025-3-26 08:18
Corporate Social Responsibility: Business Stepping Up?e (in Stone, 2012). It is likely an observation shared by many in the corporate sector, which helps explain why corporate social respon-sibility (CSR) is a prominent feature of today’s corporate environment. Most large companies go to considerable effort to cultivate a positive CSR profile. This ref作者: 表否定 時(shí)間: 2025-3-26 12:06 作者: 細(xì)微差別 時(shí)間: 2025-3-26 16:17
Holonomic Gradient Method for the Cumulative Distribution Function of the Largest Eigenvalue of a Cications systems. We also give a brief survey of the use of multivariate analysis in wireless communication and the holonomic gradient method for statistical problems of performance evaluation in wireless communication.作者: fibula 時(shí)間: 2025-3-26 20:33
Conference proceedings 2009 The tutorials and workshops were organized in topical sections on constraint-based tutoring systems; new paradigms for adaptive interaction; adaption and personalization for Web 2.0; lifelong user modelling; personalization in mobile and pervasive computing; ubiquitous user modeling; user-centred design and evaluation of adaptive systems.作者: 類型 時(shí)間: 2025-3-26 22:32 作者: incarcerate 時(shí)間: 2025-3-27 04:17
Ye Wu,Yuanjing Feng,Dinggang Shen,Pew-Thian Yapkliste festgehalten Kap.?4 entspricht einer solchen Checkliste und führt die kritischen Erfolgsfaktoren und ihre notwendigen Bedingungen für das Erreichen operativer Exzellenz auf. Die Komposition der zu berücksichtigenden Bausteine ist in Abb.?4.1 dargestellt. Es gilt zu beachten, dass die Darstell作者: Moderate 時(shí)間: 2025-3-27 09:14 作者: 確定方向 時(shí)間: 2025-3-27 10:58 作者: 向外 時(shí)間: 2025-3-27 16:16
A Seamless and Adaptive LOD Model of the Global Terrain Based on the QTM taught.Challenges mainstream economics and forces readers tThis book carves the beginnings of a new path in the arguably weary discipline of economics. It combines a variety of perspectives – from the history of ideas to epistemology – in order to try to understand what has gone so wrong with econo作者: 不持續(xù)就爆 時(shí)間: 2025-3-27 18:27 作者: Overdose 時(shí)間: 2025-3-28 01:25
Multiscalar Approaches to Settlement Pattern Analysisother disciplines, but as yet with minimal impact on archaeological practice. There remains some value in Clark and Evan’s nearest neighbour function for identifying relationships between sites at one scale of analysis, but it may fail to detect larger-scale patterning. More critically, the dichotom
