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標(biāo)題: Titlebook: Arts & Economics; Analysis & Cultural Bruno S. Frey Book 20001st edition Springer-Verlag Berlin Heidelberg 2000 Art Economics.Cultural Eco [打印本頁]

作者: Exacting    時(shí)間: 2025-3-21 19:09
書目名稱Arts & Economics影響因子(影響力)




書目名稱Arts & Economics影響因子(影響力)學(xué)科排名




書目名稱Arts & Economics網(wǎng)絡(luò)公開度




書目名稱Arts & Economics網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Arts & Economics被引頻次




書目名稱Arts & Economics被引頻次學(xué)科排名




書目名稱Arts & Economics年度引用




書目名稱Arts & Economics年度引用學(xué)科排名




書目名稱Arts & Economics讀者反饋




書目名稱Arts & Economics讀者反饋學(xué)科排名





作者: FIG    時(shí)間: 2025-3-21 20:43
,‘You must not speak of us as cousins’,2). These persons argue that if art issues were subject to (direct) democratic decisions, public support for the arts would drop to an abominably low level, and to the extent art is still supported, would be of terrible quality.
作者: Eulogy    時(shí)間: 2025-3-22 04:20
Book 20001st editionomic constraints, must it not lead a life of its own? And is economics not the realm of mean commercial dealings? This book argues that it is not so: the ARTS and ECONOMICS go well together, indeed need each other. Without a sound economic base, art cannot exist, and without creativity the economy c
作者: 不發(fā)音    時(shí)間: 2025-3-22 07:00

作者: Cytokines    時(shí)間: 2025-3-22 09:22
Evaluating Cultural Propertyrrent funds for repairing and safeguarding the objects. In order to be able to make reasonable decisions, an evaluation of the . of the cultural heritage (compared to relevant alternatives) is required.
作者: 使入迷    時(shí)間: 2025-3-22 13:52

作者: jungle    時(shí)間: 2025-3-22 18:41
Public Support for the Arts in a Direct Democracy2). These persons argue that if art issues were subject to (direct) democratic decisions, public support for the arts would drop to an abominably low level, and to the extent art is still supported, would be of terrible quality.
作者: 脫離    時(shí)間: 2025-3-22 21:39

作者: 淺灘    時(shí)間: 2025-3-23 04:29

作者: EXPEL    時(shí)間: 2025-3-23 07:45

作者: harrow    時(shí)間: 2025-3-23 13:33

作者: 殘暴    時(shí)間: 2025-3-23 13:53
,‘You must not speak of us as cousins’, to the citizens. A popular referendum on an art issue must be decided by a cultural élite. This judgement is shared by most economists, even by those who in other areas of life unquestionably accept consumer sovereignty as the guiding norm for resource allocation (a typical example is Scitovsky 197
作者: 俗艷    時(shí)間: 2025-3-23 21:04
Critical Classroom Praxis and Conclusion,ber of years. One of the reasons for this interest certainly stems from lay people’s belief that the art market yields huge profits in comparison to ordinary financial markets — at least when the investors are well-informed. This belief has been nourished by the media, which were all too ready to pr
作者: 愛哭    時(shí)間: 2025-3-24 01:42

作者: Ptosis    時(shí)間: 2025-3-24 03:05
Superstar Museums: An Economic Analysishe generally well-known and world famous museums of art, particularly those focusing on paintings. I shall call these institutions “.” because they have a special status, which sets them apart from other museums.
作者: 干旱    時(shí)間: 2025-3-24 08:49

作者: 會(huì)議    時(shí)間: 2025-3-24 14:03

作者: 男學(xué)院    時(shí)間: 2025-3-24 17:32

作者: 射手座    時(shí)間: 2025-3-24 20:17

作者: STAT    時(shí)間: 2025-3-25 00:53

作者: 最小    時(shí)間: 2025-3-25 03:46

作者: Oligarchy    時(shí)間: 2025-3-25 08:49

作者: 東西    時(shí)間: 2025-3-25 12:02
Art: The Economic Point of ViewWhenever economists study areas outside their traditional field of economy, they run the danger of misperceiving what contribution they are able to make. Only if the choice of what aspects to study is carried out carefully can a useful and novel contribution from the part of economics be expected.
作者: fertilizer    時(shí)間: 2025-3-25 16:13

作者: panorama    時(shí)間: 2025-3-25 23:14

作者: indemnify    時(shí)間: 2025-3-26 03:25

作者: 無禮回復(fù)    時(shí)間: 2025-3-26 07:26
Bruno S. FreyOne of the most fascinating applications of economics.Written by a leading expert in application of economics in non-economic fields
作者: GOUGE    時(shí)間: 2025-3-26 11:52
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作者: FLACK    時(shí)間: 2025-3-26 13:00

作者: breadth    時(shí)間: 2025-3-26 18:01

作者: 文藝    時(shí)間: 2025-3-26 23:51
https://doi.org/10.1007/978-0-387-73578-8he generally well-known and world famous museums of art, particularly those focusing on paintings. I shall call these institutions “.” because they have a special status, which sets them apart from other museums.
作者: anniversary    時(shí)間: 2025-3-27 04:30

作者: 事與愿違    時(shí)間: 2025-3-27 08:28
Art Investment Returns$82.5 million and Renoir’s . sold for $78.1 million. The simple expectation of ever exploding arts prices proved to be drastically false, considering the marked downfall of such prices after 1989. Thus, for example, as late as in May 1996, Picasso’s . failed to sell (i.e. was“bought in”) at $4.8 mil
作者: Conduit    時(shí)間: 2025-3-27 09:29
Critical Classroom Praxis and Conclusion,$82.5 million and Renoir’s . sold for $78.1 million. The simple expectation of ever exploding arts prices proved to be drastically false, considering the marked downfall of such prices after 1989. Thus, for example, as late as in May 1996, Picasso’s . failed to sell (i.e. was“bought in”) at $4.8 mil
作者: jettison    時(shí)間: 2025-3-27 16:15

作者: Headstrong    時(shí)間: 2025-3-27 18:05

作者: 喊叫    時(shí)間: 2025-3-28 01:34

作者: Inferior    時(shí)間: 2025-3-28 03:23
Special Exhibitions and Festivals: Culture’s Booming Path to Gloryist (often in commemoration of his or her birth or death), or a group of artists, may focus on a period or a genre of paintings, or may establish a connection to some historical event (see Belcher 1991, p. 49).
作者: 無所不知    時(shí)間: 2025-3-28 06:19
How Can the Arts Be Publicly Promoted? They express reservations regarding an economic analysis of artistic and cultural creation, or call for the economic consideration at least to be based on an aesthetic analysis of supply of and demand for art.. But art — like beauty, freedom or justice — is an abstract concept and therefore cannot
作者: 十字架    時(shí)間: 2025-3-28 10:50
Public Support for the Arts in a Direct Democracy to the citizens. A popular referendum on an art issue must be decided by a cultural élite. This judgement is shared by most economists, even by those who in other areas of life unquestionably accept consumer sovereignty as the guiding norm for resource allocation (a typical example is Scitovsky 197
作者: OVERT    時(shí)間: 2025-3-28 14:57
Art Investment Returnsber of years. One of the reasons for this interest certainly stems from lay people’s belief that the art market yields huge profits in comparison to ordinary financial markets — at least when the investors are well-informed. This belief has been nourished by the media, which were all too ready to pr
作者: 懶惰民族    時(shí)間: 2025-3-28 20:19

作者: jet-lag    時(shí)間: 2025-3-29 01:49
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