標(biāo)題: Titlebook: Artistic Research in Performance through Collaboration; Martin Blain,Helen Julia Minors Book 2020 The Editor(s) (if applicable) and The Au [打印本頁(yè)] 作者: memoir 時(shí)間: 2025-3-21 17:51
書目名稱Artistic Research in Performance through Collaboration影響因子(影響力)
書目名稱Artistic Research in Performance through Collaboration影響因子(影響力)學(xué)科排名
書目名稱Artistic Research in Performance through Collaboration網(wǎng)絡(luò)公開度
書目名稱Artistic Research in Performance through Collaboration網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Artistic Research in Performance through Collaboration被引頻次
書目名稱Artistic Research in Performance through Collaboration被引頻次學(xué)科排名
書目名稱Artistic Research in Performance through Collaboration年度引用
書目名稱Artistic Research in Performance through Collaboration年度引用學(xué)科排名
書目名稱Artistic Research in Performance through Collaboration讀者反饋
書目名稱Artistic Research in Performance through Collaboration讀者反饋學(xué)科排名
作者: discord 時(shí)間: 2025-3-21 20:34
The design of a new FPGA architecture,rchers in music performance. I question the usefulness of a one-size-fits-all conceptualisation and definition of research collaboration. Highlighting the knowledge-political issues and power hierarchies that have been pervasive in the context of musicological and music psychological research that i作者: Carcinoma 時(shí)間: 2025-3-22 01:11 作者: 辮子帶來(lái)幫助 時(shí)間: 2025-3-22 06:51 作者: employor 時(shí)間: 2025-3-22 09:17 作者: Incumbent 時(shí)間: 2025-3-22 13:11 作者: 施加 時(shí)間: 2025-3-22 20:53 作者: hair-bulb 時(shí)間: 2025-3-23 00:14
Multithreading for Logic-Centric Systemsdance, the authors compare understandings of collaboration, authorship and ownership between dance and the law (copyright). Collaboration emerges as a key component of contemporary dance but one which is poorly framed in the law. The chapter explores how the artists see themselves as ‘a(chǎn)uthors’ and ‘作者: nitric-oxide 時(shí)間: 2025-3-23 01:38 作者: mediocrity 時(shí)間: 2025-3-23 08:09
Milena Císlerová,T. Vogel,J. Simuneke course of making the multi/interdisciplinary performance . Focusing on their respective positions as ‘insider’ and ‘outsider’, the authors consider the efficacy of different types of collaborative approaches tried out over the course of the project in relation to what, following Lavender, they def作者: parallelism 時(shí)間: 2025-3-23 13:34
Milena Císlerová,T. Vogel,J. Simunekve industries and the fine arts. This has created significant new opportunities to expand and explore what arts practice is and does, and how it operates in the world in terms of not just enrichment, social value and societal well-being but also innovation, industry and business. Collaboratively gen作者: 大都市 時(shí)間: 2025-3-23 15:17 作者: 思想上升 時(shí)間: 2025-3-23 21:46 作者: 暫時(shí)休息 時(shí)間: 2025-3-24 02:02
Martin Blain,Helen Julia MinorsExplores new approaches to, and new understandings of, arts performance practice through the processes of collaboration.Examines the role of the practitioner-researcher across a variety of art forms.E作者: 歌唱隊(duì) 時(shí)間: 2025-3-24 05:08 作者: 敏捷 時(shí)間: 2025-3-24 07:05 作者: 發(fā)起 時(shí)間: 2025-3-24 11:54
978-3-030-38601-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 免費(fèi) 時(shí)間: 2025-3-24 16:01 作者: Enthralling 時(shí)間: 2025-3-24 21:45
Why Collaborate? Critical Reflections on Collaboration in Artistic Research in Classical Music Perforchers in music performance. I question the usefulness of a one-size-fits-all conceptualisation and definition of research collaboration. Highlighting the knowledge-political issues and power hierarchies that have been pervasive in the context of musicological and music psychological research that i作者: 盤旋 時(shí)間: 2025-3-25 01:12
The Aesthetics of Artistic Collaborationrs of artistic materials, buyers, patrons and art lovers, as well as artists themselves. The Romantic conception of the individual artistic genius remains dominant in Western culture, and in those cultures that seek to emulate it—modern, and modernist, aesthetics assume an individualised artistic vi作者: Microaneurysm 時(shí)間: 2025-3-25 04:27 作者: Daily-Value 時(shí)間: 2025-3-25 08:09 作者: Loathe 時(shí)間: 2025-3-25 14:47 作者: 積極詞匯 時(shí)間: 2025-3-25 16:52 作者: Perigee 時(shí)間: 2025-3-25 22:29 作者: 人類學(xué)家 時(shí)間: 2025-3-26 02:24 作者: cacophony 時(shí)間: 2025-3-26 05:14 作者: 聾子 時(shí)間: 2025-3-26 10:57
Connecting Silos: Examples of Arts Organisation and HEI Collaborations at the Foundation for Art andve industries and the fine arts. This has created significant new opportunities to expand and explore what arts practice is and does, and how it operates in the world in terms of not just enrichment, social value and societal well-being but also innovation, industry and business. Collaboratively gen作者: Acclaim 時(shí)間: 2025-3-26 15:54
Artistic Research in Performance through Collaboration作者: arousal 時(shí)間: 2025-3-26 19:20 作者: 預(yù)感 時(shí)間: 2025-3-26 23:21 作者: Visual-Field 時(shí)間: 2025-3-27 01:14 作者: moratorium 時(shí)間: 2025-3-27 06:10 作者: aerial 時(shí)間: 2025-3-27 11:58 作者: 可互換 時(shí)間: 2025-3-27 15:05
Lecture Notes in Computer Sciencehin both teaching and individual approaches. The chapter discusses how this knowledge applies to wider issues of creativity and the creative industries, where issues about the role of self-determining collectives in relation to problems of economies of production and adaptability into manufacturing models remain.作者: 偽造者 時(shí)間: 2025-3-27 18:41
Gunter Haug,Wolfgang Rosenstielions and methods. I show how the collaboration was affected by such tensions and the differing degrees to which it was able to resolve them. I conclude with a discussion of the need for productive tension and the role of collaboration in maintaining the integrity of the practitioner-researcher role and realising its potential in both areas.作者: Collision 時(shí)間: 2025-3-28 01:57
Milena Císlerová,T. Vogel,J. Simunekted’ and disinterested’ aesthetic judgement, as well as Carroll’s taxonomy for qualifying aesthetic experience. The resulting critique provides significant insights into creative development and collaborative decision-making processes in performance-making projects.作者: 欺騙世家 時(shí)間: 2025-3-28 04:42 作者: 改革運(yùn)動(dòng) 時(shí)間: 2025-3-28 09:58 作者: Aqueous-Humor 時(shí)間: 2025-3-28 13:21 作者: 推延 時(shí)間: 2025-3-28 18:32 作者: vascular 時(shí)間: 2025-3-28 22:08 作者: 葡萄糖 時(shí)間: 2025-3-29 02:55
Field Programmable Logic and Applicationsicians when introduced by a member of the ensemble. The manner in which contemporary musicians have found ways to improvise these elements with a sense of ‘rightness’ is then discussed, using an ensemble of respected young British improvisers as a case study.作者: 四指套 時(shí)間: 2025-3-29 05:29
Multithreading for Logic-Centric Systemsood) and law specialist (Pavis) were involved. Working with professional disabled choreographers, the project investigated how legal frameworks supported (or not) the making of dance by these artists.作者: entitle 時(shí)間: 2025-3-29 08:36
Hamish Fallside,Michael J. S. Smithre . draws attention to the intertwining of distinct disciplines, their identities synthesise in the second performance work, ., in which drawing and performance collapse together as dancer turns drawer through direct interaction with a material line.作者: impaction 時(shí)間: 2025-3-29 11:24
Milena Císlerová,T. Vogel,J. Simunekers offers key impact potential that demonstrates research excellence, and being able to access a new body of knowledge and skills enriches and deepens the innovation portfolio of the cultural organisation.作者: calorie 時(shí)間: 2025-3-29 16:19 作者: deactivate 時(shí)間: 2025-3-29 22:21
The Right Thing to Play? Issues of Riff, Groove and Theme in Freely Improvised Ensemble Music: A Casicians when introduced by a member of the ensemble. The manner in which contemporary musicians have found ways to improvise these elements with a sense of ‘rightness’ is then discussed, using an ensemble of respected young British improvisers as a case study.作者: 閃光你我 時(shí)間: 2025-3-30 01:20
Creative Industries and Copyright: Research into Collaborative Artistic Practices in Danceood) and law specialist (Pavis) were involved. Working with professional disabled choreographers, the project investigated how legal frameworks supported (or not) the making of dance by these artists.作者: fatty-acids 時(shí)間: 2025-3-30 07:45 作者: Amnesty 時(shí)間: 2025-3-30 11:15 作者: Complement 時(shí)間: 2025-3-30 14:29
The Place of Artistic Research in Higher Educationl be of interest to a wider readership. Four issues which are central to the volume are explored: Partnerships, Ethics, Performance and Dissemination. Then, this chapter proposes a strategy of collaboration which addresses the various stages and concerns a collaborative artistic research project would benefit from engaging with.作者: PALMY 時(shí)間: 2025-3-30 16:46
The Aesthetics of Artistic Collaborationsion. But these Western conceptions can also embrace modes of collective production. In particular, the chapter addresses the collaboration implicit in architecture, in particular vernacular architecture, and examines the concept of organic unity.
