標(biāo)題: Titlebook: Artificial Intelligence in Music, Sound, Art and Design; 9th International Co Juan Romero,Anikó Ekárt,Jo?o Correia Conference proceedings 2 [打印本頁(yè)] 作者: 建筑物的正面 時(shí)間: 2025-3-21 18:17
書(shū)目名稱(chēng)Artificial Intelligence in Music, Sound, Art and Design影響因子(影響力)
書(shū)目名稱(chēng)Artificial Intelligence in Music, Sound, Art and Design影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Artificial Intelligence in Music, Sound, Art and Design網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Artificial Intelligence in Music, Sound, Art and Design網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Artificial Intelligence in Music, Sound, Art and Design被引頻次
書(shū)目名稱(chēng)Artificial Intelligence in Music, Sound, Art and Design被引頻次學(xué)科排名
書(shū)目名稱(chēng)Artificial Intelligence in Music, Sound, Art and Design年度引用
書(shū)目名稱(chēng)Artificial Intelligence in Music, Sound, Art and Design年度引用學(xué)科排名
書(shū)目名稱(chēng)Artificial Intelligence in Music, Sound, Art and Design讀者反饋
書(shū)目名稱(chēng)Artificial Intelligence in Music, Sound, Art and Design讀者反饋學(xué)科排名
作者: BARGE 時(shí)間: 2025-3-21 23:19 作者: 紋章 時(shí)間: 2025-3-22 02:10
Albert Albers,Berend Denkena,Sven Matthiesenrate images, many automatically generated Zentangles are aesthetically pleasing and consist of naturalistic patterns. Interactively generated Zentangles are pleasing because they are tailored to the preferences of the user creating them.作者: 牛馬之尿 時(shí)間: 2025-3-22 06:35 作者: 取回 時(shí)間: 2025-3-22 08:57
https://doi.org/10.1007/978-3-642-31931-0In total 6705 audio pieces including 11 musical instruments are used to validate the efficacy of our proposed approach. The results are compared to four benchmarking methods and show significant improvements in terms of precision, recall and F1 measures.作者: 報(bào)復(fù) 時(shí)間: 2025-3-22 16:07
Adapting and Enhancing Evolutionary Art for Casual Creation,mage quality, feedback quality and the potential for users to have fun. We conclude with a description of how the app, which is destined for public release, will also be used as a research platform and as part of an art installation.作者: 即席演說(shuō) 時(shí)間: 2025-3-22 20:36 作者: Intentional 時(shí)間: 2025-3-22 22:58 作者: ENDOW 時(shí)間: 2025-3-23 05:18
Emerging Technology System Evolution,oach is used with small populations of individual designs. The system is being developed using web browser technology. A minimum functionality proof of concept system has been implemented. Next steps and current challenges are discussed.作者: 送秋波 時(shí)間: 2025-3-23 08:28 作者: GROVE 時(shí)間: 2025-3-23 10:43 作者: CHAFE 時(shí)間: 2025-3-23 17:29 作者: 流浪 時(shí)間: 2025-3-23 19:36
An Aesthetic-Based Fitness Measure and a Framework for Guidance of Evolutionary Design in Architecte of evolutionary design in architecture. The aesthetic-based fitness measure combing quantitative and qualitative criteria was applied in this case study to evaluate form and function of architectural design solutions.作者: 不易燃 時(shí)間: 2025-3-24 02:07 作者: Hla461 時(shí)間: 2025-3-24 05:57
Emulation Games,s. The conceptual framework, in which is situated our game, can be defined as a possible epistemogony, a space where the physiology of knowledge and the making are activated, and from which we intend to highlight certain conditions that make possible both the so-called scientific research, and art making.作者: 陳舊 時(shí)間: 2025-3-24 07:43 作者: FLEET 時(shí)間: 2025-3-24 12:13 作者: 不要嚴(yán)酷 時(shí)間: 2025-3-24 15:59
Understanding Aesthetic Evaluation Using Deep Learning,mensionality reduction methods to visualise both genotype and phenotype space in order to support the exploration of new territory in any generative system. Convolutional Neural Networks trained on the user’s prior aesthetic evaluations are used to suggest new possibilities similar or between known high quality genotype-phenotype mappings.作者: POWER 時(shí)間: 2025-3-24 21:34
Objective Evaluation of Tonal Fitness for Chord Progressions Using the Tonal Interval Space,perceptually assess the proposed . measure across different chord progressions, and compared the results with existing related models. The perceptual rating results show that our objective measure improves the estimation of a chord progression’s . in comparison with existing models.作者: bisphosphonate 時(shí)間: 2025-3-25 01:52 作者: 向前變橢圓 時(shí)間: 2025-3-25 04:09
https://doi.org/10.1007/978-3-662-49714-2representations that encode image position, alongside interpreters that transform these positions into one of three pre-defined shapes (chunks, polygons, or circles) of varying size, shape, and color. We showcase a sampling of the unique image variations produced by this approach.作者: 啞巴 時(shí)間: 2025-3-25 08:56
Coevolving Artistic Images Using OMNIREP,representations that encode image position, alongside interpreters that transform these positions into one of three pre-defined shapes (chunks, polygons, or circles) of varying size, shape, and color. We showcase a sampling of the unique image variations produced by this approach.作者: 微不足道 時(shí)間: 2025-3-25 13:59
Conference proceedings 2020d full papers presented were carefully reviewed and selected from 31 submissions. The papers cover a wide spectrum of topics and application areas, including generative approaches to music and visual art, deep learning, and architecture..作者: scotoma 時(shí)間: 2025-3-25 19:28 作者: irradicable 時(shí)間: 2025-3-25 20:27 作者: accessory 時(shí)間: 2025-3-26 01:04 作者: 引水渠 時(shí)間: 2025-3-26 05:24 作者: FOVEA 時(shí)間: 2025-3-26 10:08
https://doi.org/10.1007/978-3-658-24618-1esses. Further implications of the theory of evolution for cultural development in the concept of memetics and the form of genetic algorithms build an interdisciplinary network of different theories and methodologies, from which the proposed model of genetic improvisation emerges.作者: Forehead-Lift 時(shí)間: 2025-3-26 16:10 作者: 縱欲 時(shí)間: 2025-3-26 19:06
Conference proceedings 2020020, held as part of Evo*2020, in Seville, Spain, in April 2020, co-located with the Evo*2020 events EuroGP, EvoCOP and EvoApplications..The 15 revised full papers presented were carefully reviewed and selected from 31 submissions. The papers cover a wide spectrum of topics and application areas, in作者: dominant 時(shí)間: 2025-3-27 00:36 作者: 樂(lè)器演奏者 時(shí)間: 2025-3-27 05:11
Adapting and Enhancing Evolutionary Art for Casual Creation, We discuss here how we adapted and enhanced an evolutionary art approach for casual creation. Employing a fun-first methodology for the app design, we improved image production speed and the quality of randomly generated images. We further employed machine vision techniques for image categorisation作者: arabesque 時(shí)間: 2025-3-27 09:02 作者: esculent 時(shí)間: 2025-3-27 09:50 作者: 親屬 時(shí)間: 2025-3-27 15:34
Emerging Technology System Evolution, directed acyclic graphs with nodes representing different technologies and data or media types. The naming of system and data components is intended to be populated by a subjective, personal ontology. The source material can be simply modified by a user who wishes to explore a space of possibilitie作者: Hallowed 時(shí)間: 2025-3-27 18:40 作者: 拱墻 時(shí)間: 2025-3-28 00:28 作者: gait-cycle 時(shí)間: 2025-3-28 04:58
Portraits of No One: An Interactive Installation, easiness never seen before. In this paper, we present an interactive installation that explores the generation of facial portraits in the borderline between the real and artificial. The presented installation synthesises new human faces by recombining the facial features of its audience and display作者: Myocyte 時(shí)間: 2025-3-28 07:45 作者: 無(wú)法取消 時(shí)間: 2025-3-28 13:40 作者: 刪除 時(shí)間: 2025-3-28 18:19
Objective Evaluation of Tonal Fitness for Chord Progressions Using the Tonal Interval Space, to evaluate chord progressions should reflect their .. In this work, we propose an objective measure of the fitness of a chord progression within the Western tonal context computed in the Tonal Interval Space, where distances capture tonal music principles. The measure considers four parameters, na作者: MOCK 時(shí)間: 2025-3-28 19:44
Coevolving Artistic Images Using OMNIREP,terest. Herein, we demonstrate that the OMNIREP framework can be successfully applied within the field of evolutionary art. Specifically, we coevolve representations that encode image position, alongside interpreters that transform these positions into one of three pre-defined shapes (chunks, polygo作者: AMEND 時(shí)間: 2025-3-29 01:04 作者: 植物群 時(shí)間: 2025-3-29 06:42
Controlling Self-organization in Generative Creative Systems,ses. There have been many such usages of complex systems (CSs) for artistic purposes, but deciding which parameters to use for such unpredictable systems can lead to a feeling of lack of control. For our purposes, we struggled to gain enough control over the AChem real-time image generation tool to 作者: CANDY 時(shí)間: 2025-3-29 09:35
Emulation Games,ises, this paper proposes to describe an emulation game that addresses an approach to the area of .. It is in this context where we are designing, performing and valuing certain technical devices that could reveal, or make effective, computational events associated with the emergence of consciousnes作者: 媒介 時(shí)間: 2025-3-29 13:35
Artificial Intelligence in Music, Sound, Art and Design978-3-030-43859-3Series ISSN 0302-9743 Series E-ISSN 1611-3349 作者: 征兵 時(shí)間: 2025-3-29 19:03 作者: 駭人 時(shí)間: 2025-3-29 23:13
978-3-030-43858-6Springer Nature Switzerland AG 2020作者: AUGER 時(shí)間: 2025-3-30 00:51 作者: 泰然自若 時(shí)間: 2025-3-30 07:42 作者: 定點(diǎn) 時(shí)間: 2025-3-30 11:08
,Der Urknall – Wie alles begann, We discuss here how we adapted and enhanced an evolutionary art approach for casual creation. Employing a fun-first methodology for the app design, we improved image production speed and the quality of randomly generated images. We further employed machine vision techniques for image categorisation作者: 范圍廣 時(shí)間: 2025-3-30 13:49 作者: 競(jìng)選運(yùn)動(dòng) 時(shí)間: 2025-3-30 20:08
Albert Albers,Berend Denkena,Sven Matthiesen. Picbreeder interactively evolves images based on user preferences, and selected image tiles are sent to WFC. WFC generates patterns by filling a grid with various rotations of the tile images, placed according to simple constraints. Then other images from Picbreeder act as templates for combining 作者: 衰老 時(shí)間: 2025-3-30 21:39 作者: 發(fā)起 時(shí)間: 2025-3-31 03:06
https://doi.org/10.1007/978-3-642-31931-0s due to its uniqueness and high commercial value in key areas of music analysis such as music retrieval and automatic music transcription. With the attention paid to deep learning and artificial intelligence, they have been more and more widely applied in the field of MIR, thus making breakthroughs
