標(biāo)題: Titlebook: Art Theory for a Global Pluralistic Age; The Glocal Artist Steven Félix-J?ger Book 2020 The Editor(s) (if applicable) and The Author(s), un [打印本頁(yè)] 作者: 關(guān)稅 時(shí)間: 2025-3-21 17:41
書目名稱Art Theory for a Global Pluralistic Age影響因子(影響力)
書目名稱Art Theory for a Global Pluralistic Age影響因子(影響力)學(xué)科排名
書目名稱Art Theory for a Global Pluralistic Age網(wǎng)絡(luò)公開度
書目名稱Art Theory for a Global Pluralistic Age網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Art Theory for a Global Pluralistic Age被引頻次
書目名稱Art Theory for a Global Pluralistic Age被引頻次學(xué)科排名
書目名稱Art Theory for a Global Pluralistic Age年度引用
書目名稱Art Theory for a Global Pluralistic Age年度引用學(xué)科排名
書目名稱Art Theory for a Global Pluralistic Age讀者反饋
書目名稱Art Theory for a Global Pluralistic Age讀者反饋學(xué)科排名
作者: Accolade 時(shí)間: 2025-3-21 23:46
http://image.papertrans.cn/b/image/161811.jpg作者: antedate 時(shí)間: 2025-3-22 03:43
https://doi.org/10.1007/978-3-030-29706-0Globalism; contemporary art; art theory; humanities; glocal; analytic aesthetics; pluralism作者: dowagers-hump 時(shí)間: 2025-3-22 04:34 作者: 陳腐思想 時(shí)間: 2025-3-22 10:47 作者: 被告 時(shí)間: 2025-3-22 14:15 作者: perjury 時(shí)間: 2025-3-22 20:32
Externes Simultanes Engineeringing a building down block by block, the global pluralistic age is the new building that was constructed out of those old blocks. The global pluralistic age is not an outright rejection of modernity, but a nonlinear trajectory that considers multiple narratives while balancing multiple modernities. W作者: Migratory 時(shí)間: 2025-3-22 22:54
https://doi.org/10.1007/978-1-4615-6991-6 paths toward the same globalized reality, creating a vast cross-cultural dialogue that envelops every aspect of culture, including art. In today’s world of art, globalization is not a one-way street where Western artists indoctrinate the total discourse on art. Rather, majority world artists and ma作者: SOBER 時(shí)間: 2025-3-23 02:56
https://doi.org/10.1007/978-1-4615-6991-6rson’s local narrative establishes his or her base of world knowledge. Globalization, however, presents layered narratives beyond a local point of reference. Artist identities form through a negotiation of local, transnational, and emerging global narrative identifications. Artists today see a serie作者: conduct 時(shí)間: 2025-3-23 06:07 作者: 群居動(dòng)物 時(shí)間: 2025-3-23 13:43
Between Democracy and Efficiency,its own history and fosters its own narrative, it also propagates the rules of engagement for any artifact that relates to the community’s guiding narrative. A person’s experiences are grafted into a community’s guiding narrative through what Paul Ricoeur calls “emplotment.” Experiences are essentia作者: GAVEL 時(shí)間: 2025-3-23 14:42 作者: 不發(fā)音 時(shí)間: 2025-3-23 21:11
Introduction,dresses the present era’s shift toward global pluralism. The book takes on an analytic approach to construct a narrative-hermeneutical theory of art that can classify, understand, and judge artworks that engage glocal narratives.作者: meditation 時(shí)間: 2025-3-23 23:17
Book 2020lities of art, this book helps viewers evaluate art across cultural boundaries. Art can be universally classified by an evaluation of its guiding narrative, and can be understood and judged through hermeneutical methods. Since artists engage culture through various local, transnational, and emerging作者: Frisky 時(shí)間: 2025-3-24 05:46 作者: 滲入 時(shí)間: 2025-3-24 09:08 作者: Constituent 時(shí)間: 2025-3-24 14:01 作者: delta-waves 時(shí)間: 2025-3-24 15:37 作者: 節(jié)省 時(shí)間: 2025-3-24 22:41 作者: 不確定 時(shí)間: 2025-3-25 03:06 作者: 帶來 時(shí)間: 2025-3-25 06:12 作者: exclusice 時(shí)間: 2025-3-25 10:28 作者: cortisol 時(shí)間: 2025-3-25 15:40 作者: 威脅你 時(shí)間: 2025-3-25 16:30
The Global Pluralistic Conditionorld that acknowledges and values global expressions of art, and makes room for all the artistic discoveries of bygone eras. Consequently, this new lateral emphasis has caused the West to open itself back up to a globalized, cosmopolitan, pluralist present.作者: Mosaic 時(shí)間: 2025-3-25 21:08
The Effects of Globalization on Art and Aestheticstuates a plurality of critical voices. With a new emphasis on plurality, theories of art fail if they are based on particularized intrinsic qualities. As such, a glocal theory of art must find extrinsic qualities for classifying and evaluating art.作者: Spina-Bifida 時(shí)間: 2025-3-26 00:31
Negotiating Glocal Narrativeser, are still rooted in particular locales even while engaging and passing through myriad cultural surroundings. Artists aid in cultural flattening within the globalization project, yet add distinctive local narratives to the artworld as well. A glocal theory of art admits and amalgamates both local frames and networks of competing frames.作者: coalition 時(shí)間: 2025-3-26 05:30 作者: concert 時(shí)間: 2025-3-26 09:24 作者: 厭倦嗎你 時(shí)間: 2025-3-26 13:02
Introduction,dresses the present era’s shift toward global pluralism. The book takes on an analytic approach to construct a narrative-hermeneutical theory of art that can classify, understand, and judge artworks that engage glocal narratives.作者: Ceremony 時(shí)間: 2025-3-26 18:49
The Global Pluralistic Conditioning a building down block by block, the global pluralistic age is the new building that was constructed out of those old blocks. The global pluralistic age is not an outright rejection of modernity, but a nonlinear trajectory that considers multiple narratives while balancing multiple modernities. W作者: mastoid-bone 時(shí)間: 2025-3-26 21:07
The Effects of Globalization on Art and Aesthetics paths toward the same globalized reality, creating a vast cross-cultural dialogue that envelops every aspect of culture, including art. In today’s world of art, globalization is not a one-way street where Western artists indoctrinate the total discourse on art. Rather, majority world artists and ma作者: Kernel 時(shí)間: 2025-3-27 01:52
Negotiating Glocal Narrativesrson’s local narrative establishes his or her base of world knowledge. Globalization, however, presents layered narratives beyond a local point of reference. Artist identities form through a negotiation of local, transnational, and emerging global narrative identifications. Artists today see a serie作者: Infuriate 時(shí)間: 2025-3-27 05:41
A Narrative-Hermeneutical Approach for Classifying Artsify art in a global age. An artwork is based on assumptions that are predefined by its prevailing culture, and these assumptions often differ dramatically from culture to culture. The notion of “art” is historically malleable, and whenever a theorist proposes a new definition of art, artists purpos作者: daredevil 時(shí)間: 2025-3-27 11:19 作者: 頂點(diǎn) 時(shí)間: 2025-3-27 14:24
Glocal Engagements with Contemporary Artontext that is exposed and criticizes, or reacts to, local cultures, neighboring cultures, and globalization as an unavoidable process of cultural fragmentation. This chapter looks at nine representative artists that create glocal art out of various narrative frames. The work of Diedrick Brackens, W作者: 言行自由 時(shí)間: 2025-3-27 20:11
d which authoritative body evaluates the work. This book implements a narrative-hermeneutical approach to properly classify an artwork and establish its meaning and value.?.978-3-030-29708-4978-3-030-29706-0作者: fastness 時(shí)間: 2025-3-28 00:15
9樓作者: DRILL 時(shí)間: 2025-3-28 05:18
10樓作者: 即席演說 時(shí)間: 2025-3-28 06:31
10樓作者: Intend 時(shí)間: 2025-3-28 13:47
10樓作者: DEAF 時(shí)間: 2025-3-28 18:18
10樓
