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標(biāo)題: Titlebook: Architectural Space and the Imagination; Houses in Literature Jane Griffiths,Adam Hanna Book 2020 The Editor(s) (if applicable) and The Aut [打印本頁]

作者: 無法仿效    時(shí)間: 2025-3-21 16:35
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作者: MILK    時(shí)間: 2025-3-21 23:45
978-3-030-36069-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
作者: INTER    時(shí)間: 2025-3-22 03:28
Jane Griffiths,Adam HannaSheds light on the intimate relationship between built space and the mind.Explores of the role of the house, a recurrent, even haunting, image in art and literature, from classical times to the presen
作者: ALLEY    時(shí)間: 2025-3-22 07:08
http://image.papertrans.cn/b/image/161265.jpg
作者: 荒唐    時(shí)間: 2025-3-22 10:18

作者: INTER    時(shí)間: 2025-3-22 14:07
Elizabeth Bishop’s House in the Mind: Memory, Imagination, and Interior Space in ‘The End of March’is house are intimately connected with the poet’s mental processes. Drawing both on classical and medieval memory arts, and on the consonances between Bishop’s work and the shadow-boxes constructed by the artist Joseph Cornell, it posits that Bishop’s dream-house does not just enable the creative process, but is coterminous with it.
作者: 交響樂    時(shí)間: 2025-3-22 19:42
https://doi.org/10.1007/978-3-319-24547-8s memory and imagination. The editors contextualise these ideas in relation to the influential, post-Heideggerian, phenomenological tradition that is most notably exemplified in the work of Gaston Bachelard. They discuss the long reverberations in literature of classical and medieval ideas which lin
作者: 顯而易見    時(shí)間: 2025-3-22 23:57

作者: BAN    時(shí)間: 2025-3-23 05:03

作者: 缺乏    時(shí)間: 2025-3-23 08:44

作者: harmony    時(shí)間: 2025-3-23 12:16

作者: Fretful    時(shí)間: 2025-3-23 14:45
Evolution of the Multigene Familyhe function of memorial architecture. While tombs have traditionally been conceptualised as frameworks intended to fix, monumentalise and immortalise, Swift reveals the limitations of such architectural ‘placing’ of the dead in the work of medieval French writers Octovien de Saint-Gelais and Jean Bo
作者: modifier    時(shí)間: 2025-3-23 18:24

作者: Minatory    時(shí)間: 2025-3-24 00:22

作者: 肉體    時(shí)間: 2025-3-24 04:31
Evolution of Lightweight Structuresthe Italian novelist’s fluid, open-ended built spaces and the plural, liminal spaces of a series of Baroque texts, paintings, architectures and artefacts of the seventeenth century. Its interdisciplinary approach decisively connects Calvino’s literary city to material culture, yet at the same time s
作者: engender    時(shí)間: 2025-3-24 09:12
Procedure of Physico-Chemical Experiment,d the modern Irish poet Seamus Heaney: two writers widely separated in time but geographically linked by Ireland. It argues that, for Spenser, building is antecedent to writing: in consequence of his dubious title to Kilcolman Castle and its estate, the provisionality of the former enables the delib
作者: Needlework    時(shí)間: 2025-3-24 13:08
https://doi.org/10.1007/978-3-030-43484-7. It suggests that the forms that Yeats frequently wrote in for the dozen-or-so years from 1919—grand, architecturally constructed octave stanzas—shape and influence the imagery in the poems themselves. Yeats started writing in these great forms at around the same time as he moved into a renovated m
作者: 枯燥    時(shí)間: 2025-3-24 15:50

作者: Tonometry    時(shí)間: 2025-3-24 19:47
Masakazu Hori,Masaaki Sato,Masami Hamaguchiis house are intimately connected with the poet’s mental processes. Drawing both on classical and medieval memory arts, and on the consonances between Bishop’s work and the shadow-boxes constructed by the artist Joseph Cornell, it posits that Bishop’s dream-house does not just enable the creative pr
作者: Chameleon    時(shí)間: 2025-3-24 23:23
https://doi.org/10.1007/978-3-030-43484-7f the house as refuge to bear on the ideas explored in a number of her own poems, and the processes of creating them. Like Bishop in New England, Norgate is drawn to damaged and precarious seaside dwellings on the southern English coast; like Todorovi? and Dasgupta, she is concerned with the tension
作者: Flinch    時(shí)間: 2025-3-25 04:23
https://doi.org/10.1007/978-3-319-24547-8 forms the first chapter of the book. The introduction provides an imaginative and original approach to space and the mind, identifying architecture and cognition as the through line that links the book’s chapters.
作者: 撤退    時(shí)間: 2025-3-25 10:24

作者: 安心地散步    時(shí)間: 2025-3-25 12:46
Evolution of Lightweight Structurestions of a sense of transience and unbelonging challenges and extends the Heideggerian and Bachelardian foundations of this volume; the architectures that she explores serve as a means of envisaging undwelling, unhousing, unbelonging.
作者: 衰老    時(shí)間: 2025-3-25 16:47
Procedure of Physico-Chemical Experiment, to outstrip the . of building, but take it as its model. The chapter shows that the methods and circumstances by which built spaces were created from the imaginings of their inhabitants, changing the texture of writing itself.
作者: Liberate    時(shí)間: 2025-3-25 22:21
Introduction, forms the first chapter of the book. The introduction provides an imaginative and original approach to space and the mind, identifying architecture and cognition as the through line that links the book’s chapters.
作者: chronology    時(shí)間: 2025-3-26 00:37
Placing the Dead: Architectural Imagination and Posthumous Identity in Medieval France of a house formerly occupied by a deceased lover, with which her chapter concludes, demonstrates in detail how it is the process of describing the contents of the house that renders the vacated domestic space a memorial.
作者: 多山    時(shí)間: 2025-3-26 05:17

作者: ALERT    時(shí)間: 2025-3-26 09:10
‘His Midas Touch’: Building and Writing in the Poetry of Edmund Spenser and Seamus Heaney to outstrip the . of building, but take it as its model. The chapter shows that the methods and circumstances by which built spaces were created from the imaginings of their inhabitants, changing the texture of writing itself.
作者: 身體萌芽    時(shí)間: 2025-3-26 15:51
Book 2020h the memory and the imagination. Examining the role of the house, a recurrent, even haunting, image in art and literature from classical times to the present day, it includes new work by both leading scholars and early career academics, providing fresh insights into the spiritual, social, and imagi
作者: Mendacious    時(shí)間: 2025-3-26 20:08

作者: WAIL    時(shí)間: 2025-3-26 21:19
Murmuring Houses for the Mythical Mind suggests that such magical, mythical approaches to built space enable a discourse he terms ‘narrative beauty’. This beauty, Illies argues (in ideas that take a Ricoeurian slightly Heideggerian bent) can help human beings find a meaningful place in the world.
作者: EXTOL    時(shí)間: 2025-3-27 05:02

作者: 手勢(shì)    時(shí)間: 2025-3-27 08:17
Behold the House of the Lord: Encountering Architecture in the Codex Amiatinus within them a representation of all Christian time. Boulton presents built space as something that is most fully experienced through the reader’s imagination in the act of engaging with the words and images on a printed or manuscript page.
作者: 裂口    時(shí)間: 2025-3-27 13:17
Domestic Devotion: Representing Household Space in Late Medieval Religious Writinglard’s association of the home with the inmost recesses of the psyche. Chaudhuri, however, argues instead that a principal objective of domestic metaphors in these texts is to reimagine the religious environment as a domestic one, thus extending and revising Bachelard’s concept of the ‘housed’ imagination.
作者: 橢圓    時(shí)間: 2025-3-27 17:12

作者: tympanometry    時(shí)間: 2025-3-27 18:46
Yeats’s Stanzas, Yeats’s Roomsedieval fortification in the rural west of Ireland, a fact that suggests how close the relationship between writing and dwelling can be. Like Andrew Lanyon’s imagined architectural structure that is both made of a metaphorical creative wind and inspires further creation, Yeats’s forms give rise to the images that fill the stanzas themselves.
作者: ingrate    時(shí)間: 2025-3-27 23:46

作者: 出汗    時(shí)間: 2025-3-28 03:04
‘The Mind in the House’ or the ‘House in the Mind’: Poetic Composition and Reclaimed Memorys between belonging and unbelonging that houses may reflect. This chapter shows how the sheer susceptibility of the imagination to built spaces operates in practice as well as in theory: how built spaces can generate or perhaps uncover ideas of which the artist was hitherto unaware.
作者: 消息靈通    時(shí)間: 2025-3-28 06:57

作者: 名義上    時(shí)間: 2025-3-28 12:43

作者: 字形刻痕    時(shí)間: 2025-3-28 16:19

作者: 危機(jī)    時(shí)間: 2025-3-28 19:59
Evolution of Organellar Genomes within them a representation of all Christian time. Boulton presents built space as something that is most fully experienced through the reader’s imagination in the act of engaging with the words and images on a printed or manuscript page.
作者: microscopic    時(shí)間: 2025-3-29 02:23

作者: Motilin    時(shí)間: 2025-3-29 05:27
Evolution of Repetitive Sequencesors perceive the world around them, make sense of their lives and express themselves on paper. Like Swift, Dasgupta is concerned with the location of the self; like Chaudhuri, she examines ways in which the house may be imagined as a kind of self, while the self in turn is understood in terms of the domestic sphere.
作者: 棲息地    時(shí)間: 2025-3-29 10:48

作者: optic-nerve    時(shí)間: 2025-3-29 13:06

作者: 相互影響    時(shí)間: 2025-3-29 17:56

作者: REP    時(shí)間: 2025-3-29 19:58

作者: Increment    時(shí)間: 2025-3-30 01:47

作者: Institution    時(shí)間: 2025-3-30 06:06

作者: 急性    時(shí)間: 2025-3-30 09:46
Introduction,s memory and imagination. The editors contextualise these ideas in relation to the influential, post-Heideggerian, phenomenological tradition that is most notably exemplified in the work of Gaston Bachelard. They discuss the long reverberations in literature of classical and medieval ideas which lin
作者: ALE    時(shí)間: 2025-3-30 12:53
Bifurcated Thought: Reflections on Inventive Thinkinge relationship between imagining spaces and inventiveness. It begins with a stimulating and digressive tour through an imaginary house, one that is made of nothing more substantial than thought itself. After showing the reader around this imaginary architectural structure, it considers the physical
作者: connoisseur    時(shí)間: 2025-3-30 16:39

作者: 止痛藥    時(shí)間: 2025-3-31 00:27

作者: 議程    時(shí)間: 2025-3-31 02:38





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