標(biāo)題: Titlebook: Anthropocene Poetry; Place, Environment, Yvonne Reddick Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license [打印本頁] 作者: dentin 時(shí)間: 2025-3-21 19:16
書目名稱Anthropocene Poetry影響因子(影響力)
書目名稱Anthropocene Poetry影響因子(影響力)學(xué)科排名
書目名稱Anthropocene Poetry網(wǎng)絡(luò)公開度
書目名稱Anthropocene Poetry網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Anthropocene Poetry被引頻次
書目名稱Anthropocene Poetry被引頻次學(xué)科排名
書目名稱Anthropocene Poetry年度引用
書目名稱Anthropocene Poetry年度引用學(xué)科排名
書目名稱Anthropocene Poetry讀者反饋
書目名稱Anthropocene Poetry讀者反饋學(xué)科排名
作者: 拍下盜公款 時(shí)間: 2025-3-21 22:43 作者: 懦夫 時(shí)間: 2025-3-22 02:54 作者: Conduit 時(shí)間: 2025-3-22 05:11 作者: 冰雹 時(shí)間: 2025-3-22 11:59 作者: forbid 時(shí)間: 2025-3-22 14:48
,Pascale Petit: Entanglement, Animals, and the ‘Anthropocene Extinction’,uch as Stacy Alaimo have criticised Anthropocene culture for focusing on inert rock strata rather than living organisms (Alaimo, Stacy. ‘Your Shell on Acid: Material Immersion, Anthropocene Dissolves.’ In Richard Grusin, ed. .. Minneapolis: Minnesota UP (2017). Pp. 89–120), Pascale Petit’s work thro作者: Expertise 時(shí)間: 2025-3-22 20:54 作者: 鑒賞家 時(shí)間: 2025-3-22 22:29 作者: scrutiny 時(shí)間: 2025-3-23 01:44 作者: 空洞 時(shí)間: 2025-3-23 07:51 作者: Incorruptible 時(shí)間: 2025-3-23 10:17 作者: saturated-fat 時(shí)間: 2025-3-23 16:00 作者: 蒸發(fā) 時(shí)間: 2025-3-23 19:43
Coda, between environmental activism and the production of poetry and shows how ecopoetry, climate change poetry, and issues associated with the Anthropocene are present at the heart of the Anglophone poetic establishment, thanks to projects by Poets Laureate from the USA and Britain.作者: Conspiracy 時(shí)間: 2025-3-24 01:31 作者: BIPED 時(shí)間: 2025-3-24 05:10
Introduction,ea of the Anthropocene also offers us new ways of reading poems. Taking Pascale Petit‘s poem ‘The Anthropocene‘ as its starting point, this Introduction begins to explore poetry that engages with our time of accelerating environmental change.作者: 食物 時(shí)間: 2025-3-24 07:48 作者: 改變立場 時(shí)間: 2025-3-24 13:14
Literatures, Cultures, and the Environmenthttp://image.papertrans.cn/a/image/158259.jpg作者: 哄騙 時(shí)間: 2025-3-24 16:31 作者: 損壞 時(shí)間: 2025-3-24 22:50 作者: GUILT 時(shí)間: 2025-3-25 00:26
Die Punktkoordinaten in der Ebene, on extensive archival research into Hughes’s unpublished travel diaries, fishing diaries, correspondence, research notes, and draft poems, revealing that Hughes’s environmental awareness developed international dimensions earlier than most previous scholars have recognised. The chapter identifies h作者: DALLY 時(shí)間: 2025-3-25 04:24 作者: 遠(yuǎn)足 時(shí)間: 2025-3-25 09:13 作者: Trabeculoplasty 時(shí)間: 2025-3-25 13:41 作者: Bph773 時(shí)間: 2025-3-25 16:46 作者: 量被毀壞 時(shí)間: 2025-3-25 20:56
https://doi.org/10.1007/978-3-476-04856-1h her that was conducted for this monograph. It builds on Donna Haraway’s work on gender and multispecies kinship in the Anthropocene, Kathryn Yusoff’s work on ‘Black Anthropocenes,’ and scholars of Edouard Glissant who have further ecologised his concept of the poetics of relation. It considers how作者: Occlusion 時(shí)間: 2025-3-26 03:38
https://doi.org/10.1007/978-3-476-04856-1, the Coda explores whether there is thematic common ground between these two supposedly distinct ecopoetic methods. The Coda highlights further links between environmental activism and the production of poetry and shows how ecopoetry, climate change poetry, and issues associated with the Anthropoce作者: septicemia 時(shí)間: 2025-3-26 07:13 作者: EXCEL 時(shí)間: 2025-3-26 10:57
978-3-031-39391-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: compose 時(shí)間: 2025-3-26 13:29
Anthropocene Poetry978-3-031-39389-1Series ISSN 2946-3157 Series E-ISSN 2946-3165 作者: Affable 時(shí)間: 2025-3-26 16:57
https://doi.org/10.1007/978-3-662-36821-3 highlighted. If many poets considered in this monograph look to scientific knowledge to inform their creative work, and sometimes their environmental activism, some subvert its white, patriarchal biases. The chapter argues that a transdisciplinary understanding of the idea of the Anthropocene has c作者: Indebted 時(shí)間: 2025-3-26 21:17
Die Punktkoordinaten in der Ebene,s, including the USA and Kenya; his exchange of ideas with his son, the freshwater biologist Nicholas Hughes, is linked to more recent debates about extinction. Shifts in scale between local and global are perceived in his environmental writing as his career progresses. While Hughes has been analyse作者: 使饑餓 時(shí)間: 2025-3-27 01:43
,Doppelverh?ltnis und projektive Beziehung,he Anthropocene’s preoccupation with ‘deep time’. The bogland is a highly significant focus for Heaney, and his poems examine vast systems of climate, the water cycle, glaciation and geology. Archival drafts reveal new insights into Heaney’s awareness of water pollution, peat as a fossil fuel, extin作者: 事先無準(zhǔn)備 時(shí)間: 2025-3-27 07:00
,Die Fl?chen der zweiten Ordnung,e ‘blue humanities.’ The chapter also highlights how the poetry community has called on Oswald to write climate change poetry and poetry about extinctions and to judge a prominent award for ecopoetry.作者: Nibble 時(shí)間: 2025-3-27 09:52
https://doi.org/10.1007/BFb0082655he capitalist commodification of rainforests and wildlife. Research on Petit’s private archive, to which I have had exclusive scholarly access, shows how her poems were crafted, linking published work to her scientific research notes. Petit’s quiet engagement with Extinction Rebellion is brought to 作者: Torrid 時(shí)間: 2025-3-27 15:51 作者: osteocytes 時(shí)間: 2025-3-27 18:22
https://doi.org/10.1007/978-3-476-04856-1ge. McCarthy Woolf’s focus on river-systems and oceanic systems is analysed as an ecologically aware response to paradigms of the Black Diaspora. The chapter ends by drawing attention to her collaboration with scientists monitoring ocean plastics, her work with climate change arts organisation Cape 作者: fringe 時(shí)間: 2025-3-28 00:32 作者: 委托 時(shí)間: 2025-3-28 02:23
Anthropocene Poetry, highlighted. If many poets considered in this monograph look to scientific knowledge to inform their creative work, and sometimes their environmental activism, some subvert its white, patriarchal biases. The chapter argues that a transdisciplinary understanding of the idea of the Anthropocene has c作者: FLOUR 時(shí)間: 2025-3-28 08:38 作者: 奇怪 時(shí)間: 2025-3-28 13:47 作者: deface 時(shí)間: 2025-3-28 14:50 作者: 表兩個(gè) 時(shí)間: 2025-3-28 20:51
,Pascale Petit: Entanglement, Animals, and the ‘Anthropocene Extinction’,he capitalist commodification of rainforests and wildlife. Research on Petit’s private archive, to which I have had exclusive scholarly access, shows how her poems were crafted, linking published work to her scientific research notes. Petit’s quiet engagement with Extinction Rebellion is brought to 作者: 殘忍 時(shí)間: 2025-3-28 23:59 作者: Pessary 時(shí)間: 2025-3-29 06:19
,: Environment, Migration, Science, and an Anthropocene Poetics of Relation in Karen McCarthy Woolf’ge. McCarthy Woolf’s focus on river-systems and oceanic systems is analysed as an ecologically aware response to paradigms of the Black Diaspora. The chapter ends by drawing attention to her collaboration with scientists monitoring ocean plastics, her work with climate change arts organisation Cape
