派博傳思國(guó)際中心

標(biāo)題: Titlebook: Anthony Powell; Neil McEwan Textbook 1991Latest edition Macmillan Publishers Limited 1991 art.bibliography.comic.dance.fiction.humour.imag [打印本頁]

作者: 紀(jì)念性    時(shí)間: 2025-3-21 19:21
書目名稱Anthony Powell影響因子(影響力)




書目名稱Anthony Powell影響因子(影響力)學(xué)科排名




書目名稱Anthony Powell網(wǎng)絡(luò)公開度




書目名稱Anthony Powell網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Anthony Powell被引頻次




書目名稱Anthony Powell被引頻次學(xué)科排名




書目名稱Anthony Powell年度引用




書目名稱Anthony Powell年度引用學(xué)科排名




書目名稱Anthony Powell讀者反饋




書目名稱Anthony Powell讀者反饋學(xué)科排名





作者: OCTO    時(shí)間: 2025-3-21 23:20
Novels of the 1930s,n-jointed lay-figure, a puppet-like painter’s model, tipsily posed swaying and mishandling a wineglass, photographed close-up against a plain background. This bare, stylised image, the first impression for the earlier readers of Powell’s first novel, in 1931, implied an up-to-date work far-removed f
作者: 壓倒    時(shí)間: 2025-3-22 02:47

作者: 云狀    時(shí)間: 2025-3-22 07:00
: Myth,s a prominent place in his ‘personal mythology’, and that General Conyers has his place in Jenkins’s ‘family myth’.. The more imaginative the telling, the more mythical the stories become; but retelling is another essential feature. Jenkins’s myths use motifs and images drawn from paintings, buildin
作者: Yag-Capsulotomy    時(shí)間: 2025-3-22 08:53
: Voices,ny voice can break in at any point in the story, regardless of time and place. Not only do the characters ‘on stage’ constantly interrupt the narrator; other members of his cast intervene to comment, even when they belong to different eras of his life, past or future. This is noticeable in the first
作者: Nerve-Block    時(shí)間: 2025-3-22 13:05

作者: scotoma    時(shí)間: 2025-3-22 18:21
Einführung in den W?rme- und Stoffaustauschut also create interconnections in the larger design. The effect is to enrich the human interest and also to involve figurative writing so expressive and complex that the sequence can be thought of as a comic epic in the poetic sense, as well as in being a long and grandly conceived work of fiction.
作者: Blazon    時(shí)間: 2025-3-23 01:04
Herkunftsbereiche des deutschen Verses,t the subject matter — medieval romance or moon journey — is unimportant: the approach to life is what matters. Because Jenkins so closely reflects his author, one of the questions opened up, if we use Trapnel’s thought as a starting-point, concerns the first-person narrative.
作者: 忙碌    時(shí)間: 2025-3-23 04:01

作者: SNEER    時(shí)間: 2025-3-23 07:46

作者: 令人發(fā)膩    時(shí)間: 2025-3-23 11:41

作者: 撤退    時(shí)間: 2025-3-23 16:28
Textbook 1991Latest editionare discussed as early products of the imagination which was to be fully developed in the great novel-sequence A Dance to the Music of Time. Three chapters are given to the nature and achievement of the sequence, examining passages in close detail, under the headings ‘First Person‘, ‘Myth‘ and ‘Voic
作者: GLOOM    時(shí)間: 2025-3-23 18:45
Textbook 1991Latest editionpters are given to the nature and achievement of the sequence, examining passages in close detail, under the headings ‘First Person‘, ‘Myth‘ and ‘Voices‘. The final chapter discusses the two novels of the 1980s, and offers some conclusions on Powell as an exponent and analyst of the art of comic fiction.
作者: 贊美者    時(shí)間: 2025-3-24 00:27

作者: 畸形    時(shí)間: 2025-3-24 03:18

作者: Classify    時(shí)間: 2025-3-24 08:13

作者: Urologist    時(shí)間: 2025-3-24 13:51

作者: adequate-intake    時(shí)間: 2025-3-24 18:53

作者: xanthelasma    時(shí)間: 2025-3-24 20:38

作者: Immunotherapy    時(shí)間: 2025-3-25 01:32
: Voices,ny voice can break in at any point in the story, regardless of time and place. Not only do the characters ‘on stage’ constantly interrupt the narrator; other members of his cast intervene to comment, even when they belong to different eras of his life, past or future. This is noticeable in the first chapter of ..
作者: 平靜生活    時(shí)間: 2025-3-25 05:48

作者: limber    時(shí)間: 2025-3-25 11:24
Einführung in den W?rme- und Stoffaustauschn-jointed lay-figure, a puppet-like painter’s model, tipsily posed swaying and mishandling a wineglass, photographed close-up against a plain background. This bare, stylised image, the first impression for the earlier readers of Powell’s first novel, in 1931, implied an up-to-date work far-removed f
作者: Embolic-Stroke    時(shí)間: 2025-3-25 12:40
,Erratum to: Der W?rmeübergang,assive reply, a work written ‘a(chǎn)gainst Widmerpool’, a defence of fiction, literature, the imaginative life, the narrator’s mild, speculative, sceptical, poetic, humanist habits of mind, against everything that Widmerpool represents.
作者: 承認(rèn)    時(shí)間: 2025-3-25 18:17
Einführung in den W?rme- und Stoffaustauschs a prominent place in his ‘personal mythology’, and that General Conyers has his place in Jenkins’s ‘family myth’.. The more imaginative the telling, the more mythical the stories become; but retelling is another essential feature. Jenkins’s myths use motifs and images drawn from paintings, buildin
作者: magnate    時(shí)間: 2025-3-25 20:26

作者: NOT    時(shí)間: 2025-3-26 03:27
Herkunftsbereiche des deutschen Verses,e author’s approval. Jenkins remembers him saying (in ., 3) that ‘a(chǎn) novelist writes what he is’, repeating it on the last page of the same volume: ‘a(chǎn) novel is what its writer is’, Jenkins adding that ‘the definition opens up a lot more questions’; he quotes it again in the final volume (2). Powell t
作者: Cognizance    時(shí)間: 2025-3-26 07:36
Modern Novelistshttp://image.papertrans.cn/a/image/158250.jpg
作者: minaret    時(shí)間: 2025-3-26 09:41

作者: OREX    時(shí)間: 2025-3-26 14:11
Novels of the 1930s,tically than the next four novels, proclaims itself avant-garde. More than half the text is dialogue, much of it curt and informal in the manner made fashionable by Hemingway. There is relatively little guidance in the delineation of characters, discussion of themes, or telling of the tale.
作者: 慢慢啃    時(shí)間: 2025-3-26 17:48
https://doi.org/10.1007/978-3-662-11617-3r’s. Powell told an interviewer, ‘Nick is a person like myself, and added that ‘if you’re writing a novel you must have a point of view, and it should be one fairly near your own’.. . is useful as an introduction to the novels for what it shows of their background and of their approach to life.
作者: 定點(diǎn)    時(shí)間: 2025-3-26 21:19

作者: 雪上輕舟飛過    時(shí)間: 2025-3-27 04:40

作者: 表狀態(tài)    時(shí)間: 2025-3-27 08:54
Conference proceedings 2013 for cultural heritage digital libraries; educational services for the performing arts; dance in the world of data and objects; acting and natural interaction; and music and opera of a digital generation.
作者: inquisitive    時(shí)間: 2025-3-27 11:11
The Highest Energy Particles in Nature: What We Know and What the Future Holdsy it was established that, while multiple production did occur, the emission was not isotropic. It is interesting to note that Heisenberg’s thesis work, directed by Sommerfeld, was on turbulent flow in fluids moving between parallel plates.
作者: 內(nèi)行    時(shí)間: 2025-3-27 13:51

作者: definition    時(shí)間: 2025-3-27 19:09

作者: 致敬    時(shí)間: 2025-3-27 22:55
Anwendungskonzeptionen und Einsatzbereiche,inzusetzen. Der Einsatz von Windkraftanlagen in gr??eren Windparks schafft andere organisatorische und wirtschaftliche Verh?ltnisse als der dezentrale Betrieb einzelner Anlagen. Auch der zukünftige ?Offshore-Einsatz“ von gro?en Windkraftanlagen im Küstenvorfeld der See geh?rt mit zu diesen überlegun
作者: 滔滔不絕地講    時(shí)間: 2025-3-28 05:21
Twenty Years of Signal Processingche Bauelemente, bei denen zumindest in einer ?rtlichen Dimension die Abmessungen einer ?entscheidenden“ Komponente im Nanometerbereich liegen. Die Relativit?t dieser Definition kann man zum Beispiel anhand der Weiterentwicklung der Silizium-MOS-Technologie erl?utern. Seit den frühen Anf?ngen dieser
作者: inconceivable    時(shí)間: 2025-3-28 06:51

作者: 有抱負(fù)者    時(shí)間: 2025-3-28 14:01





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