標(biāo)題: Titlebook: Anime Fan Communities; Transcultural Flows Sandra Annett Book 2014 Sandra Annett 2014 children.cinema.Nation.Online.television [打印本頁] 作者: SCOWL 時(shí)間: 2025-3-21 16:04
書目名稱Anime Fan Communities影響因子(影響力)
書目名稱Anime Fan Communities影響因子(影響力)學(xué)科排名
書目名稱Anime Fan Communities網(wǎng)絡(luò)公開度
書目名稱Anime Fan Communities網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Anime Fan Communities被引頻次
書目名稱Anime Fan Communities被引頻次學(xué)科排名
書目名稱Anime Fan Communities年度引用
書目名稱Anime Fan Communities年度引用學(xué)科排名
書目名稱Anime Fan Communities讀者反饋
書目名稱Anime Fan Communities讀者反饋學(xué)科排名
作者: 變色龍 時(shí)間: 2025-3-21 21:15 作者: Jogging 時(shí)間: 2025-3-22 04:14 作者: 表示問 時(shí)間: 2025-3-22 07:15 作者: 出汗 時(shí)間: 2025-3-22 10:20
W. P. Weisensel,W. H. Furtan,A. Schmitzium? A quick survey of film history reveals that moving picture technologies were themselves internationally mobile from their inception. Supported by the vast networks of imperial trade established by the end of the nineteenth century, Edison’s Kinetoscope and the Lumière brothers’ . spread with a 作者: Gastric 時(shí)間: 2025-3-22 13:58 作者: tangle 時(shí)間: 2025-3-22 17:54
https://doi.org/10.1007/978-3-030-15748-7 the program and the commercials, on the American Broadcasting Company’s Saturday morning cartoon lineup, which I eagerly tuned into on cable television in Canada in the late 1980s and early 1990s. Each bumper was a cartoon in itself, a fun five-second Claymation sight gag based on a comic reversal.作者: MIR 時(shí)間: 2025-3-22 23:46 作者: 反復(fù)無常 時(shí)間: 2025-3-23 03:21 作者: 歪曲道理 時(shí)間: 2025-3-23 09:18 作者: 激怒某人 時(shí)間: 2025-3-23 11:38 作者: LANCE 時(shí)間: 2025-3-23 15:29 作者: 有幫助 時(shí)間: 2025-3-23 20:10 作者: 感情 時(shí)間: 2025-3-24 00:25 作者: 利用 時(shí)間: 2025-3-24 05:32
World War Cute kind of slapstick comedy, warrants a similarly detached—if slightly more uncomfortable—amusement. Because these films are so earnest and yet so over-the-top in their patriotism, they can take on a campy or melodramatic quality to today’s animation fans. But in their own time, they were thought by s作者: 獸群 時(shí)間: 2025-3-24 09:59 作者: Aqueous-Humor 時(shí)間: 2025-3-24 14:44 作者: 暫時(shí)中止 時(shí)間: 2025-3-24 16:32 作者: DIKE 時(shí)間: 2025-3-24 22:27
Cartoon Internationaleam was being shown in London. A few more months and it reached Central Europe and the United States (April 1896), Canada (June 1896), and Russia (July 1896). By 1897, the . had been demonstrated on every continent except Antarctica, with screenings in Alexandria, Bangkok, Bombay, Buenos Aires, Osaka, and Sydney.作者: Ondines-curse 時(shí)間: 2025-3-25 02:42 作者: 葡萄糖 時(shí)間: 2025-3-25 04:46
Introduction: Frictive Picturesiscommunications in a classroom that force students to explain what they (think they) mean by “Asian.” In all cases, however, it works as the place where “the rubber meets the road” (6), propelling participants forward into unstable collaborations and conflicts.作者: Fissure 時(shí)間: 2025-3-25 09:17
J. Quiggin,G. Karagiannis,J. Stantoniscommunications in a classroom that force students to explain what they (think they) mean by “Asian.” In all cases, however, it works as the place where “the rubber meets the road” (6), propelling participants forward into unstable collaborations and conflicts.作者: 是剝皮 時(shí)間: 2025-3-25 12:59 作者: 放縱 時(shí)間: 2025-3-25 17:07 作者: correspondent 時(shí)間: 2025-3-25 23:41
Channel Surfers: ,’s Postnational Fansiasm,” and “enjoyment” recurred over and over again. So did terms such as “obsession” and “fanatical.” I bring this up not as a great discovery, but to highlight from the start the single most unavoidable, irreducible quality of fandom: .. As to how much and in what way, your mileage may vary.作者: 動(dòng)機(jī) 時(shí)間: 2025-3-26 01:39
https://doi.org/10.1007/978-3-030-15748-7these bumpers acted as station identifiers, not-so-subtle advertisements for the network. They also advertised—that is, drew attention to and made known—the fact that a commercial break was coming up.作者: parsimony 時(shí)間: 2025-3-26 08:23 作者: Favorable 時(shí)間: 2025-3-26 11:04 作者: 沖擊力 時(shí)間: 2025-3-26 14:30
“Love at First Site”tting-edge provocation this commercial displays about a relatively new mode of communication are some of the same fears and fascinations that haunted both international cinematic animation and postnational television animation.作者: Pruritus 時(shí)間: 2025-3-26 18:57
Introduction: Frictive Picturesired to keep global power in motion. […] Friction inflects historical trajectories, enabling, excluding, and particularizing” (6). Friction might include anything from bitter feuds between environmental activists, indigenous populations, and rainforest loggers in Indonesia, as in Tsing’s study, to m作者: HARD 時(shí)間: 2025-3-27 00:43
Cartoon Internationaleium? A quick survey of film history reveals that moving picture technologies were themselves internationally mobile from their inception. Supported by the vast networks of imperial trade established by the end of the nineteenth century, Edison’s Kinetoscope and the Lumière brothers’ . spread with a 作者: 發(fā)電機(jī) 時(shí)間: 2025-3-27 01:40
World War Cutebids to spur people into direct action. But just how much did the film fans of the 1940s really believe or obey the exhortations of the silver screen? Many animated attempts to sway audiences’ minds through awe or mockery seem excessively blatant in their patriotic appeals. When Disney’s Donald Duck作者: 著名 時(shí)間: 2025-3-27 08:04
Kid Vid: Children and Science Fiction TV Fandom the program and the commercials, on the American Broadcasting Company’s Saturday morning cartoon lineup, which I eagerly tuned into on cable television in Canada in the late 1980s and early 1990s. Each bumper was a cartoon in itself, a fun five-second Claymation sight gag based on a comic reversal.作者: amorphous 時(shí)間: 2025-3-27 13:28 作者: Fraudulent 時(shí)間: 2025-3-27 17:10
“Love at First Site” at times be strikingly similar to the cosmopolitan utopianism roused by silent cinema’s global networks in the 1910s. For instance, we can detect compelling echoes of Andreyev’s “Miraculous Cinema” which brought the “spheres of souls” nearer and united humanity in a “single stream” (Reeves 2003, 3)作者: 喊叫 時(shí)間: 2025-3-27 18:28 作者: 毛細(xì)血管 時(shí)間: 2025-3-28 02:01
Conclusion: “Adding To” Transcultural Animation Fan Communitiesnny life that it must be watched wide-eyed, gaze casting around a visual field layered with detail. The sheer immediacy of it is astonishing. No establishing shot to ease you in, no view from a distance, it is ., head on, coming directly at you. Here, center screen: a refrigerator swaying like a dan作者: conformity 時(shí)間: 2025-3-28 03:43 作者: 最后一個(gè) 時(shí)間: 2025-3-28 09:02 作者: 額外的事 時(shí)間: 2025-3-28 11:51
Modern Geriatrics Serieshttp://image.papertrans.cn/a/image/144370.jpg作者: Immunotherapy 時(shí)間: 2025-3-28 16:05 作者: 必死 時(shí)間: 2025-3-28 19:38
Peripheral Nerve Injurytotal hip arthroplasty range from patient factors such as obesity, gender, and anatomic variance, to surgical technique and operative execution..It is imperative for the surgeon to recognize these factors that may place peripheral nerves at risk, so as to safely and accurately perform hip replacemen
