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標(biāo)題: Titlebook: Animation, Sport and Culture; Paul Wells Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 Animation.Sport.Dis [打印本頁]

作者: papertrans    時(shí)間: 2025-3-21 17:26
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作者: 懦夫    時(shí)間: 2025-3-21 22:24
,Body Languages — Early Sporting Animation,together, the first question of the opening chapter is the very opposite. What was it that seemed to attract proto-animators and those who later became established as professional animators to sporting activity, and more specifically what did they identify as ‘sport’? This enables me to ask the broa
作者: xanthelasma    時(shí)間: 2025-3-22 04:28
,Good Sports — Re-Imagining the Cartoon,ntal films throughout the decade, in which the studio innovated in taking the cartoon from the plasmatic freedoms of the black and white short to the fully consolidated, character-led, colour, spatially enhanced, sound-synchronised, . film (see Wells 1998a; Barrier 1999; Leslie 2002; Telotte 2010; C
作者: Serenity    時(shí)間: 2025-3-22 07:53
,Olympianimation — Global Forms and Perspectives,further evidence of the pervasive influence of athletics’ (Dombrowski 2009:17). The Olympic Games is still the major touchstone for the highest quality sporting competition and, arguably, discourses about nation and nationalism within an international context. This chapter, then, begins with an enga
作者: 預(yù)兆好    時(shí)間: 2025-3-22 09:40
Animated Art, Sporting Aesthetics, achievements of, among others, footballers, racing drivers, skaters and tennis players by classifying the best of their work as ‘a(chǎn)rt’, or more specifically within the realms of a rarefied aesthetic framework. David Winner, for example, in his collaboration with former Arsenal and Holland striker De
作者: expository    時(shí)間: 2025-3-22 15:54
Animation, Sport and Technology,nology has proved extraordinarily influential in both sport and animation, enabling both practices to grow and develop. In essence, all technology itself starts out as a facilitating agent — ‘neutral’ in relation to its ideological or cultural charge — but, thereafter, depending upon its application
作者: mucous-membrane    時(shí)間: 2025-3-22 18:00

作者: mighty    時(shí)間: 2025-3-22 23:25
Intra-Period Contract Renegotiationts rendered as flickering grey ghosts, Manchester United players as painterly red blots and Rooney’s effort the focus of a persuasively rotoshopped animated sequence (see Figure I.1).. And there was more: plaintive piano music, and a commentary by former England manager, and . football writer, Terry
作者: 高腳酒杯    時(shí)間: 2025-3-23 04:53

作者: 上流社會(huì)    時(shí)間: 2025-3-23 06:52

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作者: 反叛者    時(shí)間: 2025-3-24 12:43
,Olympianimation — Global Forms and Perspectives,enquiry outlined over the next three chapters in regard to aesthetics, morality, ethics and politics, and finally technology, and continues the cross-disciplinary modes of analysis I have deployed so far. At the outset, then, it is worth noting that Goofy appeared in . (Dir: Jack Kinney, USA, 1942)
作者: TOXIN    時(shí)間: 2025-3-24 16:41

作者: infringe    時(shí)間: 2025-3-24 21:36

作者: cognizant    時(shí)間: 2025-3-25 01:04
Book 2014Animation, Sport and Culture is a wide-ranging study of both sport and animated films. From Goofy to Goalkeepers, Wallace and Gromit to Tiger Woods, Mickey Mouse to Messi, and Nike to Nationhood, this Olympic-sized analysis looks at the history, politics, aesthetics and technologies of sport and animation from around the globe.
作者: vitreous-humor    時(shí)間: 2025-3-25 06:31

作者: Infuriate    時(shí)間: 2025-3-25 07:46

作者: 反抗者    時(shí)間: 2025-3-25 14:21
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作者: hankering    時(shí)間: 2025-3-25 16:38
r Woods, Mickey Mouse to Messi, and Nike to Nationhood, this Olympic-sized analysis looks at the history, politics, aesthetics and technologies of sport and animation from around the globe.978-1-349-43966-9978-1-137-02763-4
作者: 珍奇    時(shí)間: 2025-3-25 21:09

作者: 令人悲傷    時(shí)間: 2025-3-26 02:37

作者: 幼稚    時(shí)間: 2025-3-26 07:43
Intra-Period Contract Renegotiation11, formerly tonsorially challenged England centre forward, Wayne Rooney, rose majestically in the air, and in a dazzlingly executed overhead kick, thundered the ball into the City net. For Chelsea supporters like myself, already glutted on such goals by Eider Gudjohnson, Gus Poyet or Didier Drogba
作者: 摸索    時(shí)間: 2025-3-26 09:40

作者: expdient    時(shí)間: 2025-3-26 15:58

作者: 漂亮才會(huì)豪華    時(shí)間: 2025-3-26 17:41

作者: 昏睡中    時(shí)間: 2025-3-26 21:35
Post-Contract, Pre-Decision Information achievements of, among others, footballers, racing drivers, skaters and tennis players by classifying the best of their work as ‘a(chǎn)rt’, or more specifically within the realms of a rarefied aesthetic framework. David Winner, for example, in his collaboration with former Arsenal and Holland striker De
作者: 搖曳的微光    時(shí)間: 2025-3-27 04:24

作者: 歌唱隊(duì)    時(shí)間: 2025-3-27 05:30
Introduction to Performance Evaluation, and Marxist political activist C.L.R. James’ . (1963) is ostensibly a detailed study of colonial era West Indian cricket, but in a challenging echo of the line ‘And what should they know of England who only England know?’ from Rudyard Kipling’s poem, ‘The English Flag’ (1891), James poses the quest
作者: 蚊帳    時(shí)間: 2025-3-27 09:35
r Woods, Mickey Mouse to Messi, and Nike to Nationhood, this Olympic-sized analysis looks at the history, politics, aesthetics and technologies of sport and animation from around the globe.978-1-349-43966-9978-1-137-02763-4
作者: MEAN    時(shí)間: 2025-3-27 14:52

作者: CHART    時(shí)間: 2025-3-27 17:45

作者: 同謀    時(shí)間: 2025-3-28 00:18
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