標(biāo)題: Titlebook: Animal Visions; Posthumanist Dream W Susan Mary Pyke Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to [打印本頁] 作者: clannish 時(shí)間: 2025-3-21 18:54
書目名稱Animal Visions影響因子(影響力)
書目名稱Animal Visions影響因子(影響力)學(xué)科排名
書目名稱Animal Visions網(wǎng)絡(luò)公開度
書目名稱Animal Visions網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Animal Visions被引頻次
書目名稱Animal Visions被引頻次學(xué)科排名
書目名稱Animal Visions年度引用
書目名稱Animal Visions年度引用學(xué)科排名
書目名稱Animal Visions讀者反饋
書目名稱Animal Visions讀者反饋學(xué)科排名
作者: 我不死扛 時(shí)間: 2025-3-22 00:17 作者: Outwit 時(shí)間: 2025-3-22 01:00 作者: 泥沼 時(shí)間: 2025-3-22 07:57
Moor Loving,ons between Cathy, Heathcliff and the moor. This moor love operates outside hierarchical differentiations, breaking open the triangulations that tie women and men into limited self-reflecting desires. Some adaptations of Bront?’s novel also offer inclusive and entangled topographies, depicting weath作者: dyspareunia 時(shí)間: 2025-3-22 10:30 作者: orient 時(shí)間: 2025-3-22 15:05
Animal Grace,rsonhood and worth of all creatures. The radical slippages in this text’s depiction of a haunted moor love allows for an embodied and co-affective sentience that connects animal species through habitat. Responses to this work, in novels, poetry, song and film, has the potential to allure readers and作者: 某人 時(shí)間: 2025-3-22 19:55
2634-6338 antage of literary animal studies.Argues that posthuman drea.Animal Visions. considers how literature responds to the harms of anthropocentricism, working with Emily Bront?’s .Wuthering Heights. (1847) and various adaptations of this canonistic novel to show how posthumanist dream writing unsettles 作者: Medley 時(shí)間: 2025-3-22 23:15 作者: Communicate 時(shí)間: 2025-3-23 04:17 作者: 悲觀 時(shí)間: 2025-3-23 07:13 作者: 點(diǎn)燃 時(shí)間: 2025-3-23 10:49 作者: AORTA 時(shí)間: 2025-3-23 15:17
Animal Grace, audiences towards lifeways that hospitably encounter creatures of all species. Productive multispecies relations involve understanding the human as one animal amongst the kin of the world. Human lifeways most likely to emerge from attending to co-affective hospitality will orient towards earthly generation through care, respect and trust.作者: cushion 時(shí)間: 2025-3-23 18:02
Economic Foundation of Asset Price Processesn rich afterlife. Peter Kosminsky’s film . (.) depicts Cathy and her ghost staring at each other in a powerfully embodied silence. Such works encourage further challenges to the oppressive violence of closed reason that places certain members of the human species above all other creatures.作者: 拔出 時(shí)間: 2025-3-23 22:26
,Forms of Older People’s Capital,s film . (.) mimetic rivalry is put aside by an agential wind. In Kate Bush’s music video “Wuthering Heights” (1978) and Luis Bu?uel’s . (.) habitat is given visual emphasis, placing the human body in spatial context. Together these texts offer a coalition of affective ecolects shaped by entrainments in time and place.作者: 農(nóng)學(xué) 時(shí)間: 2025-3-24 02:28
https://doi.org/10.1057/9781137465337 through with meaningful human and nonhuman characters. In these literary and cinematic encounters, readers and audiences are encouraged to return differently to creaturely relationships experienced in their physical and imaginative worlds.作者: 仲裁者 時(shí)間: 2025-3-24 09:19 作者: chemical-peel 時(shí)間: 2025-3-24 10:55 作者: 不透明性 時(shí)間: 2025-3-24 16:36
Respecting and Trusting the Beast, through with meaningful human and nonhuman characters. In these literary and cinematic encounters, readers and audiences are encouraged to return differently to creaturely relationships experienced in their physical and imaginative worlds.作者: CLOWN 時(shí)間: 2025-3-24 20:00
Economic Foundation of Asset Price Processes lives to be fully lived. These poems ripple with idiosyncratic and unsettling hypnogogic affect, inviting readers into a state of crucial hesitation that might open them to transversal cross-species intra-actions.作者: 背書 時(shí)間: 2025-3-25 01:52
https://doi.org/10.1057/978-1-137-53523-8 audiences towards lifeways that hospitably encounter creatures of all species. Productive multispecies relations involve understanding the human as one animal amongst the kin of the world. Human lifeways most likely to emerge from attending to co-affective hospitality will orient towards earthly generation through care, respect and trust.作者: 挑剔小責(zé) 時(shí)間: 2025-3-25 07:03 作者: 露天歷史劇 時(shí)間: 2025-3-25 09:18 作者: Aspirin 時(shí)間: 2025-3-25 15:20 作者: 死亡 時(shí)間: 2025-3-25 18:42
Nicolas Carnot,Vincent Koen,Bruno Tissotts can dream with their readers in surprising ways that unsettle the privileging of one species over another. Such dream writing invites readers to imagine themselves as the vulnerable animals they are, co-dependent with other species in a shared and fragile world. In Emily Bront?’s dream-written . 作者: 溫和女人 時(shí)間: 2025-3-25 21:13 作者: enterprise 時(shí)間: 2025-3-26 02:49 作者: Ferritin 時(shí)間: 2025-3-26 04:29 作者: intellect 時(shí)間: 2025-3-26 10:12 作者: 漂白 時(shí)間: 2025-3-26 14:31
https://doi.org/10.1057/978-1-137-53523-8rsonhood and worth of all creatures. The radical slippages in this text’s depiction of a haunted moor love allows for an embodied and co-affective sentience that connects animal species through habitat. Responses to this work, in novels, poetry, song and film, has the potential to allure readers and作者: 功多汁水 時(shí)間: 2025-3-26 19:19
https://doi.org/10.1007/978-3-030-03877-9Wuthering Heights; Emily Bront?; Environment; Nonhuman; Human; British and Irish Literature作者: machination 時(shí)間: 2025-3-27 00:57
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 冷淡周邊 時(shí)間: 2025-3-27 03:46
Book 2019Changing Heaven. (1989) and, to a lesser extent Sylvia Plath’s poem, “Wuthering Heights” (1961). Bront?’s .Wuthering Heights.? and its most productive afterings make space for co-affective relations between humans and other animal beings. Andrea Arnold’s film .Wuthering Heights. (2011) and Luis Bu?u作者: CRACK 時(shí)間: 2025-3-27 07:39 作者: 鐵砧 時(shí)間: 2025-3-27 10:50
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