派博傳思國(guó)際中心

標(biāo)題: Titlebook: Animal Fiction in Late Twentieth-Century Canada; Alice Higgs Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive li [打印本頁(yè)]

作者: 惡夢(mèng)    時(shí)間: 2025-3-21 19:53
書目名稱Animal Fiction in Late Twentieth-Century Canada影響因子(影響力)




書目名稱Animal Fiction in Late Twentieth-Century Canada影響因子(影響力)學(xué)科排名




書目名稱Animal Fiction in Late Twentieth-Century Canada網(wǎng)絡(luò)公開度




書目名稱Animal Fiction in Late Twentieth-Century Canada網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Animal Fiction in Late Twentieth-Century Canada被引頻次




書目名稱Animal Fiction in Late Twentieth-Century Canada被引頻次學(xué)科排名




書目名稱Animal Fiction in Late Twentieth-Century Canada年度引用




書目名稱Animal Fiction in Late Twentieth-Century Canada年度引用學(xué)科排名




書目名稱Animal Fiction in Late Twentieth-Century Canada讀者反饋




書目名稱Animal Fiction in Late Twentieth-Century Canada讀者反饋學(xué)科排名





作者: ADJ    時(shí)間: 2025-3-22 00:03
https://doi.org/10.1007/3-540-28426-5ea that there is a single, homogenous Canadian identity or aspect of that identity that is or can be represented through animals, and that this will be possible to see through the selection of texts discussed in the monograph.
作者: 樂意    時(shí)間: 2025-3-22 03:49
https://doi.org/10.1007/978-3-662-05150-4onsciously underpinned with patriarchal violence. There is, therefore, an inherent value in utilising an intersectional approach of queer theory and animal studies, as both are dedicated to a radically anti-hegemonic way of thinking, subverting particular narratives, and opening up the possibility for a pro-animal ethics to emerge.
作者: Evacuate    時(shí)間: 2025-3-22 05:38
Ecological Applications of Fuzzy Logice novel self-consciously demonstrates that it is imperative that settler literature must engage with and destabilise the types of oppressive hierarchies that underpin both species and settler-Indigenous relations, namely settler sexuality and anthropocentrism, if settler culture is to follow and Indigenous knowledge is to be centred.
作者: Dorsal-Kyphosis    時(shí)間: 2025-3-22 11:28

作者: 言外之意    時(shí)間: 2025-3-22 16:02

作者: 系列    時(shí)間: 2025-3-22 18:26

作者: enmesh    時(shí)間: 2025-3-22 23:21
Book 2023itics of representation. Higgs studies a range of canonical Canadian authors, demonstrating a progress across the period in which it is possible to identify the emergence of a literary pro-animal turn.
作者: 背叛者    時(shí)間: 2025-3-23 03:43
Book 2023tinuity in national narratives and supports the idea that focusing on narratives of responsibility and care influences better relations with both non-human animals and across settler-Indigenous boundaries. Alice Higgs engages with on-going debates regarding reconciliation by demonstrating that it is
作者: 流出    時(shí)間: 2025-3-23 07:11

作者: AORTA    時(shí)間: 2025-3-23 11:42

作者: saphenous-vein    時(shí)間: 2025-3-23 17:12

作者: 鍍金    時(shí)間: 2025-3-23 21:15

作者: ineptitude    時(shí)間: 2025-3-23 23:12
Introduction: Nation, Identity, Species,’, Ernest Thompson Seton and Charles G. D. Roberts, whose sentimental style of writing invited a type of criticism that determined arguments about Canadian animal writing for much of the early contemporary era. The chapter also engages with contemporary understandings of Canada’s relationship with a
作者: Creditee    時(shí)間: 2025-3-24 02:22
,Reconfiguring Animal Narratives in Farley Mowat’s , (1963),monstrates that . is a culturally visible piece of writing that influenced public opinions concerning wolves and blazed a trail in the 1960s between writing about animals in Canada and a more literary strategic type of writing.
作者: DEFT    時(shí)間: 2025-3-24 07:02
,Trauma on Display: Women’s Wilderness Writing and Animal Ciphers in Margaret Atwood’s , (1972) and her in a particular representational strategy that temporarily appears to be pro-animal, but that ultimately uses animals symbolically to represent human concerns and abandons any attempt to handle animals seriously. It focuses on the representation of pseudo-wildernesses—a log cabin by a lake in .
作者: 積云    時(shí)間: 2025-3-24 13:50
,Writing Bear(s): Thematising the Canadian Animal Story in Marian Engel’s , (1976), rejection of anthropocentric representations of animals, and that this is self-consciously engaged with in .. The novel responds to dominant conversations in Canada concerning the symbolic use of animals in literature by thematising animal writing to construct a story about a bear that refuses to c
作者: 蔑視    時(shí)間: 2025-3-24 16:16

作者: 重畫只能放棄    時(shí)間: 2025-3-24 21:10

作者: CONE    時(shí)間: 2025-3-24 23:54
Conclusion,played a self-conscious role in the changing nature of writing about animals in contemporary Canada. What emerged across the period is an evident construction of more critically engaged writing about animals that attempts to take animals seriously as agents in reciprocated interspecies relationships
作者: 盤旋    時(shí)間: 2025-3-25 04:57

作者: 征服    時(shí)間: 2025-3-25 08:19

作者: 等級(jí)的上升    時(shí)間: 2025-3-25 13:20
Alice HiggsReads fiction that depicts caring human-animal relationships.Incorporates postcolonial and Indigenous scholarship.Critiques settler colonial environmental frameworks
作者: CORD    時(shí)間: 2025-3-25 17:38

作者: CRUC    時(shí)間: 2025-3-25 22:48
,Reconfiguring Animal Narratives in Farley Mowat’s , (1963),monstrates that . is a culturally visible piece of writing that influenced public opinions concerning wolves and blazed a trail in the 1960s between writing about animals in Canada and a more literary strategic type of writing.
作者: 水土    時(shí)間: 2025-3-26 02:24

作者: 混亂生活    時(shí)間: 2025-3-26 05:03
B. Bredeweg,P. Salles,M. Neumannmonstrates that . is a culturally visible piece of writing that influenced public opinions concerning wolves and blazed a trail in the 1960s between writing about animals in Canada and a more literary strategic type of writing.
作者: 無(wú)效    時(shí)間: 2025-3-26 09:29

作者: 微粒    時(shí)間: 2025-3-26 13:16

作者: 淺灘    時(shí)間: 2025-3-26 20:12
https://doi.org/10.1007/978-3-662-05150-4984). It defines camp as an aesthetic and way of relating that seeks to work outside of dominant hegemonies, locating a logic at play within Findley’s work that is interested in dramatic, camp moments of defiance wherein the violent hierarchy and status quo of animal oppression are directly challeng
作者: 彩色的蠟筆    時(shí)間: 2025-3-26 22:11

作者: harbinger    時(shí)間: 2025-3-27 03:13

作者: 強(qiáng)所    時(shí)間: 2025-3-27 09:12

作者: kyphoplasty    時(shí)間: 2025-3-27 11:17
978-3-031-42614-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
作者: 上腭    時(shí)間: 2025-3-27 15:51
K.-S. Jeong,F. Recknagel,G.-J. Jootion’s context as a postcolonial society. It is evident that Canada is still reconciling its relationship with Indigenous communities through its relationship with animals. A drive for reconciliation has, in many cases, resulted in Indigenous and settler communities working together to manage wildli
作者: cyanosis    時(shí)間: 2025-3-27 18:17

作者: Jingoism    時(shí)間: 2025-3-27 21:56

作者: 傻    時(shí)間: 2025-3-28 04:00
10樓
作者: Bone-Scan    時(shí)間: 2025-3-28 06:20
10樓
作者: 實(shí)施生效    時(shí)間: 2025-3-28 13:12
10樓
作者: 變化無(wú)常    時(shí)間: 2025-3-28 15:32
10樓




歡迎光臨 派博傳思國(guó)際中心 (http://pjsxioz.cn/) Powered by Discuz! X3.5
涟水县| 志丹县| 禄劝| 韶山市| 拜城县| 牡丹江市| 措勤县| 峨边| 正定县| 南靖县| 莒南县| 宁安市| 汪清县| 临颍县| 安塞县| 黔东| 晋中市| 彭州市| 广宗县| 祁东县| 商河县| 区。| 德昌县| 绥阳县| 武陟县| 巴彦县| 阿鲁科尔沁旗| 南投县| 永丰县| 小金县| 乌恰县| 喀什市| 襄垣县| 来宾市| 西城区| 马关县| 长阳| 调兵山市| 临沧市| 聊城市| 教育|