派博傳思國際中心

標題: Titlebook: Andr Gide; David H. Walker Textbook 1990Latest edition Macmillan Publishers Limited 1990 aspect.fiction.literary theory.novel.writing [打印本頁]

作者: Grant 時間: 2025-3-21 18:18
書目名稱Andr Gide影響因子(影響力)

書目名稱Andr Gide影響因子(影響力)學科排名

書目名稱Andr Gide網(wǎng)絡公開度

書目名稱Andr Gide網(wǎng)絡公開度學科排名

書目名稱Andr Gide被引頻次

書目名稱Andr Gide被引頻次學科排名

書目名稱Andr Gide年度引用

書目名稱Andr Gide年度引用學科排名

書目名稱Andr Gide讀者反饋

書目名稱Andr Gide讀者反饋學科排名

作者: Epithelium 時間: 2025-3-22 00:12

作者: MONY 時間: 2025-3-22 02:23
Sébastien Mariéthoz,Stefan Almérme to a conclusion which at first sight may seem surprising: ‘I am not cut out for the novel’.. But this had been the case from the start of his writing career. He was unfortunate enough to reach the age of twenty in 1889, in an era which was not propitious for the novel. As Michel Raimond has shown

作者: Gingivitis 時間: 2025-3-22 05:59
Commercial Power Electronics Controllersction with the form was to generate a great multiplicity of mutually contradictory experiments amongst aspiring novelists during the 1890s.. Gide himself would soon declare: ‘The novel as a literary genre lacks clear outline and is multiform and omnivorous.’. His aesthetic instincts, as we have seen

作者: 搖擺 時間: 2025-3-22 08:45
Wei Wang,Andrew R. Teel,Dragan Nes?i?amity strikes, the hero of each of these narratives asks if it had to happen. Even Jér?me, lacking in enterprise, envisages, albeit reluctantly, an alternative set of possibilities his story could have led to: ‘But to have kept her, to have forced the door, to have entered by any means whatever into

作者: magnate 時間: 2025-3-22 14:56
https://doi.org/10.1007/978-1-4471-2885-4Reality presents two problems to a writer such as Gide: first, it is unknowable in itself; and second, it is impossible to communicate our perceptions of it, since the means we use impose human patterns on what extends beyond human perception. We are like Nathana?l in .: ‘Nathaniel, you are like the

作者: CIS 時間: 2025-3-22 17:24

作者: 就職 時間: 2025-3-22 23:11

作者: canvass 時間: 2025-3-23 05:16
Macmillan Publishers Limited 1990

作者: incision 時間: 2025-3-23 05:53
Sébastien Mariéthoz,Stefan Almérould construct a scientific understanding of Man. Indeed, from Balzac to Zola, novelists themselves had been intent on writing narratives that bore out, or derived authority from, scientific theories. Balzac was inspired by the Natural History ofGeoffroy Saint-Hilaire, Zola adopted the ‘experimental

作者: 斗爭 時間: 2025-3-23 11:38
Commercial Power Electronics Controllersy a certain set of consequences. It could be argued that the ‘experimental’ fiction of Zola and the naturalists claimed to do much the same thing; but they were concerned above all with the . laws of science which draw their conclusions from empirical observation. Whereas their experiments set out t

作者: 皮薩 時間: 2025-3-23 17:42
https://doi.org/10.1007/978-1-4471-2885-4 particular vision of reality reducible to that corner of existence which his or her consciousness is capable of illuminating and absorbing. The consequence of this principle, in terms of narrative technique, is the crucial importance of point of view in Gide’s narratives. His refinement of the iron

作者: accessory 時間: 2025-3-23 19:20
Gide and Narrative,ould construct a scientific understanding of Man. Indeed, from Balzac to Zola, novelists themselves had been intent on writing narratives that bore out, or derived authority from, scientific theories. Balzac was inspired by the Natural History ofGeoffroy Saint-Hilaire, Zola adopted the ‘experimental

作者: ETHER 時間: 2025-3-24 00:20

作者: decipher 時間: 2025-3-24 05:54

作者: Irksome 時間: 2025-3-24 06:39

作者: 變態(tài) 時間: 2025-3-24 13:43

作者: 施魔法 時間: 2025-3-24 17:52
Wei Wang,Andrew R. Teel,Dragan Nes?i?ermaine Brée describes him, each of these narrator-protagonists ‘wears himself out trying to understand how a succession of apparently unimportant moments has assumed the inscrutable configuration of the ineluctable’.

作者: 侵略者 時間: 2025-3-24 22:10

作者: 小口啜飲 時間: 2025-3-24 23:16
Gide and Narrative,me to a conclusion which at first sight may seem surprising: ‘I am not cut out for the novel’.. But this had been the case from the start of his writing career. He was unfortunate enough to reach the age of twenty in 1889, in an era which was not propitious for the novel. As Michel Raimond has shown

作者: blackout 時間: 2025-3-25 04:31