標(biāo)題: Titlebook: Amputation in Literature and Film; Artificial Limbs, P Erik Grayson,Maren Scheurer Book 2021 The Editor(s) (if applicable) and The Author( [打印本頁(yè)] 作者: 是英寸 時(shí)間: 2025-3-21 16:48
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書目名稱Amputation in Literature and Film影響因子(影響力)學(xué)科排名
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書目名稱Amputation in Literature and Film網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Amputation in Literature and Film讀者反饋
書目名稱Amputation in Literature and Film讀者反饋學(xué)科排名
作者: 吹氣 時(shí)間: 2025-3-22 00:06 作者: NIL 時(shí)間: 2025-3-22 01:33 作者: Hallmark 時(shí)間: 2025-3-22 06:12 作者: Mets552 時(shí)間: 2025-3-22 12:02
“She Had Wept So Long and So Much on the Stumps”: Amputation and Embodiment in “The Girl Without Hannto womanhood. Drawing upon theories of feminine abjection coined by Julia Kristeva and developed by Barbara Creed, the chapter argues that the loss of the protagonist’s hands also evokes and serves as a vehicle to negotiate a number of culturally potent anxieties about female identity and agency.作者: 和平 時(shí)間: 2025-3-22 13:45
in Novel and Film: Grieving with the Vengeful Amputeexamining how alterations in narrative structure and other formal changes (written to visual, chapter breaks to editing, etc.) invoke alternative audience engagement resulting in an empathic relationship with a complex protagonist unable to reconcile his grief, thereby unsettling simplistic ideas about audience relationships to onscreen disability.作者: Callus 時(shí)間: 2025-3-22 17:34
“The Blunt Remnant of Something Whole”: Living Stumps and Prosthetic Relations in Thomas Bernhard’s ity, they allow for a reflection on and a transformation of these response patterns. In addition, the novels make room for a vision of social relations as enabling, drawing out new narratives about amputation involving love, mourning, and interdependence.作者: 性學(xué)院 時(shí)間: 2025-3-22 22:28 作者: 泛濫 時(shí)間: 2025-3-23 03:48 作者: 細(xì)查 時(shí)間: 2025-3-23 06:10
Book 2021nd forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability.作者: 完成 時(shí)間: 2025-3-23 10:03
2947-7409 central metaphor of the discourse in disability studies.Incl.Amputation in Literature and Film: Artificial Limbs, Prosthetic Relations, and the Semiotics of “Loss”?.explores the many ways in which literature and film have engaged with the subject of amputation. The scholars featured in this volume.?作者: 通知 時(shí)間: 2025-3-23 14:10 作者: 新陳代謝 時(shí)間: 2025-3-23 19:23 作者: Flagging 時(shí)間: 2025-3-24 01:30 作者: negligence 時(shí)間: 2025-3-24 03:29 作者: Harass 時(shí)間: 2025-3-24 06:37 作者: 增減字母法 時(shí)間: 2025-3-24 11:40
Defective Femininity and (Sur)Realist Empowerment: Benito Pérez Galdós’s and Luis Bu?uel’s que vision of marriage and confronting the audience with its own craving for transgression, eroticism, and immorality in the surrealist film, both versions of . destabilize notions of normalcy through the semiotics of amputation.作者: 偏狂癥 時(shí)間: 2025-3-24 16:28 作者: 破譯密碼 時(shí)間: 2025-3-24 22:45 作者: 字謎游戲 時(shí)間: 2025-3-25 02:41
Die Differenz-Einheit von Wesen und Dies-da that the shoemakers and soldiers experience figures?early modern disability as an everyday middle-class experience of powerlessness rather than (as commonly assumed) a monstrous exemplum of sin or evil.作者: GILD 時(shí)間: 2025-3-25 04:32 作者: 誓言 時(shí)間: 2025-3-25 08:31 作者: Fabric 時(shí)間: 2025-3-25 11:50 作者: patriot 時(shí)間: 2025-3-25 19:20
Die Krise in der Wirtschaftstheoriexamining how alterations in narrative structure and other formal changes (written to visual, chapter breaks to editing, etc.) invoke alternative audience engagement resulting in an empathic relationship with a complex protagonist unable to reconcile his grief, thereby unsettling simplistic ideas about audience relationships to onscreen disability.作者: 妨礙議事 時(shí)間: 2025-3-25 23:37 作者: Diaphragm 時(shí)間: 2025-3-26 01:12 作者: 不連貫 時(shí)間: 2025-3-26 05:57 作者: AUGER 時(shí)間: 2025-3-26 08:50
Book 2021d film have engaged with the subject of amputation. The scholars featured in this volume.?.draw upon a wide variety of texts, both lesser-known and canonical, across historical periods and language traditions to interrogate the intersections of disability studies with social, political, cultural, an作者: 貪心 時(shí)間: 2025-3-26 12:38 作者: Amplify 時(shí)間: 2025-3-26 18:29 作者: 雪上輕舟飛過 時(shí)間: 2025-3-26 21:41 作者: flavonoids 時(shí)間: 2025-3-27 02:11
Stalin’s Samovars: Disabled Veterans in (Post-)Soviet Literatureighting the paradoxical role of the amputee veteran in Soviet commemoration politics between hero cult and stigmatization. Analyzing Boris Polevoi’s canonic Socialist realist . (1946) as a foil to Oleg Rossiyanov’s . (2007) and Eduard Kochergin’s . (2003), which criticize the Stalinist regime, the c作者: 陰險(xiǎn) 時(shí)間: 2025-3-27 05:35
“She Had Wept So Long and So Much on the Stumps”: Amputation and Embodiment in “The Girl Without Han In a close reading of the Brothers Grimm version of the tale, the chapter argues that the amputation is deeply symbolic in nature. The removal of the girl’s hands—and by extension her ability to act independently in the world—symbolizes the loss of power and agency that is seen to accompany entry i作者: 最小 時(shí)間: 2025-3-27 13:15 作者: 實(shí)現(xiàn) 時(shí)間: 2025-3-27 16:11
“Even at This Late Juncture”: Amputation, Old Age, and Paul Rayment’s Prosthetic Family in J.M. Coets the ways in which Paul Rayment’s response to the amputation of his leg following a cycling accident highlights the complex entanglements of age, masculinity, and the need for human connection. The chapter argues that Paul’s surgery effectively inaugurates his senescence, thereby casting him sudden作者: elucidate 時(shí)間: 2025-3-27 18:52
in Novel and Film: Grieving with the Vengeful Amputeechapter argues that, in contrast to the novel’s construction of the amputee as monstrous, the film’s structure situates the amputated protagonist Blizzard as a sympathetic main character and his amputation as a tragedy worth avenging. It discusses the characterizations in both novel and film while e作者: ALLEY 時(shí)間: 2025-3-28 01:25
“The Blunt Remnant of Something Whole”: Living Stumps and Prosthetic Relations in Thomas Bernhard’s that both texts can be read as provocations to standardized relational patterns between disabled and normate characters. Bernhard’s and Roth’s non-disabled narrators expose the negative emotions disability arouses in others, and, by confronting the audience with their ambivalent reactions to disabil作者: 蔓藤圖飾 時(shí)間: 2025-3-28 03:30
“But the Damage … Lasted”: Phantom Pain and Mourning in Moritz’s (1785–90) to explore the links between self-formation, autofictional writing, relationality, phantom pain, and mourning. The chapter outlines the relationality of the self with reference to canonical pretexts of autofiction evoked in Moritz’s .; it expounds the self-formative gesture of presenting 作者: Bucket 時(shí)間: 2025-3-28 08:41 作者: Gudgeon 時(shí)間: 2025-3-28 10:35
Speech—Amputation—Writing: Philomela’s ,logygue for a theory of communication. In the myth, the amputation of Philomela’s tongue after the rape by Tereus is the origin of writing, which thus finds its foundation in an act of (sexual) violence and an experience of absence. Linking the myth to a Derridean critique of phonocentrism and contrasti作者: 蒙太奇 時(shí)間: 2025-3-28 15:54
https://doi.org/10.1007/978-3-030-74377-2prosthetics; amputation; linguistics of amputation; politics of amputation; sexuality and amputation; los作者: Halfhearted 時(shí)間: 2025-3-28 19:32 作者: Debark 時(shí)間: 2025-3-29 00:03 作者: Agronomy 時(shí)間: 2025-3-29 04:09
Machtfreiheit als negative Utopielity studies, the introduction argues that the narratives generated by amputation confront a complicated dialectics of loss and gain that deserves further study. Using Viktoria Modesta’s music video “Prototype” as an example, the introduction emphasizes the need to combine historical, social, cultur作者: Aura231 時(shí)間: 2025-3-29 09:00 作者: barium-study 時(shí)間: 2025-3-29 11:50
https://doi.org/10.1007/978-94-010-3643-6h a focus on embodiment and affect, explores the cultural and political—and often gendered—signification of corporeal dismemberment. Distancing itself from a psychoanalytic reading of amputation, it moves toward a politicized, historical, and specifically gendered reading, examining amputation as an作者: 損壞 時(shí)間: 2025-3-29 16:56
https://doi.org/10.1007/978-94-010-3643-6ighting the paradoxical role of the amputee veteran in Soviet commemoration politics between hero cult and stigmatization. Analyzing Boris Polevoi’s canonic Socialist realist . (1946) as a foil to Oleg Rossiyanov’s . (2007) and Eduard Kochergin’s . (2003), which criticize the Stalinist regime, the c作者: oblique 時(shí)間: 2025-3-29 21:54 作者: 安慰 時(shí)間: 2025-3-30 03:28
https://doi.org/10.1007/978-3-476-05802-7e representation of amputation and the intersection between disability and gender. In nineteenth-century Spanish society, disability seems to confirm rather than create “defective femininity.” In contrast to previous readings of the film as an expression of Tristana’s emancipation, the chapter argue作者: Homocystinuria 時(shí)間: 2025-3-30 05:45
Mark Bechtel,Christoph Oliver Mayers the ways in which Paul Rayment’s response to the amputation of his leg following a cycling accident highlights the complex entanglements of age, masculinity, and the need for human connection. The chapter argues that Paul’s surgery effectively inaugurates his senescence, thereby casting him sudden
