標(biāo)題: Titlebook: American Poetry: The Modernist Ideal; Clive Bloom,Brian Docherty Book 1995 Palgrave Macmillan, a division of Macmillan Publishers Limited [打印本頁(yè)] 作者: 一個(gè)希拉里 時(shí)間: 2025-3-21 16:50
書目名稱American Poetry: The Modernist Ideal影響因子(影響力)
書目名稱American Poetry: The Modernist Ideal影響因子(影響力)學(xué)科排名
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書目名稱American Poetry: The Modernist Ideal網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱American Poetry: The Modernist Ideal被引頻次學(xué)科排名
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書目名稱American Poetry: The Modernist Ideal讀者反饋
書目名稱American Poetry: The Modernist Ideal讀者反饋學(xué)科排名
作者: 他一致 時(shí)間: 2025-3-21 21:32 作者: 懶惰人民 時(shí)間: 2025-3-22 01:50
International Political Economy Seriesnslavements of closure. How to work out the desire for an urbane style in a society bent on accelerated desires for rapid consumption. Andrew Marvell, being inside both the state of Charles I and Oliver Cromwell, created a writing we still admire: ‘the high speed, the succession of concentrated imag作者: 有惡意 時(shí)間: 2025-3-22 08:23 作者: 彎曲的人 時(shí)間: 2025-3-22 11:19 作者: 外表讀作 時(shí)間: 2025-3-22 13:36
H.D. (Hilda Doolittle),concrete, the actual, and the ‘hard’..H.D.’s biographer Barbara Guest, for instance, persists in reading the former’s early poems through Pound’s spectacles. Calling her the ‘finest Imagist’, Guest declares that ‘her poetry of this period is always concrete, never abstract’..作者: Morsel 時(shí)間: 2025-3-22 20:34 作者: 向外 時(shí)間: 2025-3-22 22:46
,Frank O’Hara,nslavements of closure. How to work out the desire for an urbane style in a society bent on accelerated desires for rapid consumption. Andrew Marvell, being inside both the state of Charles I and Oliver Cromwell, created a writing we still admire: ‘the high speed, the succession of concentrated imag作者: 補(bǔ)充 時(shí)間: 2025-3-23 03:03
Allen Ginsberg, Bob Dylan — it passed into his hands years earlier’.). Although Ginsberg clearly belongs to that neo-modernist grouping which derives its poetics from Ezra Pound and William Carlos Williams, he is a more social and political poet than either. He also derives parts of his poetics from William Blake,作者: dilute 時(shí)間: 2025-3-23 09:24
Denise Levertov,elief while sustaining the personal, social and political concerns of her previous collections. Her most recent four books — ., and . move from individual experiences of immanence to a form of Catholic belief. This development, on the one hand, deepens and contextualises her private sense of spiritu作者: KIN 時(shí)間: 2025-3-23 13:32 作者: 憤慨點(diǎn)吧 時(shí)間: 2025-3-23 16:01 作者: inspired 時(shí)間: 2025-3-23 18:19
Objectivism, to the point was how they differed: what they thought they were when they were on their own with the paper or the typewriter; what they thought of Pound and how that had changed over the years and changed them with it. That’s a thought we’d share with them, that difference was more important.作者: 緩和 時(shí)間: 2025-3-24 00:14 作者: 烤架 時(shí)間: 2025-3-24 06:11
978-0-333-53289-8Palgrave Macmillan, a division of Macmillan Publishers Limited 1995作者: Canyon 時(shí)間: 2025-3-24 09:58 作者: 土坯 時(shí)間: 2025-3-24 13:27
Sayan Ray,Sanjoy Sanyal,Pulak Senguptanal tactic: ‘the name was invented to launch H.D. and Aldington’..This statement reads disingenuously because, at the time, Pound’s activities on behalf of Imagism formed part of a sustained programme for encouraging experimentation in poetry, and his ‘cautions’ (as he called them), ‘A Few Don’ts’, 作者: 翅膀拍動(dòng) 時(shí)間: 2025-3-24 17:59
A Prose Interlude: The Early Stories,sing a ‘wondrous suggestiveness’ that is ‘eternally incapable of being translated into words’. The epistemological and creative journey to ‘some thoughtful thing of absolute Truth’ is, by definition, taxing and one major lesson he fails to recognise in this proto-modernist text is urgent for the mod作者: Galactogogue 時(shí)間: 2025-3-24 22:38 作者: PACT 時(shí)間: 2025-3-25 01:48 作者: Infect 時(shí)間: 2025-3-25 03:24
The Road out of Wales: Fame and Fitzrovia,nsciousness: ‘Anecdote of the Jar’ has been mined by generations of students teasing out its seemingly endless self-referentiality to demonstrate that ‘less is more’. The poem is, of course, an ironic critique of the Romantic yearning for the creative interfusion of consciousness and nature as the b作者: recede 時(shí)間: 2025-3-25 09:01 作者: Liberate 時(shí)間: 2025-3-25 13:37
https://doi.org/10.1007/978-3-642-03778-8eminine’ within quotations? What are the constant reminders which define the poetry as written by a woman? Eliot’s avuncular appreciation subverts and trivialises ‘feminine’ -female — poetry while marking its difference. The distinctions Eliot finds, the ‘particularity’ — one almost reads ‘peculiari作者: Interdict 時(shí)間: 2025-3-25 17:18
https://doi.org/10.1007/978-3-642-03778-8d his poetry. Born in 1894 to a family of impeccably New England Puritan stock, his life as a writer was to some extent a negation of his background. Like Ezra Pound, cummings never held a ‘normal’ job, but lived true to his principles, devoted to his art even at the expense of so-called material su作者: 懶鬼才會(huì)衰弱 時(shí)間: 2025-3-25 21:15 作者: aspect 時(shí)間: 2025-3-26 01:46
International Political Economy Series in some totalitarian control of surface — by dogma of some kind that brandishes itself as impersonal, all artifice, resistant to inventive art and social change: that is Frank O’Hara’s programme. How to say ‘I’, or to display ‘I’, without imposition, to resist that common dullness in poetry insiste作者: Between 時(shí)間: 2025-3-26 05:45
Internet-Based Freight Marketplacesied pavement. Although more of Olson’s writings are available than ever before, two recent forces in American poetry have diminished his reputation and influence. First, the championing of a new formalism and, paradoxically, the licence granted to confessional-type composition have involved a reject作者: sed-rate 時(shí)間: 2025-3-26 12:06
Internet-Based Freight MarketplacesCh?gyam Trungpa Rinpoche. As the half-title page of his . notes, he is a ‘Member of the American Institute of Arts and Letters and co-founder of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute’. and he describes himself gleefully in an interview with Jim Burns as ‘a(chǎn) most respe作者: Genetics 時(shí)間: 2025-3-26 13:40
https://doi.org/10.1007/978-3-642-57430-6 given in the OED; ‘subject or liable to an action at law’. The first use is early: interviewed by David Ossman in February 1961, around the time of publication of his first book ., Dorn was quick to turn the conversation away from the then-fashionable debates about ‘the line’ and its relationship t作者: Interferons 時(shí)間: 2025-3-26 17:15 作者: CHASE 時(shí)間: 2025-3-26 20:57 作者: ironic 時(shí)間: 2025-3-27 04:50 作者: Morphine 時(shí)間: 2025-3-27 06:49
American Poetry: The Modernist Ideal978-1-349-24057-9Series ISSN 2947-2830 Series E-ISSN 2947-2849 作者: Minuet 時(shí)間: 2025-3-27 12:20
A Prose Interlude: The Early Stories,sing a ‘wondrous suggestiveness’ that is ‘eternally incapable of being translated into words’. The epistemological and creative journey to ‘some thoughtful thing of absolute Truth’ is, by definition, taxing and one major lesson he fails to recognise in this proto-modernist text is urgent for the modernism Pound begins to explore in ..作者: EWE 時(shí)間: 2025-3-27 16:11
The Intruders: Influences and Relationships,m Pound and Eliot that the imperative ‘to make it new’ was no excuse for a deracinated free-for-all. Modernity looked to the future but depended on the past. Indeed, . itself, whatever else it may be, is largely a meditation on American history. This much is obvious.作者: 變形 時(shí)間: 2025-3-27 18:16 作者: Diatribe 時(shí)間: 2025-3-28 00:15 作者: verdict 時(shí)間: 2025-3-28 03:42 作者: 多骨 時(shí)間: 2025-3-28 06:46
Ezra Pound,sing a ‘wondrous suggestiveness’ that is ‘eternally incapable of being translated into words’. The epistemological and creative journey to ‘some thoughtful thing of absolute Truth’ is, by definition, taxing and one major lesson he fails to recognise in this proto-modernist text is urgent for the mod作者: Flagging 時(shí)間: 2025-3-28 14:13
Hart Crane,m Pound and Eliot that the imperative ‘to make it new’ was no excuse for a deracinated free-for-all. Modernity looked to the future but depended on the past. Indeed, . itself, whatever else it may be, is largely a meditation on American history. This much is obvious.作者: 事與愿違 時(shí)間: 2025-3-28 17:06 作者: Feigned 時(shí)間: 2025-3-28 22:28 作者: ONYM 時(shí)間: 2025-3-29 00:44
Kenneth Rexroth,Second World War he was already well known on the West Coast as a discerning critic, an essayist who covered an encyclopedic range of subjects, an accomplished painter, and a long-time political activist; and, throughout the later part of his life, for his translations from French, Swedish, Greek, L作者: Urgency 時(shí)間: 2025-3-29 05:11
Marianne Moore,eminine’ within quotations? What are the constant reminders which define the poetry as written by a woman? Eliot’s avuncular appreciation subverts and trivialises ‘feminine’ -female — poetry while marking its difference. The distinctions Eliot finds, the ‘particularity’ — one almost reads ‘peculiari作者: 全神貫注于 時(shí)間: 2025-3-29 08:13 作者: Sigmoidoscopy 時(shí)間: 2025-3-29 11:23 作者: minimal 時(shí)間: 2025-3-29 15:44
,Frank O’Hara, in some totalitarian control of surface — by dogma of some kind that brandishes itself as impersonal, all artifice, resistant to inventive art and social change: that is Frank O’Hara’s programme. How to say ‘I’, or to display ‘I’, without imposition, to resist that common dullness in poetry insiste作者: Legend 時(shí)間: 2025-3-29 22:52 作者: Lethargic 時(shí)間: 2025-3-30 03:10
Allen Ginsberg,Ch?gyam Trungpa Rinpoche. As the half-title page of his . notes, he is a ‘Member of the American Institute of Arts and Letters and co-founder of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute’. and he describes himself gleefully in an interview with Jim Burns as ‘a(chǎn) most respe作者: tenosynovitis 時(shí)間: 2025-3-30 06:35
Edward Dorn, given in the OED; ‘subject or liable to an action at law’. The first use is early: interviewed by David Ossman in February 1961, around the time of publication of his first book ., Dorn was quick to turn the conversation away from the then-fashionable debates about ‘the line’ and its relationship t作者: 無(wú)法破譯 時(shí)間: 2025-3-30 12:05 作者: 接合 時(shí)間: 2025-3-30 15:52 作者: LATER 時(shí)間: 2025-3-30 20:18 作者: 簡(jiǎn)潔 時(shí)間: 2025-3-30 21:08
The Road out of Wales: Fame and Fitzrovia,ion line, an exclusion zone. Similarly the poem cheats the reader’s desire for narrative lift-off; this is an anecdote which leads nowhere, which fends off chatty familiarity, and in which there is no significant joining that transcends its constitutive elements.作者: effrontery 時(shí)間: 2025-3-31 01:32 作者: 清唱?jiǎng)?nbsp; 時(shí)間: 2025-3-31 07:24
Wallace Stevens,ion line, an exclusion zone. Similarly the poem cheats the reader’s desire for narrative lift-off; this is an anecdote which leads nowhere, which fends off chatty familiarity, and in which there is no significant joining that transcends its constitutive elements.作者: Promotion 時(shí)間: 2025-3-31 12:31 作者: demote 時(shí)間: 2025-3-31 17:20 作者: 異教徒 時(shí)間: 2025-3-31 21:19 作者: 東西 時(shí)間: 2025-4-1 01:46
