標(biāo)題: Titlebook: American Dramatists 1918–1945; Excluding O’Neill Bernard F. Dukore Textbook 1984Latest edition Bernard F. Dukore 1984 America.Arthur Miller [打印本頁(yè)] 作者: 頻率 時(shí)間: 2025-3-21 16:47
書(shū)目名稱American Dramatists 1918–1945影響因子(影響力)
作者: HALO 時(shí)間: 2025-3-21 21:43
https://doi.org/10.1007/978-3-658-03414-6y rent. Refusing an industrialist’s offer to help make poison gas for the government and to inform on a scientist, a lab assistant quits to become a cabby. Irv tries to persuade his sister Florence not to marry her boy friend Sid, a hack who earns too little to support a family (they would move back作者: 圓木可阻礙 時(shí)間: 2025-3-22 01:00
https://doi.org/10.1007/978-3-662-42975-4g today’.. As the German critic Julius Bab observed in 1931, however, the Soviet stage was interesting because of its innovative stagecraft but its new plays were ‘only a na?ve imitation of very old European forms’.作者: 染色體 時(shí)間: 2025-3-22 07:49
E. E. Cummings,rd’s truth’, ‘So help me Lenin!’: indicating that under both capitalism and communism hollow slogans control the masses. Meanwhile, the artist tries to create. To re-examine the ‘mammoth’ he draws he removes the curtain, revealing a large steamshovel — a twentiety-century mammoth, therefore the sour作者: 騷擾 時(shí)間: 2025-3-22 08:52
Clifford Odets,y rent. Refusing an industrialist’s offer to help make poison gas for the government and to inform on a scientist, a lab assistant quits to become a cabby. Irv tries to persuade his sister Florence not to marry her boy friend Sid, a hack who earns too little to support a family (they would move back作者: 招人嫉妒 時(shí)間: 2025-3-22 15:38 作者: mortgage 時(shí)間: 2025-3-22 18:48
https://doi.org/10.1007/978-1-349-17633-5America; Arthur Miller; dramatist; expressionism; fiction; naturalism; New York; novel; realism; Samuel Becke作者: Jejune 時(shí)間: 2025-3-22 23:28
Bernard F. Dukore 1984作者: FOVEA 時(shí)間: 2025-3-23 01:22
,Die Entwicklung von Verrichtungsma?en,cals produced on Broadway. Probably his most successful collaborator, the one with whom the public usually associates him, Moss Hart worked on eight. At least once, Kaufman called him his favourite collaborator.作者: GRAZE 時(shí)間: 2025-3-23 07:53 作者: Cosmopolitan 時(shí)間: 2025-3-23 13:40 作者: 諄諄教誨 時(shí)間: 2025-3-23 15:20 作者: 轉(zhuǎn)向 時(shí)間: 2025-3-23 20:11 作者: concert 時(shí)間: 2025-3-24 00:45 作者: 安撫 時(shí)間: 2025-3-24 06:04
https://doi.org/10.1007/978-3-658-03414-6t a theatre near Union Square, New York. On the benefit night of 6 January 1935 Clifford Odets presented ., where the situation is a taxi union meeting called to decide whether to strike. On stage are Fatt, a crooked union leader, his gunman, and the strike committee, who await the arrival of anothe作者: Glucose 時(shí)間: 2025-3-24 08:53 作者: Flavouring 時(shí)間: 2025-3-24 14:36 作者: Parallel 時(shí)間: 2025-3-24 18:35 作者: immunity 時(shí)間: 2025-3-24 22:20 作者: NOVA 時(shí)間: 2025-3-24 23:48
Modern Dramatistshttp://image.papertrans.cn/a/image/154495.jpg作者: Panther 時(shí)間: 2025-3-25 04:21 作者: Chagrin 時(shí)間: 2025-3-25 08:00 作者: Charitable 時(shí)間: 2025-3-25 13:35
Maxwell Anderson,ragedy suggest Anderson’s range, which embraces melodrama, fantasy and social protest. Woven throughout his variegated drama are views of individualism; social institutions that thwart, oppress and plunder individuals; rebels who defy society; and questions of integrity.作者: TAIN 時(shí)間: 2025-3-25 18:06
Lillian Hellman,…] In the end she tosses in a speech of social significance’ that drenches the play with ‘a(chǎn) Pinero frown of fustian morality’ (.). If these provided a complete picture there would be little justification for Hellman’s inclusion in this book. They do not.作者: BLOT 時(shí)間: 2025-3-25 22:00
https://doi.org/10.1007/978-3-531-91049-9ct is a factor, . has pride of place over .. If not, one might go back as many as four decades to cite Georg Buchner’s ‘modern’ . (1837). And critics disagree on the first expressionistic play, even whether Strindberg or a German wrote it.作者: defile 時(shí)間: 2025-3-26 01:15 作者: obstruct 時(shí)間: 2025-3-26 05:41 作者: 嚙齒動(dòng)物 時(shí)間: 2025-3-26 08:33
Watershed Years,ct is a factor, . has pride of place over .. If not, one might go back as many as four decades to cite Georg Buchner’s ‘modern’ . (1837). And critics disagree on the first expressionistic play, even whether Strindberg or a German wrote it.作者: 狼群 時(shí)間: 2025-3-26 14:50 作者: gimmick 時(shí)間: 2025-3-26 17:24 作者: Overstate 時(shí)間: 2025-3-26 21:44
https://doi.org/10.1007/978-3-663-01874-2m unproduced); four novels, three of which have been published; a book about the theatre; an indeterminate number of short stories, one-act plays, articles, book reviews, motion pictures, radio and television scripts; and the present volume.’作者: 修正案 時(shí)間: 2025-3-27 02:32 作者: BUMP 時(shí)間: 2025-3-27 05:48 作者: 雪白 時(shí)間: 2025-3-27 09:44 作者: 沙發(fā) 時(shí)間: 2025-3-27 17:32 作者: 節(jié)省 時(shí)間: 2025-3-27 20:02 作者: ingrate 時(shí)間: 2025-3-27 23:41
George S. Kaufman and Moss Hart,cals produced on Broadway. Probably his most successful collaborator, the one with whom the public usually associates him, Moss Hart worked on eight. At least once, Kaufman called him his favourite collaborator.作者: 鑲嵌細(xì)工 時(shí)間: 2025-3-28 04:23
Maxwell Anderson,l’s . Broadway may not have been receptive to the salty phrases of Anderson’s and Laurence Stallings’ . (1924), much of which is comic. Without O’Neill’s efforts to create tragedy, Anderson’s vision of poetic tragedy, a contrast to O’Neill’s prose, might not have been realised on stage. Comedy and t作者: Motilin 時(shí)間: 2025-3-28 10:00 作者: Polydipsia 時(shí)間: 2025-3-28 13:58
Thornton Wilder,choose Thornton Wilder. Both in and outside the United States, his plays suggest archetypal America, which he celebrates as warm, innocent, religious, simple and simply nice. While they evoke small towns, Sunday schools and Independence Day picnics on the Fourth of July, the range of Wilder’s knowle作者: 注視 時(shí)間: 2025-3-28 17:13
Lillian Hellman,anthologised play, . . (1939). An ‘odour of greasepaint and canvas pervades the drama’, whose machinations recall those of Sardou (.). It is ‘a(chǎn) knowing job of construction’ whose author ‘writes with melodramatic abandon, plotting torture, death and thievery like the author of an old-time thriller. [作者: 辮子帶來(lái)幫助 時(shí)間: 2025-3-28 22:29 作者: 有危險(xiǎn) 時(shí)間: 2025-3-29 01:55
