派博傳思國(guó)際中心

標(biāo)題: Titlebook: Ambivalence in Hardy; A Study of his Attit Shanta Dutta Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 biogr [打印本頁(yè)]

作者: ANNOY    時(shí)間: 2025-3-21 18:29
書(shū)目名稱Ambivalence in Hardy影響因子(影響力)




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作者: 歡笑    時(shí)間: 2025-3-21 23:58
roach with a feminist reading. Significant space is devoted to the ‘minor‘ novels, the short stories, and to Hardy‘s real life literary relations with his contemporary women writers, his protégées and his two ‘scribbling‘ wives, to balance the hitherto exclusive focus on the ‘major‘ novels.978-0-230-37834-6
作者: 剝皮    時(shí)間: 2025-3-22 03:18

作者: 雪上輕舟飛過(guò)    時(shí)間: 2025-3-22 05:35

作者: Psychogenic    時(shí)間: 2025-3-22 11:07
and references to Hardy‘s autobiography, letters, literary notebooks, marginalia, and the letters of his wives, this book combines a biographical approach with a feminist reading. Significant space is devoted to the ‘minor‘ novels, the short stories, and to Hardy‘s real life literary relations with
作者: 不如樂(lè)死去    時(shí)間: 2025-3-22 15:16
Analysekonzept und methodisches Vorgehendy’s marginal comments: ‘false’, ‘incorrect’, ‘untrue’, ‘conjectural’, ‘exaggerated’, ‘garbled’, ‘imaginary’, ‘impertinent invention’.. In a 1922 letter to Agnes Grove, Hardy refused to entertain a female thesis-writer whom she had recommended:
作者: 食草    時(shí)間: 2025-3-22 17:50

作者: 創(chuàng)造性    時(shí)間: 2025-3-22 21:20

作者: 同來(lái)核對(duì)    時(shí)間: 2025-3-23 01:57

作者: Integrate    時(shí)間: 2025-3-23 08:29
Hardy and Some Contemporary Female Writers,nd the essay ‘G.M.: A Reminiscence’ (1928). More than a decade after this memorable meeting, in the early 1880s, and again in Frederick Chapman’s office, a beautiful young writer — flushed with the success of her maiden novel — was introduced to the journalist and editor Frank Harris, who recalled her as:
作者: PHON    時(shí)間: 2025-3-23 10:39
Fazit und Wichtigste Handlungsempfehlungen,ion: in having a secret ‘past’ which potentially threatens to blight her future marital happiness, Ethelberta has affinities with Fancy and Elfride before her and Eustacia, Viviette, Lucetta, and Tess after her.
作者: Ischemia    時(shí)間: 2025-3-23 15:34
Fazit und Wichtigste Handlungsempfehlungen,the transition from urban comedy in . to rural tragedy in . is not as abrupt as it seems; and in the heroines of these two novels it is possible to detect a line of descent from Ethelberta’s ‘unmoral pursuit of power and wealth’ to Eustacia’s ‘unmoral pursuit of pleasure’.
作者: Inferior    時(shí)間: 2025-3-23 19:28

作者: tenosynovitis    時(shí)間: 2025-3-23 23:40

作者: Prostaglandins    時(shí)間: 2025-3-24 02:44

作者: Engaged    時(shí)間: 2025-3-24 08:03

作者: galley    時(shí)間: 2025-3-24 10:54
The Return of the Native,the first great tragic novel of his literary career, . (1878). In this novel Hardy explores, in reverse direction, the problem of deracination. If Ethelberta is ‘a(chǎn)n uprooted native of Wessex’ who seeks to escape from her native origins, Clym is the uprooted native who seeks to return. As a ‘thinly v
作者: 灰姑娘    時(shí)間: 2025-3-24 18:18
Two on a Tower,arlier Hardyan motifs and holds in embryonic form the thematic concerns of the tragic novels to follow. In this underrated novel, we have: humanity pitted against the vast, impersonal and indifferent universe; an agonizing struggle between the life of passion and the life of intellect; human love an
作者: ingrate    時(shí)間: 2025-3-24 19:28
The Short Stories of the 1890s,these stories are significant in representing ideas in embryo, in tentative rehearsing of themes to be fully explored in the later novels. Thus, ‘The Romantic Adventures of a Milkmaid’ (1883), with its comic denouement, is an anticipation of . (1891) where ‘Hardy looks unconditionally at the worst c
作者: LEVY    時(shí)間: 2025-3-25 01:26

作者: etiquette    時(shí)間: 2025-3-25 04:53
,Hardy, his Wives, and his Literary Protégées,ariably their biographical sections that irritated Hardy. The worst offender seems to have been Ernest Brennecke’s . (1925) which is littered with Hardy’s marginal comments: ‘false’, ‘incorrect’, ‘untrue’, ‘conjectural’, ‘exaggerated’, ‘garbled’, ‘imaginary’, ‘impertinent invention’.. In a 1922 lett
作者: 衍生    時(shí)間: 2025-3-25 08:33

作者: 匍匐前進(jìn)    時(shí)間: 2025-3-25 13:25
,Conclusion: ‘A Confused Heap of Impressions’,n rapped out: “We shall have more difficulty in getting the vote than you men had: we have committed the crime of being born woman”.’. After centuries of injustice and blatant sex-discrimination, women in the second half of the nineteenth century were articulately demanding to be absolved from the ‘
作者: 填料    時(shí)間: 2025-3-25 19:48

作者: Bombast    時(shí)間: 2025-3-25 21:51

作者: 有節(jié)制    時(shí)間: 2025-3-26 03:56
Fazit und Wichtigste Handlungsempfehlungen,the first great tragic novel of his literary career, . (1878). In this novel Hardy explores, in reverse direction, the problem of deracination. If Ethelberta is ‘a(chǎn)n uprooted native of Wessex’ who seeks to escape from her native origins, Clym is the uprooted native who seeks to return. As a ‘thinly v
作者: paragon    時(shí)間: 2025-3-26 04:30
https://doi.org/10.1007/978-3-658-14624-5arlier Hardyan motifs and holds in embryonic form the thematic concerns of the tragic novels to follow. In this underrated novel, we have: humanity pitted against the vast, impersonal and indifferent universe; an agonizing struggle between the life of passion and the life of intellect; human love an
作者: BILIO    時(shí)間: 2025-3-26 12:18

作者: condescend    時(shí)間: 2025-3-26 14:28

作者: WAIL    時(shí)間: 2025-3-26 17:57
Analysekonzept und methodisches Vorgehenariably their biographical sections that irritated Hardy. The worst offender seems to have been Ernest Brennecke’s . (1925) which is littered with Hardy’s marginal comments: ‘false’, ‘incorrect’, ‘untrue’, ‘conjectural’, ‘exaggerated’, ‘garbled’, ‘imaginary’, ‘impertinent invention’.. In a 1922 lett
作者: 前奏曲    時(shí)間: 2025-3-26 21:10

作者: PLE    時(shí)間: 2025-3-27 03:23

作者: FID    時(shí)間: 2025-3-27 09:02
http://image.papertrans.cn/a/image/154392.jpg
作者: 萬(wàn)神殿    時(shí)間: 2025-3-27 12:20

作者: Instinctive    時(shí)間: 2025-3-27 16:40
https://doi.org/10.1057/9780230378346biography; knowledge; manuscript; novel; space; women; British and Irish Literature
作者: Obliterate    時(shí)間: 2025-3-27 18:41

作者: Reclaim    時(shí)間: 2025-3-27 21:55
https://doi.org/10.1007/978-3-658-14345-9woman’.. Perhaps she was forgetting the numerous anonymous and pseudonymous Victorian novels — like those by the Bront?s and George Eliot — which puzzled the contemporary reviewer and reader alike, as regards the sex of the author. Faced with the anonymous . in 1871 the anonymous reviewer in . responded cautiously:
作者: 壁畫(huà)    時(shí)間: 2025-3-28 03:02

作者: Omnipotent    時(shí)間: 2025-3-28 09:06

作者: intercede    時(shí)間: 2025-3-28 12:02
https://doi.org/10.1007/978-3-658-10245-6 economically dependent inferior. Literature cannot be divorced from life, and in order fully to understand Hardy’s attitude to women it is necessary to complement the analysis of his presentation of women in his fiction with an examination of his varying reactions to these important feminist issues
作者: 消散    時(shí)間: 2025-3-28 17:55

作者: otic-capsule    時(shí)間: 2025-3-28 18:54
Jude the Obscure,rupting.. Thus, the story strikes a balance between being an eloquent plea on behalf of deserving but deprived students who fail to make it to the University, and offering an unsentimental critique of the selfish pursuit of academic ambition.
作者: 確定方向    時(shí)間: 2025-3-28 23:02
,Conclusion: ‘A Confused Heap of Impressions’, economically dependent inferior. Literature cannot be divorced from life, and in order fully to understand Hardy’s attitude to women it is necessary to complement the analysis of his presentation of women in his fiction with an examination of his varying reactions to these important feminist issues
作者: 轉(zhuǎn)換    時(shí)間: 2025-3-29 06:26
10樓
作者: 松軟無(wú)力    時(shí)間: 2025-3-29 08:39
10樓




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