標(biāo)題: Titlebook: Alien Audiences; Remembering and Eval Martin Barker,Kate Egan,Sarah Ralph Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 In [打印本頁] 作者: Enclosure 時間: 2025-3-21 20:02
書目名稱Alien Audiences影響因子(影響力)
書目名稱Alien Audiences影響因子(影響力)學(xué)科排名
書目名稱Alien Audiences網(wǎng)絡(luò)公開度
書目名稱Alien Audiences網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Alien Audiences被引頻次
書目名稱Alien Audiences被引頻次學(xué)科排名
書目名稱Alien Audiences年度引用
書目名稱Alien Audiences年度引用學(xué)科排名
書目名稱Alien Audiences讀者反饋
書目名稱Alien Audiences讀者反饋學(xué)科排名
作者: 有罪 時間: 2025-3-21 23:12 作者: 江湖郎中 時間: 2025-3-22 02:18 作者: 偉大 時間: 2025-3-22 05:06
Remembering a First Encounter with ,ds) on their memories of their first viewing of .. It draws attention to how the distinct viscerality of . – illustrated by the repeated use of sensory imagery and discourses of corporeality – means that participants recollect it as an exceptional viewing experience – ofen encountered during a trans作者: 織布機 時間: 2025-3-22 09:26 作者: incredulity 時間: 2025-3-22 12:57
Critical Conclusions, committed. It considers the implications of this project’s findings for the textual analytic tradition, arguing for analysts to take greater responsibility for their claims. It also considers the project’s implications for public policy and film classification, arguing the need to reconsider concep作者: 語源學(xué) 時間: 2025-3-22 17:16
engaged with it? This book presents the – sometimes very surprising – results of a major audience research project, exploring how people remember and continue to engage with the film..978-1-137-53206-0作者: Oscillate 時間: 2025-3-22 22:48 作者: 轉(zhuǎn)換 時間: 2025-3-23 03:05 作者: Congeal 時間: 2025-3-23 06:32 作者: Ptsd429 時間: 2025-3-23 12:36
Gifting the , Experience,ses, the chapter moves on to discuss the way in which familial relationships are informed by watching . together. It is argued that the experience of the film, rather than the text itself, is framed by families as a ‘gift’ – something to be savoured, treasured, and enjoyed作者: Arthritis 時間: 2025-3-23 14:50
Remembering a First Encounter with ,itional life phase, causing it to remain with them (‘etched’ into their brains, as one participant explains it) in later life. Te findings of this chapter add a new complexity to Linda Williams’ provocative ideas on ‘body genres’作者: Minatory 時間: 2025-3-23 18:19
Praktische Konsequenzen der HOPE-Studien and methodology of our project is outlined, including a consideration of the role of specifc kinds of cultural knowledge within this. A first summary of results is given, with particular attention to how our participants perceived and understood Ellen Ripley (Sigourney Weaver), and H. R. Giger’s alien.作者: 使害怕 時間: 2025-3-23 23:40 作者: 拱墻 時間: 2025-3-24 02:24
https://doi.org/10.1007/978-3-663-09627-6itional life phase, causing it to remain with them (‘etched’ into their brains, as one participant explains it) in later life. Te findings of this chapter add a new complexity to Linda Williams’ provocative ideas on ‘body genres’作者: 一夫一妻制 時間: 2025-3-24 10:23
Der schwierige Umgang mit NS-Raubkunstceptions of maintenance. Te role of parents in introducing (ofen very young) children to the film is explored. Te role of parents, and the intensity of commitment to the film, is shown to decline and change over time, as . becomes more a component within general popular culture.作者: 演講 時間: 2025-3-24 14:00 作者: 有斑點 時間: 2025-3-24 15:02 作者: 脫離 時間: 2025-3-24 21:11
Considering the Chestburster-Choosers: Realism and Repeat Viewing,sustaining these committed participants’ afective engagement with the sequence, and the film as a whole. In the process, it considers how such findings might challenge or problematize claims that have been made about viewer engagement with ., and with horror and science-fiction films more generally, on repeat viewing.作者: 不整齊 時間: 2025-3-25 03:13
Praktische Konsequenzen der HOPE-Studiewhich Alien has become a point of reference and reuse within a wide range of kinds of popular culture. It also explores its highly unusual position within academic debates, and illustrates the role that claims and assumptions about ‘the audience’ play within these debates. Te rationale for the desig作者: 煩人 時間: 2025-3-25 06:37 作者: fibroblast 時間: 2025-3-25 10:46
https://doi.org/10.1007/978-3-658-16688-5atching experience can be identifed as a fannish practice. Situating this activity within the concept of fan giftt economies, the chapter charts the experience of participants whose foreknowledge and frst viewings of the film were infuenced by their family. Identifying key trends within these respon作者: 出生 時間: 2025-3-25 11:59 作者: 小臼 時間: 2025-3-25 17:21 作者: 愛國者 時間: 2025-3-25 21:32 作者: 施加 時間: 2025-3-26 01:57 作者: 兇猛 時間: 2025-3-26 06:29
http://image.papertrans.cn/a/image/153338.jpg作者: 十字架 時間: 2025-3-26 11:39 作者: Flu表流動 時間: 2025-3-26 15:47
https://doi.org/10.1057/9781137532060Intertextual references; academic debates; quali-quantitative survey; Ellen Ripley; Giger‘s Alien; Commit作者: Monolithic 時間: 2025-3-26 20:34
The Editor(s) (if applicable) and The Author(s) 2016作者: otic-capsule 時間: 2025-3-26 23:24
8樓作者: Arthr- 時間: 2025-3-27 03:19
8樓作者: Limousine 時間: 2025-3-27 08:57
9樓作者: 傻 時間: 2025-3-27 11:13
9樓作者: 骨 時間: 2025-3-27 15:39
9樓作者: Choreography 時間: 2025-3-27 18:01
10樓作者: auxiliary 時間: 2025-3-28 01:24
10樓作者: CLASH 時間: 2025-3-28 02:50
10樓作者: 名字 時間: 2025-3-28 07:23
10樓
