標(biāo)題: Titlebook: Alfred Bester’s The Stars My Destination; A Critical Companion D. Harlan Wilson Book 2022 The Editor(s) (if applicable) and The Author(s), [打印本頁] 作者: patch-test 時(shí)間: 2025-3-21 17:41
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書目名稱Alfred Bester’s The Stars My Destination讀者反饋學(xué)科排名
作者: 生命 時(shí)間: 2025-3-21 22:26
Cyberpunk Previsions and Literary Influences,on of the pulp-SF and high-modernist writers that preceded him and a forefather to the New Wave and cyberpunk movements that followed his lead. Bester enacts wordplay and carefully devised the names of characters and places. These tactics situate . within a literary tradition that deepens the signif作者: 倔強(qiáng)一點(diǎn) 時(shí)間: 2025-3-22 00:24 作者: 做事過頭 時(shí)間: 2025-3-22 07:55
Architectures of Psyche, Power, and Patriarchy, bear in the persona of Gully Foyle. Throughout the novel, he slowly transcends these proverbial constructs of culture, which comment on the ethics of the SF genre as well as Bester himself, who is a product of his own patriarchal culture and SF’s endorsement of it. Bester’s fascination with Freudia作者: NEEDY 時(shí)間: 2025-3-22 09:30
Speaking in Gutter Tongues,-Christ to the “blind faith” required to jaunt, the mysticism of the Scientific People, and the sensory deprived Skoptsys who live like zombified monks in the caves of Mars. Subtly or indiscreetly, Bester has something to say about religion in every chapter. In particular, Gully’s lower-class gutter作者: 釋放 時(shí)間: 2025-3-22 13:19 作者: 共和國 時(shí)間: 2025-3-22 20:49
https://doi.org/10.1007/978-0-387-34913-8new literary terrain and inspired SF’s most innovative movements: the New Wave (1960s and 1970s) and cyberpunk (1980s). The latter movement was the genre’s death knell as the futuristic technologies depicted in its narratives bled into the real world and rendered SF a twentieth-century artifact.作者: 機(jī)械 時(shí)間: 2025-3-22 23:22 作者: Criteria 時(shí)間: 2025-3-23 04:41
Book 2022rk, exploringits distinctive style, influences, intertextuality, affect, and innovation as well asits extensive metafictional properties. In .Stars., Bester established himself as ason of the pulp-SF and high-modernist writers that preceded him and a forefather to the New Wave and cyberpunk movement作者: Prosaic 時(shí)間: 2025-3-23 07:16
2662-8562 the turn from Golden Age science fiction to postmodern scie.In this comprehensive study of .The Stars My Destination., D. Harlan Wilson makesa case for the continued significance of Alfred Bester’s SF masterwork, exploringits distinctive style, influences, intertextuality, affect, and innovation as作者: Tortuous 時(shí)間: 2025-3-23 11:36 作者: GILD 時(shí)間: 2025-3-23 14:13 作者: Arthropathy 時(shí)間: 2025-3-23 19:31 作者: 詢問 時(shí)間: 2025-3-24 01:03
Database Applications Semanticsaphorical exorcists who aspire to “cleanse” their respective worlds—one from the violence of upper-class tyranny and prejudice, the other from the limitations of SF writers who fail to live up to the genre’s great potential.作者: evince 時(shí)間: 2025-3-24 04:27 作者: backdrop 時(shí)間: 2025-3-24 09:25
The Frankenstein Riff,hat extends through . to New Wave and cyberpunk. He moderates an open discussion with Shelley through a multiplicity of narrative layers, including H. G. Wells’s scientific romance . and the universal motif of the monomyth.作者: Gleason-score 時(shí)間: 2025-3-24 13:53
Architectures of Psyche, Power, and Patriarchy,i.e., outer space). His attitudes toward class, gender, and race are at once progressive and regressive. On the whole, however, he was more evolved than his contemporaries and made strides toward greater equality despite his own construction and entitlement as a white male author.作者: flamboyant 時(shí)間: 2025-3-24 17:43
Speaking in Gutter Tongues,aphorical exorcists who aspire to “cleanse” their respective worlds—one from the violence of upper-class tyranny and prejudice, the other from the limitations of SF writers who fail to live up to the genre’s great potential.作者: 溫和女人 時(shí)間: 2025-3-24 21:17 作者: rheumatism 時(shí)間: 2025-3-25 01:59 作者: 態(tài)學(xué) 時(shí)間: 2025-3-25 06:29 作者: Interlocking 時(shí)間: 2025-3-25 08:49
https://doi.org/10.1007/978-0-387-34913-8ical society. Bester’s desire to become a Renaissance Man in his youth informed his authorship and led to a deep resentment for other SF authors, who he blamed for the genre’s inability to transcend its pulp roots and boyish inclinations. Propelled by its Hugo Award-winning predecessor ., . charted 作者: 大方一點(diǎn) 時(shí)間: 2025-3-25 11:43
A Repository System for Business Ruleson of the pulp-SF and high-modernist writers that preceded him and a forefather to the New Wave and cyberpunk movements that followed his lead. Bester enacts wordplay and carefully devised the names of characters and places. These tactics situate . within a literary tradition that deepens the signif作者: 不發(fā)音 時(shí)間: 2025-3-25 18:27
Suzanne M. Embury,Peter M. D. Graynt point of reference. The text of . is a palimpsest beneath which lurks an underworld of other texts, and many of these undertexts are palimpsests themselves, most of all .. Both novels tell the stories of charismatic monsters and meta-referentially point to the inherent mad scientism of Shelley an作者: ARBOR 時(shí)間: 2025-3-25 20:50
The Context Interchange Network Prototype bear in the persona of Gully Foyle. Throughout the novel, he slowly transcends these proverbial constructs of culture, which comment on the ethics of the SF genre as well as Bester himself, who is a product of his own patriarchal culture and SF’s endorsement of it. Bester’s fascination with Freudia作者: 教育學(xué) 時(shí)間: 2025-3-26 00:09
Database Applications Semantics-Christ to the “blind faith” required to jaunt, the mysticism of the Scientific People, and the sensory deprived Skoptsys who live like zombified monks in the caves of Mars. Subtly or indiscreetly, Bester has something to say about religion in every chapter. In particular, Gully’s lower-class gutter作者: 貪婪地吃 時(shí)間: 2025-3-26 04:40
D. Harlan WilsonMakes a case for this iconic novel’s distinction.Suggests different approaches to Stars, especially in terms of its dominant tropes.Examines the turn from Golden Age science fiction to postmodern scie作者: BABY 時(shí)間: 2025-3-26 11:15 作者: 無瑕疵 時(shí)間: 2025-3-26 13:34
A Repository System for Business RulesSet in a pyrotechnic twenty-fifth century, Alfred Bester’s . is the story of Gully Foyle, a “stereotype Comman Man” who becomes a technologized Overman.作者: Polydipsia 時(shí)間: 2025-3-26 20:20
https://doi.org/10.1007/978-0-387-34913-8Just as Bester critiqued SF, so did SF critics critique Bester. Nonetheless, he remains a singular, vital author, and . is a beacon of innovation and inspiration in the SF megatext. The novel signaled the beginning of a new trend. Now it stands as a tombstone looming over the genre’s resting place in the graveyard of the twentieth century.作者: 絆住 時(shí)間: 2025-3-26 22:04 作者: 古代 時(shí)間: 2025-3-27 03:56 作者: 全面 時(shí)間: 2025-3-27 06:30
2662-8562 SF itself. In Wilson’s view, SF is a moribund artform, and .Stars .foresaw the inevitable science fictionalization of ourbenighted world. With scholarly lucidity and precision, Wilson shows us that?.Stars?.pointed the way to what we have (un)become.?.978-3-030-96948-6978-3-030-96946-2Series ISSN 2662-8562 Series E-ISSN 2662-8570 作者: IRATE 時(shí)間: 2025-3-27 13:28
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