標(biāo)題: Titlebook: Alan Moore, Out from the Underground; Cartooning, Performa Maggie Gray Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 comic [打印本頁(yè)] 作者: 方面 時(shí)間: 2025-3-21 18:57
書目名稱Alan Moore, Out from the Underground影響因子(影響力)
書目名稱Alan Moore, Out from the Underground影響因子(影響力)學(xué)科排名
書目名稱Alan Moore, Out from the Underground網(wǎng)絡(luò)公開度
書目名稱Alan Moore, Out from the Underground網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Alan Moore, Out from the Underground被引頻次
書目名稱Alan Moore, Out from the Underground被引頻次學(xué)科排名
書目名稱Alan Moore, Out from the Underground年度引用
書目名稱Alan Moore, Out from the Underground年度引用學(xué)科排名
書目名稱Alan Moore, Out from the Underground讀者反饋
書目名稱Alan Moore, Out from the Underground讀者反饋學(xué)科排名
作者: outset 時(shí)間: 2025-3-22 00:14
Palgrave Studies in Comics and Graphic Novelshttp://image.papertrans.cn/a/image/152234.jpg作者: pericardium 時(shí)間: 2025-3-22 01:57
https://doi.org/10.1007/978-3-319-66508-5comics studies; Alan Moore; zine; underground; cartoonist; comics writer; United Kingdom; comics history; li作者: 可卡 時(shí)間: 2025-3-22 04:59 作者: 發(fā)怨言 時(shí)間: 2025-3-22 11:25 作者: Lymphocyte 時(shí)間: 2025-3-22 14:10
Components of Data Base Planningunderground and its growing confrontation with the political establishment in the 1970s, including how countercultural values, debates, and conflicts were expressed in the form of comics. Part of a network of hippie anti-institutions, it was the experimental Arts Lab movement that most shaped Moore’作者: 抗體 時(shí)間: 2025-3-22 20:50 作者: esoteric 時(shí)間: 2025-3-22 21:18 作者: 芳香一點(diǎn) 時(shí)間: 2025-3-23 04:19
Monitoring Data Base Performancest published, in the form of his weekly ‘Maxwell the Magic Cat’ strip. It looks at Moore’s recent performance and cartooning work with the new incarnation of the Northampton Arts Lab as demonstrating a continuity of the attitude to creative practice and Brechtian approach to the politics of form tha作者: 清唱?jiǎng)?nbsp; 時(shí)間: 2025-3-23 06:17 作者: 小樣他閑聊 時(shí)間: 2025-3-23 12:59 作者: 鋼筆尖 時(shí)間: 2025-3-23 15:02 作者: 衰弱的心 時(shí)間: 2025-3-23 22:07 作者: anarchist 時(shí)間: 2025-3-24 01:48 作者: 玩笑 時(shí)間: 2025-3-24 02:58 作者: surmount 時(shí)間: 2025-3-24 10:10 作者: Chemotherapy 時(shí)間: 2025-3-24 12:10
Introduction,ith other arts, it argues the formal performativity of Moore’s work is key to its radical politics. Bertolt Brecht’s ideas of epic theatre are introduced as a framework for understanding this political aesthetics and the intersections of cartooning, performance, and dissent.作者: iodides 時(shí)間: 2025-3-24 16:23
The Marks of the Arts Lab: Comics, Performance, and the Counterculture, transdisciplinary output in relation to visual poetry, psychedelic posters, science fiction, and radical theatre. In doing so it unpacks the relationship between comics and performance, and identifies the reflexive performativity at the heart of Moore’s aesthetics.作者: GNAT 時(shí)間: 2025-3-24 22:21
The Play of the Press: Cartooning, Materiality, and the Underground in Print, graphic design, and animation, this chapter analyses how Moore’s newspaper strips not only engaged with urgent political issues, but were activist in form, using Brechtian methods to expose the contingency of reality and socialise the cultural apparatus.作者: fatty-streak 時(shí)間: 2025-3-24 23:42 作者: 有斑點(diǎn) 時(shí)間: 2025-3-25 05:03
2634-6370 ive approach to the study of Alan Moore‘s oeuvre.Challenges .This book explores Alan Moore’s career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in whi作者: Champion 時(shí)間: 2025-3-25 10:58 作者: 惡臭 時(shí)間: 2025-3-25 14:02 作者: GROVE 時(shí)間: 2025-3-25 17:01 作者: peak-flow 時(shí)間: 2025-3-25 21:23
Introduction,s often overlook the aesthetics and materiality of comics and the significance of visual style and facture. They elide the way that graphiation is embedded in specific contexts of production and presents particular ways of seeing, and therefore neglect the politics of form. This book instead looks a作者: Folklore 時(shí)間: 2025-3-26 01:50 作者: 糾纏 時(shí)間: 2025-3-26 04:42
The Play of the Press: Cartooning, Materiality, and the Underground in Print,transgressive design, and the importance of comics within that. It situates Moore’s work within the different strands of UK underground and new wave comix, tracing his development of a distinctive visual style that drew on the vulgar, lowbrow status of comics. It connects the playful self-referentia作者: climax 時(shí)間: 2025-3-26 09:15
The Sound of the Underground: Comics, Music, and the Politics of Punk,e, and subsequently turned to punk and post-punk scenes. It tracks the emergence of a punk aesthetic in (fan)zines and comics, and its crossover with the underground. Looking at Moore’s own practice as a musician, it identifies how it has inflected the performative politics of his work in comics. Co作者: Phagocytes 時(shí)間: 2025-3-26 13:17 作者: flavonoids 時(shí)間: 2025-3-26 17:18
9樓作者: EVADE 時(shí)間: 2025-3-26 21:09
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