標(biāo)題: Titlebook: Afterlives of the Lady of Shalott and Elaine of Astolat; Ann F. Howey Book 2020 The Editor(s) (if applicable) and The Author(s), under exc [打印本頁(yè)] 作者: Magnanimous 時(shí)間: 2025-3-21 17:38
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作者: 多嘴 時(shí)間: 2025-3-21 23:56
Singing Her Own Song: The Lady/Elaine in Music,r Dale. The chapter thus demonstrates the way technological, social, and aesthetic changes in the nineteenth and twentieth centuries have affected the adaptation of Tennyson’s poetry into song, and it explores the extent to which musical compositions celebrate Elaine’s agency, desire, and voice.作者: 抱負(fù) 時(shí)間: 2025-3-22 01:43
Book 2020 young people’s literature, and historical fiction and fantasy), this book seeks to trace the evolution of these characters and the ways in which they reinforce or challenge conventional gender roles, represent the present’s relationship to the past, and highlight the power of art.? ?.作者: amnesia 時(shí)間: 2025-3-22 06:25 作者: 量被毀壞 時(shí)間: 2025-3-22 09:52 作者: 抗原 時(shí)間: 2025-3-22 16:01 作者: Antioxidant 時(shí)間: 2025-3-22 19:10 作者: 儲(chǔ)備 時(shí)間: 2025-3-23 00:22 作者: LAVE 時(shí)間: 2025-3-23 01:33 作者: 誓言 時(shí)間: 2025-3-23 07:27
,Reading and Resisting: The Lady/Elaine in Young People’s Literature,ry’s ., Felicity Pulman’s . series, and Meg Cabot’s .. These texts depict young women reading the Lady/Elaine to model ways to engage with cultural and social constructions of femininity, providing textual moments that are sites of resistance to cultural norms.作者: 單純 時(shí)間: 2025-3-23 10:42
Postscript,text(s), Lady/Elaine adaptations and allusions reiterate the importance of this figure as a way of imagining our options, whether to negotiate our relationship with the past, our relationship with social expectations of gender, or our expectations of art and the role of artists in our society.作者: Exposure 時(shí)間: 2025-3-23 16:47
Book 2020gement with medievalism, social constructions of gender, and representations of the role of art in society. Although the figure of Elaine first appeared in medieval texts, including Malory’s .Le Morte Darthur., Tennyson’s poems about the Lady and Elaine drew unprecedented response from musicians, ar作者: electrolyte 時(shí)間: 2025-3-23 19:07 作者: 靦腆 時(shí)間: 2025-3-24 00:33 作者: 樂(lè)器演奏者 時(shí)間: 2025-3-24 03:52 作者: etidronate 時(shí)間: 2025-3-24 09:03 作者: Pelvic-Floor 時(shí)間: 2025-3-24 13:08
The Lady and Elaine: Medieval Literature and Victorian Adaptation,hat tradition in the nineteenth century, and briefly surveys some of his contemporaries’ responses. By analyzing the medieval pre-texts and Tennyson’s poetry, and outlining relevant scholarly debates about them, this chapter establishes the literary context with which later adaptations engage.作者: inventory 時(shí)間: 2025-3-24 17:06 作者: 解開(kāi) 時(shí)間: 2025-3-24 19:57
,“She Hath a Lovely Face”: The Lady/Elaine in Art,ron, and George Wooliscroft Rhead) and paintings (by Toby Edward Rosenthal, William Holman Hunt, and J. W. Waterhouse) before considering the role of new technologies in the dissemination and creation of Lady/Elaine images in the twenty-first century, including online artworks and a cross-stitch des作者: 扔掉掐死你 時(shí)間: 2025-3-25 02:59
Patterns and Parody: The Lady/Elaine in Literature,mon images. The chapter then analyzes examples of parody in various short poems, C. J. Williams’ silent film, Elizabeth Stuart Phelp’s “The Lady of Shalott” and David Benedictus’ . to illustrate the ways parody critiques Tennyson’s medievalism.作者: BACLE 時(shí)間: 2025-3-25 05:16
,Reading and Resisting: The Lady/Elaine in Young People’s Literature,vs feminist metanarratives on the Lady/Elaine story. The latter part of the chapter analyzes Marjorie Richardson’s “Launcelot’s Tower,” L. M. Montgomery’s ., Felicity Pulman’s . series, and Meg Cabot’s .. These texts depict young women reading the Lady/Elaine to model ways to engage with cultural an作者: antenna 時(shí)間: 2025-3-25 10:02
Desire and Art: The Lady/Elaine in Historical Fiction and Fantasy,setting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.作者: zonules 時(shí)間: 2025-3-25 15:22
Postscript, of and allusions to the Lady/Elaine need to be understood for their contributions to cultural models and scripts. Whatever their stance on their pre-text(s), Lady/Elaine adaptations and allusions reiterate the importance of this figure as a way of imagining our options, whether to negotiate our rel作者: Insubordinate 時(shí)間: 2025-3-25 17:05 作者: 充氣女 時(shí)間: 2025-3-25 22:24 作者: vasospasm 時(shí)間: 2025-3-26 02:30 作者: 沉默 時(shí)間: 2025-3-26 06:06 作者: Incumbent 時(shí)間: 2025-3-26 10:12 作者: MEEK 時(shí)間: 2025-3-26 16:13
Better Deposit Guarantee Schemesvs feminist metanarratives on the Lady/Elaine story. The latter part of the chapter analyzes Marjorie Richardson’s “Launcelot’s Tower,” L. M. Montgomery’s ., Felicity Pulman’s . series, and Meg Cabot’s .. These texts depict young women reading the Lady/Elaine to model ways to engage with cultural an作者: 尾巴 時(shí)間: 2025-3-26 19:14
Better Deposit Guarantee Schemessetting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.作者: 恫嚇 時(shí)間: 2025-3-26 23:22
Better Deposit Guarantee Schemes of and allusions to the Lady/Elaine need to be understood for their contributions to cultural models and scripts. Whatever their stance on their pre-text(s), Lady/Elaine adaptations and allusions reiterate the importance of this figure as a way of imagining our options, whether to negotiate our rel作者: CRUMB 時(shí)間: 2025-3-27 03:55
Ann F. HoweyAddresses a number of scholarly communities including Arthurian scholars, medievalists, and Victorian scholars.Extends the study of Arthurian characters by focusing on female characters via a feminist作者: 摘要記錄 時(shí)間: 2025-3-27 09:13 作者: 顛簸地移動(dòng) 時(shí)間: 2025-3-27 12:11
The Lady and Elaine: Medieval Literature and Victorian Adaptation,hat tradition in the nineteenth century, and briefly surveys some of his contemporaries’ responses. By analyzing the medieval pre-texts and Tennyson’s poetry, and outlining relevant scholarly debates about them, this chapter establishes the literary context with which later adaptations engage.作者: Agility 時(shí)間: 2025-3-27 13:52 作者: 歹徒 時(shí)間: 2025-3-27 20:22
Desire and Art: The Lady/Elaine in Historical Fiction and Fantasy,setting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.作者: Cholecystokinin 時(shí)間: 2025-3-28 00:08 作者: NUDGE 時(shí)間: 2025-3-28 05:51 作者: DOSE 時(shí)間: 2025-3-28 07:53 作者: 舉止粗野的人 時(shí)間: 2025-3-28 12:00
Better Deposit Guarantee Schemessetting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.作者: exceed 時(shí)間: 2025-3-28 17:01 作者: trigger 時(shí)間: 2025-3-28 19:39
978-3-030-47692-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 消散 時(shí)間: 2025-3-29 02:37
10樓作者: BANAL 時(shí)間: 2025-3-29 04:57
10樓作者: happiness 時(shí)間: 2025-3-29 09:15
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