標題: Titlebook: Africa on the Contemporary London Stage; Tiziana Morosetti Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 stereotypes.Blac [打印本頁] 作者: 可樂 時間: 2025-3-21 19:56
書目名稱Africa on the Contemporary London Stage影響因子(影響力)
書目名稱Africa on the Contemporary London Stage影響因子(影響力)學科排名
書目名稱Africa on the Contemporary London Stage網(wǎng)絡公開度
書目名稱Africa on the Contemporary London Stage網(wǎng)絡公開度學科排名
書目名稱Africa on the Contemporary London Stage被引頻次
書目名稱Africa on the Contemporary London Stage被引頻次學科排名
書目名稱Africa on the Contemporary London Stage年度引用
書目名稱Africa on the Contemporary London Stage年度引用學科排名
書目名稱Africa on the Contemporary London Stage讀者反饋
書目名稱Africa on the Contemporary London Stage讀者反饋學科排名
作者: 改變立場 時間: 2025-3-21 20:52 作者: REIGN 時間: 2025-3-22 01:33 作者: 歹徒 時間: 2025-3-22 04:55 作者: Hormones 時間: 2025-3-22 09:41
Cost Management in Supply ChainsAddai, Inua Ellams, Janice Okoh, and Ade Solanke. While most of these playwrights focused on the experiences of British-Africans in contemporary urban London, Agboluaje turned his focus to Nigeria in two plays produced by Tiata Fahodzi at the Soho Theatre: . (2006) and . (2009). This chapter will fi作者: 壯麗的去 時間: 2025-3-22 14:17 作者: Chemotherapy 時間: 2025-3-22 19:28
Stefan Vo?,Gabriele Schneidereitts were often images of Africa that many people of African descent would not recognise; primitive, underdeveloped, and a curiosity seen through a European gaze. The rise of issue-based theatres from the 1970s paved the way for Talawa, Tiata Fahodzi, and a newer generation of playwrights to spearhead作者: Obsequious 時間: 2025-3-22 21:47
Michael Kaczmarek,Frank Stüllenberg submission, I will highlight the significance of African theatre in schools and the community, looking at how it is helping to raise awareness and change ingrained negative perceptions about Africa, especially amongst young people. My chapter will further examine the use of storytelling in an educa作者: nettle 時間: 2025-3-23 03:21
Cost Optimal Energy Performance,es to Africa on the London Stage, and how all this constitutes a silent revolution—written from the perspective of our director and instigator, Arne Pohlmeier. My aim is to highlight the ways in which our work shifts the term ‘African’ away from the traps of orientalism and neo-colonial discourse an作者: 藕床生厭倦 時間: 2025-3-23 05:42
https://doi.org/10.1007/978-3-658-33170-2e of conveying issues specific to the Nigerian diaspora on the London stage, the presence of African theatre in off-West End venues, and the history, productions, and workshop of Spora Stories. The playwright’s experience of theatres outside London and her views of the contemporary African scene in 作者: Pander 時間: 2025-3-23 10:19
Capacity and Price Competition in Networks,e at the Royal Court, his ‘translation’ on stage of the Yoruba culture and world view, the reception of audiences and critics of his contribution to ., and the Nigerian sources of his writing are also discussed. The interview also examines the relations between the Nigerian and UK stage.作者: 輕觸 時間: 2025-3-23 17:07 作者: Mitigate 時間: 2025-3-23 19:58 作者: 半球 時間: 2025-3-24 01:00 作者: 起草 時間: 2025-3-24 05:43 作者: Herd-Immunity 時間: 2025-3-24 09:05
Interview with Rotimi Babatundee at the Royal Court, his ‘translation’ on stage of the Yoruba culture and world view, the reception of audiences and critics of his contribution to ., and the Nigerian sources of his writing are also discussed. The interview also examines the relations between the Nigerian and UK stage.作者: Supplement 時間: 2025-3-24 13:48 作者: Essential 時間: 2025-3-24 17:50 作者: BRAND 時間: 2025-3-24 22:56 作者: 熒光 時間: 2025-3-25 00:55 作者: abstemious 時間: 2025-3-25 03:58 作者: fleeting 時間: 2025-3-25 07:39
https://doi.org/10.1007/978-3-658-33170-2 and . in particular. The reception of Agboluaje’s work in venues outside London and the politics of funding and support to BME theatre are also discussed, as are Agboluaje’s Nigerian sources and productions of his plays in Nigeria.作者: gratify 時間: 2025-3-25 13:53
work of key companies such as Tiata Fahodzi and Talawa, as well as newer companies Two Gents, Iroko Theatre and Spora Stories. Interviews with Rotimi Babatunde, Ade Solanke and Dipo Agboluaje on the contemporary London scene are also included..978-3-030-40453-6978-3-319-94508-8作者: TRACE 時間: 2025-3-25 18:06 作者: Ringworm 時間: 2025-3-25 20:04
cademics and emerging scholars.Combines interviews and essayThis collection of essays investigates the way Africa has been portrayed on the London stage from the 1950s to the present. It focuses on whether — and, if so, to what extent — the Africa that emerges from the London scene is subject to ste作者: 創(chuàng)造性 時間: 2025-3-26 02:29 作者: Infraction 時間: 2025-3-26 07:40 作者: paragon 時間: 2025-3-26 10:53
London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Noticans’, . projected the views of those who made the production possible—MRA—and was in fact an example of the way in which the stage image of Africa was misleading even when African playwrights and a cast of African actors were involved.作者: 和藹 時間: 2025-3-26 15:08
‘On One of Those Sunday Nights’: 50 Years of Africa at the Royal Court Theatreence, as well as reviews and newspaper cuttings. It will be argued that attitudes to ‘Africa’ at the Royal Court have changed with the progressive gentrification of this venue, and attempts to achieve an ‘international’ dimension.作者: 壯麗的去 時間: 2025-3-26 18:24 作者: 合同 時間: 2025-3-26 22:19
Nigerian Political Satire at the Soho Theatre: Class, Culture, and Theatrical Languages in Oladipo Arst situate Agboluaje within this trend and the work of Tiata Fahodzi before moving on to explore how his plays discuss contemporary Nigeria through representational tropes of satirical African political playwriting. The strategic incorporation of Yoruba on the British stage and the effectiveness of the use of satire will also be examined.作者: 先兆 時間: 2025-3-27 03:45 作者: archenemy 時間: 2025-3-27 05:32
Book 2018d, if so, to what extent — the Africa that emerges from the London scene is subject to stereotype, and/or in which ways the reception of audiences and critics have contributed to an understanding of the continent and its arts. The collection, divided into two parts, brings together well-established 作者: 嗎啡 時間: 2025-3-27 12:00 作者: fringe 時間: 2025-3-27 17:14 作者: 預感 時間: 2025-3-27 20:13 作者: 放牧 時間: 2025-3-27 22:17
Black Masculinity and the Black Voice: Casting and Canonicity in the National Theatre Galad the appearance in archival footage of Kwame Kwei-Armah’s . (2003). Contrasting these two examples, I will investigate the continuities and dissonances between the gala’s depictions of African masculinity at a self-consciously canon-fixing moment in British theatrical history.作者: mendacity 時間: 2025-3-28 04:30
Disrupting Historical Mis-representations and Constructions: Talawa Theatre, Tiata Fahodzi, and Reprs to misrepresentations and marginalisation Talawa and Tiata Fahodzi disrupt images of monolithic Africa. Both are instrumental in . Africa/Black British experience and the journey from homogenised symbolic images to polyphonic representations of Africa on contemporary London stage.作者: 異教徒 時間: 2025-3-28 09:19
IROKO Theatre and the African Theatre-in-Education Scene in London hard-to-reach audiences. In doing so, I will focus in particular on projects like ‘Our Shared Heritage’, ‘Simple Acts of Kindness’, ‘IROKO Family Edutainment’, ‘Forgotten Folks’, and ‘The Magic of Rhythms’.作者: 裂口 時間: 2025-3-28 11:33 作者: Mumble 時間: 2025-3-28 18:30 作者: excursion 時間: 2025-3-28 20:13 作者: flaggy 時間: 2025-3-28 23:19
Cost Management in Supply Chainsrst situate Agboluaje within this trend and the work of Tiata Fahodzi before moving on to explore how his plays discuss contemporary Nigeria through representational tropes of satirical African political playwriting. The strategic incorporation of Yoruba on the British stage and the effectiveness of the use of satire will also be examined.作者: ANA 時間: 2025-3-29 05:47 作者: 共同給與 時間: 2025-3-29 07:44 作者: 別炫耀 時間: 2025-3-29 12:04 作者: 小口啜飲 時間: 2025-3-29 17:25
‘On One of Those Sunday Nights’: 50 Years of Africa at the Royal Court Theatre the dynamics behind half a century of performing Africa at the Royal Court, with specific reference to Wole Soyinka, Femi Ajibade, Athol Fugard, and Bola Agbaje. Central to the investigation are the papers in the English Stage Company archive at the V&A, especially?William Gaskill’s 1966 correspond作者: 充滿裝飾 時間: 2025-3-29 22:45 作者: quiet-sleep 時間: 2025-3-30 00:35 作者: 平項山 時間: 2025-3-30 06:57
Black Masculinity and the Black Voice: Casting and Canonicity in the National Theatre Galahrough live and archival performance, the gala’s canon-building was necessarily but revealingly selective. I argue that the NT’s deployment of black actors reveals profound anxieties about the ability to accommodate black masculinity, especially of African descent, within the British theatrical cano作者: 籠子 時間: 2025-3-30 12:08
Disrupting Historical Mis-representations and Constructions: Talawa Theatre, Tiata Fahodzi, and Reprts were often images of Africa that many people of African descent would not recognise; primitive, underdeveloped, and a curiosity seen through a European gaze. The rise of issue-based theatres from the 1970s paved the way for Talawa, Tiata Fahodzi, and a newer generation of playwrights to spearhead作者: debunk 時間: 2025-3-30 15:37
IROKO Theatre and the African Theatre-in-Education Scene in London submission, I will highlight the significance of African theatre in schools and the community, looking at how it is helping to raise awareness and change ingrained negative perceptions about Africa, especially amongst young people. My chapter will further examine the use of storytelling in an educa
