標題: Titlebook: A Syncretistic Theory of Depiction; Alberto Voltolini Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 Depict [打印本頁] 作者: peak-flow-meter 時間: 2025-3-21 18:01
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書目名稱A Syncretistic Theory of Depiction讀者反饋
書目名稱A Syncretistic Theory of Depiction讀者反饋學科排名
作者: 完整 時間: 2025-3-21 20:57 作者: PANIC 時間: 2025-3-22 02:28 作者: 酷熱 時間: 2025-3-22 05:59 作者: Trypsin 時間: 2025-3-22 08:47 作者: inhibit 時間: 2025-3-22 14:18 作者: 原來 時間: 2025-3-22 18:06 作者: FOIL 時間: 2025-3-23 00:58 作者: ablate 時間: 2025-3-23 03:40
https://doi.org/10.1007/978-3-662-05540-3A structural, or .,. theory of depiction such as the one originally defended by Nelson Goodman (1968) is primarily characterized by two main claims, one that concerns the . of a picture, the other that concerns its .. Let me start with the first claim.作者: 否認 時間: 2025-3-23 07:32
https://doi.org/10.1007/978-3-662-02262-7As has already come out in the foregoing chapters, we associate figurativity with the fact that we discern something in another thing we face. In the case of pictures, it is common to say that we see something in something else; the second something is the picture’s vehicle, while the first something constitutes the picture’s figurative content.作者: 蹣跚 時間: 2025-3-23 12:50
Bestimmung der Alkyloxydgruppe,Our survey of all former theories of depiction has finally come to an end. It is now time to collect all of the positive results I have gathered along the way from such theories and to articulate them within a new theory, that is the syncretistic theory of depiction.作者: 陰謀 時間: 2025-3-23 15:35
https://doi.org/10.1057/9781137263292Depiction; picture; pictorial representation; figurative image; figurativity; intentionality; seeing-in; se作者: 阻塞 時間: 2025-3-23 19:53
978-1-349-44249-2Palgrave Macmillan, a division of Macmillan Publishers Limited 2015作者: 是限制 時間: 2025-3-24 02:02
http://image.papertrans.cn/a/image/142368.jpg作者: 監(jiān)禁 時間: 2025-3-24 04:19
e merits of the previous theories on the matter while dropping their defects. Thus, not only perceptual, but also both conventional and causal factors contribute in making something a picture of something else.978-1-349-44249-2978-1-137-26329-2作者: 棲息地 時間: 2025-3-24 09:57
https://doi.org/10.1007/978-3-662-05540-3 what provides a picture with its representational content, the picture’s .. In claiming that the vehicle is typically a material object, I not only welcome the possibility that the vehicle is an optical effect generated via light refraction, as in the case of stereoscopes whose lenses generate a si作者: cinder 時間: 2025-3-24 12:43
https://doi.org/10.1007/978-3-662-02262-7cture’s subject. A pictorial representation is pictorial for, unlike other representations (verbal signs above all), it resembles its subject. This idea lies behind na?ve evaluative judgements of pictures. The more beautiful a picture is, the more similar to its subject it is. Since the resemblance 作者: Obloquy 時間: 2025-3-24 16:06
https://doi.org/10.1007/978-3-642-91938-1and what seeing-in effectively consists in. In order to do so, we have to assess what type of mental state seeing-in is. Generally speaking, two factors are relevant in order to individuate a type of mental state. First, the state’s having a . whether it is a sensuous state, and in such a case what 作者: Bumble 時間: 2025-3-24 19:32 作者: doxazosin 時間: 2025-3-25 00:14
Bestimmung der Methylimidgruppe ,]]vides two necessary and jointly sufficient conditions of figurativity: perceiving-in and similarity in grouping properties between the picture’s vehicle and what is perceived in it (with respect to the relevant perspective(s)). Second, once they are put together, these conditions turn out to be one 作者: 施加 時間: 2025-3-25 05:55 作者: Acupressure 時間: 2025-3-25 10:46
https://doi.org/10.1007/978-3-662-02262-7ea lies behind na?ve evaluative judgements of pictures. The more beautiful a picture is, the more similar to its subject it is. Since the resemblance in question is typically a . resemblance — that the vehicle and the subject are alike is a perceptually graspable fact — such theories naturally belong to the perceptualist paradigm..作者: Flirtatious 時間: 2025-3-25 13:35 作者: geriatrician 時間: 2025-3-25 19:19 作者: 不公開 時間: 2025-3-25 23:19
Front Matterer und einheitlicher prim?rer Zeugnisse sowie einer Vergleichbarkeit der Umst?nde, die angesichts der unterschiedlichen milit?risch-politischen Situation der Jahre vor Ausbruch der Erkrankung, also vor 1941, und der letzten Lebensphase nicht gegeben ist.作者: 賠償 時間: 2025-3-26 00:25 作者: Resection 時間: 2025-3-26 05:50
Depictions aka Pictures, i.e., Pictorial Representationsns eastward over the Dniester’ would be prevented by German troops.. The threat was ignored. Romanian gendarmes began to drive the Jews across the river further north. In some cases Romanian army engineers erected pontoon bridges, which were immediately dismantled after the expulsion of the Jews.. R作者: bisphosphonate 時間: 2025-3-26 11:26
Seeing-in, Seeing-as, Recognition and Make-Believe Theories of Depiction Western hostages from among a multitude of confessional militias, it also led to the association and image of Hizb’allah in the West as a crazy and fanatic religious group, bent on martyrdom through suicide-operations, and engaged in the random abduction of foreigners, under the assumed strict cont作者: 格言 時間: 2025-3-26 14:36 作者: archenemy 時間: 2025-3-26 19:53
Applications, Consequences and Integrations of the Theoryeatment, this chapter also highlights the significance of relationship work in the context of caring for and treating individuals affected by hoarding disorder. From these guidelines, and from her own extensive experience in working with hoarding patients, the author infers the TH-I-N-G-S interventi作者: malapropism 時間: 2025-3-27 00:50
Defending the Syncretistic Theoryurished during Suckling’s own time could be reconstructed with certainty, this might establish him in a setting where he had opportunities to become acquainted with Hobbes’s thought, as expressed in person rather than encountered through any less reliable process of transmission.作者: GLARE 時間: 2025-3-27 02:28
https://doi.org/10.1007/978-3-662-05540-3eties: (i) either a . content yielding what that picture is a picture ., a . subject — what makes a picture the picture of a given individual, as in the case of portraits or snapshots;. or (ii) a . content providing the picture with a . subject — what makes a picture the picture of some . or other, 作者: labile 時間: 2025-3-27 06:14 作者: cocoon 時間: 2025-3-27 12:27
Bestimmung der Methylimidgruppe ,]]the syncretistic account turns out to be, as I have repeatedly said, a . approach to depiction, according to which the representational content of a picture — its subject — is a . content, that is a content that is selected from its figurative content — what is perceived in it.作者: 冒失 時間: 2025-3-27 15:46 作者: nocturnal 時間: 2025-3-27 19:21
,Teamf?higkeit und andere Kompetenzen in agilen Organisationen – warum nicht immer viele K?che den Bufgaben zeigen müssen? Dieser Beitrag, diese kurze, pers?nliche Abhandlung gibt eine allgemeinverst?ndliche Antwort. Sie lautet kurz und knapp: Es sind Experimentierfreude, Lernbereitschaft, Teamf?higkeit, Eigenverantwortung, Selbstmanagement, Beziehungsmanagement und Belastbarkeit erforderlich.作者: 情感 時間: 2025-3-27 22:36 作者: 僵硬 時間: 2025-3-28 03:54 作者: legitimate 時間: 2025-3-28 09:40
Nicolas Smollplace in these theories. It is assumed that we have lost something – the concept of virtue, for instance, or the source of common morality. Yet those who put forward such notions do not treat the history of ethics in detail. From the historian’s perspective, their far-reaching theoretical assumption作者: 嗎啡 時間: 2025-3-28 10:36
Community Post-flood Vulnerability Assessment of Tehsil Behrain District Swat, Pakistan,level with frequent exposure to the hazard, and increasing vulnerability of the community due to the unplanned rapid expansion of settlements. Harsh climatic conditions, mountainous terrain and frequent hazards in Swat District stress the need for immediate disaster risk reduction measures at the co作者: Inertia 時間: 2025-3-28 16:40
Book 2018analyses popular films such as .Hugo .(2011), .Life of Pi. (2012), .Gravity .(2013), .Star Trek Into Darkness. (2013, and .The Great Gatsby. (2013). The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions.?.作者: 愛社交 時間: 2025-3-28 20:58 作者: entice 時間: 2025-3-29 00:20
