作者: Bone-Scan 時(shí)間: 2025-3-21 22:16
https://doi.org/10.1007/978-3-319-76917-2Gothic; women‘s writing; colonialism; imperialism; ghosts; supernatural; Victorian; British; short stories作者: expdient 時(shí)間: 2025-3-22 03:41
978-3-030-08324-3The Editor(s) (if applicable) and The Author(s) 2018作者: hysterectomy 時(shí)間: 2025-3-22 08:23 作者: 使殘廢 時(shí)間: 2025-3-22 10:03
Melissa EdmundsonProvides women’s perspectives on colonialism from across the British Empire.Includes women’s literary responses to the British Empire.Discusses the Gothic as a critique of imperialism and women’s Colo作者: EXTOL 時(shí)間: 2025-3-22 15:26 作者: Cumbersome 時(shí)間: 2025-3-22 18:04 作者: inclusive 時(shí)間: 2025-3-22 21:53
Melissa Edmundsonor subject categories. The major categories include issues about the human condition (refugees, children, diseases, food, and development), the environment (endangered species, water, forests, and climate change), and organizations (the many intergovernmental organizations, some with histories prece作者: receptors 時(shí)間: 2025-3-23 04:38
Melissa Edmundsonas well, including the combination with emerging technologies, underlyingtissue-engineered scaffolding, drug delivery systems, 3D in vitro tissue and cancer models, 3D bioprinted models, bioinks, and more..?This reference work serves as a core reference for multidisciplinary students (undergraduates作者: 不要嚴(yán)酷 時(shí)間: 2025-3-23 07:19 作者: 騷動 時(shí)間: 2025-3-23 10:58
Melissa Edmundson histories of manipulation, lack of benefit sharing, and limited indigenous research representation, the relationship between indigenous and Western knowledges is fraught with suspicion and conflict. One particularly salient concern is that patents filed in the global north have claimed ownership ov作者: 非實(shí)體 時(shí)間: 2025-3-23 16:39 作者: 疏忽 時(shí)間: 2025-3-23 19:36
Melissa Edmundsons of course a human invention, but not a frivolous one, but created in response to a physical reality “out there.” Mathematics as practiced is also a human activity on par with physics, and the content of mathematical Platonism is that it is also created in response to a “reality” which is “out ther作者: Contort 時(shí)間: 2025-3-24 00:28 作者: 舊石器時(shí)代 時(shí)間: 2025-3-24 06:25
Melissa Edmundson of centrality to the notion of “elongated centrality”; from a square or circular to an oval plan diagram. In the meantime, perspective representation evolved to .’. and anamorphosis..“Baroque” can also be an epithet which is sometimes used in a deprecatory sense, meaning an excess of decoration or 作者: 閑逛 時(shí)間: 2025-3-24 06:34 作者: pus840 時(shí)間: 2025-3-24 12:07
Melissa Edmundsonhe genome of . encodes several proteins and pathways previously considered specific to animals, including much of the integrin system, which functions in cell-cell communication and adhesion in metazoa. This chapter also briefly reviews breviates and ancyromonads, two groups of surface-associating f作者: Blazon 時(shí)間: 2025-3-24 17:27 作者: heterogeneous 時(shí)間: 2025-3-24 20:06
2634-6214 ts. This book will be of interest to students and academics interested in women’s writing, the Gothic, and colonial studies.? ? ??978-3-030-08324-3978-3-319-76917-2Series ISSN 2634-6214 Series E-ISSN 2634-6222 作者: 說明 時(shí)間: 2025-3-25 01:32 作者: Defiance 時(shí)間: 2025-3-25 07:04 作者: 名詞 時(shí)間: 2025-3-25 09:40 作者: 衍生 時(shí)間: 2025-3-25 13:57 作者: abnegate 時(shí)間: 2025-3-25 18:50 作者: apiary 時(shí)間: 2025-3-25 20:50
Gothic Romance and Retribution in the Short Fiction of Isabella Valancy Crawford,etitive world of popular magazines, becoming one of the first Canadian women writers to make her career as an author, but she also was integral to the creation of a more progressive imagining of the Gothic heroine.作者: overreach 時(shí)間: 2025-3-26 02:32
,Generations of the Female Vampire: Colonial Gothic Hybridity in Florence Marryat’s ,ed to her earlier imagining of a biracial woman from the West Indies, Lola Arlington, the main character in Marryat’s . (1887). Both Harriet Brandt and Lola Arlington represent femme fatales who ultimately fall victim to the prejudice surrounding their racial pasts.作者: Cuisine 時(shí)間: 2025-3-26 07:25
,Fear and Death in the Outback: Barbara Baynton’s ,er mother’s home after a long absence. The suffering on the part of the daughter continues as she enters the mother’s home only to discover that her mother is dead. “The Chosen Vessel” is examined as an even more unflinching portrait of women as victims of both a hostile environment and men’s physical, verbal, and sexual violence.作者: 善辯 時(shí)間: 2025-3-26 11:07
Katherine Mansfield and the Troubled Homes of Colonial New Zealand, the Store” (1912) and “Millie” (1913), Mansfield moves beyond the spectral to engage with issues of women’s isolation and loneliness in remote dwellings. These women become monstrous doubles of their former selves as they attempt to survive in houses that represent unfulfillment and the women’s distance from society.作者: 掙扎 時(shí)間: 2025-3-26 16:00
,Conclusion: “Cicatrice of an Old Wound”,h colonial writing and Gothic writing that provides a culturally vital link between white male authors of nineteenth- and twentieth-century imperialist literature and the more progressive multi-ethnic postcolonial authors of the late twentieth and twenty-first centuries.作者: Cholecystokinin 時(shí)間: 2025-3-26 18:43
,Introduction: Reclaiming Women’s Colonial Gothic Writing,the broader regions which made up the British Empire from the mid-nineteenth century to the early decades of the twentieth. The chapter begins with an exploration of the major themes that recur in women’s Colonial Gothic. The chapter goes on to consider the critical history of women’s Gothic writing作者: Factorable 時(shí)間: 2025-3-26 22:43
Susanna Moodie, Colonial Exiles, and the Frontier Canadian Gothic,). An unwilling émigré to Canada, Moodie portrays frontier settlements as unsafe spaces, full of danger and disease. Throughout her memoir and short story, families are threatened by wild animals and an unforgiving landscape. The chapter also discusses Moodie’s involvement with the Spiritualist move作者: 雪上輕舟飛過 時(shí)間: 2025-3-27 04:05
Gothic Romance and Retribution in the Short Fiction of Isabella Valancy Crawford, gain more autonomy and greater freedom than their late eighteenth- and early nineteenth-century literary forbears. The chapter examines two early stories by Crawford, “The Perfect Number Seven” (1880) and “Sèvres Fulkes” (1885), as well as two of her final stories which are set in distinctly Canadi作者: CRACY 時(shí)間: 2025-3-27 07:46 作者: Accomplish 時(shí)間: 2025-3-27 09:52
Mary Kingsley and the Ghosts of West Africa, before moving on to extended discussions of two lesser-known essays by Kingsley: “Black Ghosts” (1896) and “The Forms of Apparitions in West Africa” (1899). In these essays, Kingsley seeks to convince her British reading audience that the spiritual beliefs of Africans and Europeans have much in com作者: 節(jié)約 時(shí)間: 2025-3-27 14:48 作者: overbearing 時(shí)間: 2025-3-27 20:08
Colonial Gothic Framework: Haunted Houses in the Anglo-Indian Ghost Stories of Bithia Mary Croker,al of her ghost stories in colonial India, and frequently uses haunted structures such as Indian palaces and Anglo-Indian bungalows as specific places of trauma and haunting. In “If You See Her Face” (1893), Croker explores the traditional figure of the nautch girl, a professional dancer who enterta作者: Insensate 時(shí)間: 2025-3-28 01:19 作者: detach 時(shí)間: 2025-3-28 04:42
The Past Will Not Stay Buried: Female Bodies and Colonial Crime in the Australian Ghost Stories of e course of several decades, Fortune contributed numerous stories to the . under the pseudonym “Waif Wander.” This chapter builds on previous discussions of Fortune as a detective story writer to consider how she appropriated the Colonial Gothic through examinations of violent crimes against colonia作者: V切開 時(shí)間: 2025-3-28 07:53
,Fear and Death in the Outback: Barbara Baynton’s ,ontribute to a Colonial Gothic tradition which foregrounds women’s tenuous existence in a harsh colonial environment. The chapter begins with an overview of Baynton’s early life in the Australian bush, which influenced her later fiction. It then moves on to a discussion of Baynton’s experience publi作者: 他去就結(jié)束 時(shí)間: 2025-3-28 14:04 作者: fringe 時(shí)間: 2025-3-28 16:25
,Conclusion: “Cicatrice of an Old Wound”,s representative of the major concerns in women’s Colonial Gothic writing. The chapter considers issues of cultural perspective and the need to read colonial literature not only from the center, but also from the margins. These marginal voices include indigenous people, as well as women. The chapter作者: Hay-Fever 時(shí)間: 2025-3-28 19:14
Book 2018ent from male-authored Colonial Gothic works. The book? investigates how? women writers appropriated the Gothic genre—and its emphasis on fear, isolation, troubled identity, racial otherness, and sexual deviancy—in order to take these anxieties into the farthest realms of the British Empire. The cha作者: Fsh238 時(shí)間: 2025-3-29 00:08 作者: cliche 時(shí)間: 2025-3-29 05:11 作者: 歌劇等 時(shí)間: 2025-3-29 08:14
Melissa Edmundsonf major international newspapers, speeches given at the United Nations, and awards for outstanding film, art, science, and works of literature and music. I submit one can use stamps to illustrate what topics and subjects are of most interest to the stamp-issuing organization. While most stamps are i作者: Metastasis 時(shí)間: 2025-3-29 13:53
Melissa Edmundsonlly-derived materials, and its advanced biomedical applications. The first section is dedicated to the extracellular matrix, while the other 5 sections are each dedicated to a particular type of material. This book reports the fundamentals of the extracellular matrix and its impact in the developmen作者: corporate 時(shí)間: 2025-3-29 15:48
Melissa Edmundsonon and reception of a “discovery” sharply fell apart, thus raising fundamental questions about the relationship between scientific achievement and “its” time. In this chapter, I am providing an overview of answers that have been given to these questions by various historians. In a first section, I c作者: 懶惰人民 時(shí)間: 2025-3-29 21:06
