標(biāo)題: Titlebook: William Gibson‘s "Neuromancer"; A Critical Companion Graham J. Murphy Textbook 2024 The Editor(s) (if applicable) and The Author(s), under [打印本頁(yè)] 作者: ominous 時(shí)間: 2025-3-21 17:48
書(shū)目名稱William Gibson‘s "Neuromancer"影響因子(影響力)
作者: 兩種語(yǔ)言 時(shí)間: 2025-3-21 22:34 作者: 凹處 時(shí)間: 2025-3-22 03:57 作者: 刪除 時(shí)間: 2025-3-22 05:23
978-3-031-56626-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: Alcove 時(shí)間: 2025-3-22 12:14 作者: Exhilarate 時(shí)間: 2025-3-22 15:15 作者: 健談的人 時(shí)間: 2025-3-22 21:03 作者: colloquial 時(shí)間: 2025-3-23 00:57 作者: 懦夫 時(shí)間: 2025-3-23 05:00 作者: 英寸 時(shí)間: 2025-3-23 06:57 作者: DNR215 時(shí)間: 2025-3-23 12:14 作者: Concrete 時(shí)間: 2025-3-23 16:04 作者: 激怒 時(shí)間: 2025-3-23 21:10
nur der Beginn einer Folge komplexer perzeptueller und kognitiver Prozesse (Bild 1.1). Aus eigener Erfahrung ist bekannt, da? auch das Wissen über Gegenst?nde, zu dem auch die bildhafte Vorstellung geh?rt, einen wesentlichen Anteil am Wahrnehmungsproze? hat. So ist es wichtig zu erkennen, da? das Mo作者: ROOF 時(shí)間: 2025-3-24 00:47
Graham J. Murphyhule um die vorletzte Jahrhundertwende dokumentiert und vieles über die Methodik des Unterrichtes um 1900 verr?t. Musterbücher haben bereits seit dem 15. Jahrhundert Tradition, etwa im 17. und 18. Jahrhundert als Ornamentstiche-Sammlung für das Kunsthandwerk. Die Industrialisierung im 19. Jahrhunder作者: Bridle 時(shí)間: 2025-3-24 03:43 作者: Foreshadow 時(shí)間: 2025-3-24 08:00
lant insertion, abutment and prosthesis connection being performed on the same day as the surgery. The concept was developed in order to avoid graft techniques or any additional surgery (e.g. inferior alveolar nerve lateralisation), resulting in less chair time and less surgical complications (Maló 作者: 泥瓦匠 時(shí)間: 2025-3-24 12:39
Introduction: Strolling Through the Sprawl,the most consequential science fiction (sf)?novels ever written, which in turn justifies its inclusion in the Palgrave Science Fiction and Fantasy: A New Canon series. The Introduction also provides an overview of cyberpunk, including dominant traits and motifs, and summarizes the . plot, all while 作者: BATE 時(shí)間: 2025-3-24 18:18
The Posthuman Problematic: Gender Coding the Cyborg, the posthuman, partly because of the divisive responses to her feminist potential. In so doing, Molly’s complicated role as a cyborg and the ensuing critical reception of this character offer different ways of thinking about the posthuman, particularly concerning gender roles in our cybernetic futu作者: Muscularis 時(shí)間: 2025-3-24 19:27 作者: 發(fā)源 時(shí)間: 2025-3-25 01:22 作者: 啪心兒跳動(dòng) 時(shí)間: 2025-3-25 04:33
Things Are Things: The Resigned Pessimism of the Pseudo-Dystopia,e novel isn’t a dystopia but a pseudo-dystopia. Using the lens of U. and A.-U. genealogies, I provide an exploration of “The Gernsback Continuum” and “Burning Chrome” to lay the critical foundations. First, I characterize them respectively as belonging to the A.-U. genealogy; specifically, “The Gern作者: FECK 時(shí)間: 2025-3-25 11:09 作者: 盟軍 時(shí)間: 2025-3-25 11:58 作者: Hemodialysis 時(shí)間: 2025-3-25 19:11
A Case Study of the Post/Human,ns of Gibson’s novel to our ongoing and evolving quotidian reality (or realities) continue to fuel ongoing discussions, debates, and diatribes pertinent to our posthuman (or post/human) future-present.作者: Corral 時(shí)間: 2025-3-25 22:28
Things Are Things: The Resigned Pessimism of the Pseudo-Dystopia,standing . as a pseudo-dystopia helps us better understand the novel’s ongoing appeal 40?years after its initial publication. This appeal ties into the next chapter’s discussion of capitalist realism.作者: etiquette 時(shí)間: 2025-3-26 03:21
Conclusion: Accessible Moments and Darkness on the Edge of Town,d conclude so long as capitalist realism retains a dominant footing within our cultural imaginary and we continue to find it difficult, if not impossible, to imagine a coherent alternative to capitalism, . remains the supreme literary expression of capitalist realism.作者: 軌道 時(shí)間: 2025-3-26 04:34 作者: 小鹿 時(shí)間: 2025-3-26 09:23
Transhumanism and the Myth of Morphological Freedom,ion. In so doing, I conclude Gibson shows via these characters that the morphological freedom espoused by the transhumanist posthuman is a problem-laden fantasy. Thus, Gibson’s . provides decidedly unambiguous warnings about the perils that emerge from the promises of morphological freedom and the transhumanist posthuman.作者: allergy 時(shí)間: 2025-3-26 16:43 作者: LAITY 時(shí)間: 2025-3-26 20:21 作者: 啤酒 時(shí)間: 2025-3-27 00:02 作者: 鄙視讀作 時(shí)間: 2025-3-27 02:03
Olaf B. Paulson,Marianne M. Hertz Engineering, IT and Physical Sciences, Federation University Australia Mt Helen, Ballarat, VIC, Australia.Ramazan S. Aygun., Department of Computer Science, Kennesaw State University, Marietta, GA, USA.Barbaros Bostan., BUG Game Lab, Bah?e?ehir University (BAU), Istanbul, Turkey.Anthony L. Brooks,?作者: 浮雕寶石 時(shí)間: 2025-3-27 06:55 作者: 桉樹(shù) 時(shí)間: 2025-3-27 13:04 作者: CANT 時(shí)間: 2025-3-27 14:13 作者: Congeal 時(shí)間: 2025-3-27 21:11
