作者: 愛哭 時間: 2025-3-21 20:31 作者: biopsy 時間: 2025-3-22 02:11 作者: lesion 時間: 2025-3-22 05:27
Occlusion: Comings and Goingsheater architectures or obstructing set pieces or props. The chapter offers a detailed description of performative engagement with object permanency and occluded action through a close description of staging, lighting, and costuming in ., a popular Forsythe “ballet ballet” known for its large onstag作者: 腐敗 時間: 2025-3-22 11:03 作者: 無力更進 時間: 2025-3-22 14:40
Quiet: Hush, Caesurae, and Deep Silenceriety of quiet performance conditions. Noting anxieties around silence in dance performance, it first highlights the presence of pauses in classical and abstract ballets, as well as modern works, before sketching a history of works without musical accompaniment from Mary Wigman’s pioneering experime作者: OASIS 時間: 2025-3-22 17:10
Lull: , and Dronestructures and drones that typically evoke altered or non-ordinary states of consciousness, which manifest in profound but also less extreme forms. Calling on Jacques Attali’s distinction between noise and music and reviewing the literature on sonic induction of non-ordinary states of consciousness (作者: 在前面 時間: 2025-3-22 22:24
Overwhelm: Audio-Visual Stresslineation of plethora and excess as postdramatic traits, Attali’s views on noise, and cognitive studies of sensory overstimulation and fluent processing. Though these might be considered moments of spectacularity, the chapter makes a case that they approach the sublime due to comprehension’s failure作者: 可忽略 時間: 2025-3-23 02:04
Visuosonic Counterpoint: Seeing Music and Hearing DanceOpening with a history of choreomusical relationships in twentieth-century concert dance that tracks changes along the lines of developments in choreographic and musical experimentation as well as new music technologies, it also brings choreomusical congruity (mickey-mousing) into dialogue with rese作者: delusion 時間: 2025-3-23 08:21
Breath Scores and Corporeal Sounds: Dance as Symphony dancing bodies. It begins by noting Lehmann’s indication of an enhanced musicalization in postdramatic theatre and connecting this to non-verbal, . voicings in Forsythe’s works including ., ., ., and .. The history of Forsythe’s “breath scores” leads to a discussion of the intimacy that?these corpo作者: Hla461 時間: 2025-3-23 10:35
Auditory Turn: Vocal Choreographyding ., ., and .. Noting shared qualities across speech and song, it traces the history of Forsythe’s use of speech in his works and its reception by critics before detailing his investigation first of pseudo-language and then of vocalizations that arise in resonance to movement. Research on the emb作者: Debark 時間: 2025-3-23 16:12 作者: anthropologist 時間: 2025-3-23 21:00 作者: 修改 時間: 2025-3-24 01:06 作者: 寬容 時間: 2025-3-24 03:48 作者: 品嘗你的人 時間: 2025-3-24 08:38 作者: Champion 時間: 2025-3-24 12:17
Occlusion: Comings and Goingse wooden wall and mobile lighting. The chapter brings this work into dialogue with research on the dynamics of attention to objects and obstructions that occur when objects appear and disappear from view and brings the discussion into engagement with Lehmann’s and Forsythe’s ideas on meaning and disappearance.作者: amplitude 時間: 2025-3-24 15:48
Hiding in Plain Sight: Simultaneityait” of simultaneity and the perceptual performativity that underlies it. The chapter comparatively investigates polycentric choreography in the works of Forsythe and George Balanchine, including the latter’s ., ., and . and the former’s ., “Bongo Bongo Nageela” from ., and ., among other works.作者: 植物學 時間: 2025-3-24 21:28
Gloaming: Dimming and Visionsrceptually performative effects of dimness and blur. The chapter concludes with a turn to research on the effects of low light in office workspace environments on thinking styles, proposing a link to Lehmann’s idea of “visual dramaturgies” and to dynamics of attention that both he and Forsythe have theorized.作者: 放棄 時間: 2025-3-25 03:00
Lull: , and Dronesance.” As well, Forsythe stages visual interruptions to hypnotic rhythmic movement at such points. Instances in works including ., ., ., ., ., and .?show how Forsythe’s choreography differentially supports the performative effects of the two soundscore types considered.作者: 土坯 時間: 2025-3-25 06:16 作者: 放逐某人 時間: 2025-3-25 10:13
Introduction,nts Forsythe the mantle of cognitive researcher studying how minds work within the unique “l(fā)aboratory” conditions of theatrical spaces and contexts. The chapter concludes by describing a theory of perceptual performativity that explains the results of Forsythe’s choreo-scenographic research.作者: 借喻 時間: 2025-3-25 14:38 作者: Bone-Scan 時間: 2025-3-25 17:21
Breath Scores and Corporeal Sounds: Dance as Symphonylly “symphonic” breath scores. The amodal and intermodal dynamics of . part 1’s choreography and breath score, along with its qualities of gestural movement and gaze, are shown to gather and divide attention and to performatively generate suspense and deception.作者: intimate 時間: 2025-3-25 21:16
Book 2023dicated scholarship on Forsythe, whose extensive and varied array of groundbreaking ballets and dance theater works for the Ballett Frankfurt (1984-2004), The Forsythe Company (2005-15), and as an independent choreographer have made him a key figure in 20.th./21.st.?century dance.??作者: HARP 時間: 2025-3-26 03:33
Freya Vasss a focus will be used including the frequently encountered clinical scenarios and the specific questions from the surgeons, frequent diagnostic considerations and their major diagnostic criter978-0-387-95987-0978-0-387-95988-7Series ISSN 1868-4157 Series E-ISSN 1868-4165 作者: 木訥 時間: 2025-3-26 06:11 作者: arrogant 時間: 2025-3-26 11:43
2945-7297 s and dance theater works for the Ballett Frankfurt (1984-2004), The Forsythe Company (2005-15), and as an independent choreographer have made him a key figure in 20.th./21.st.?century dance.??978-3-031-26660-7978-3-031-26658-4Series ISSN 2945-7297 Series E-ISSN 2945-7300 作者: Ablation 時間: 2025-3-26 16:43 作者: 笨重 時間: 2025-3-26 20:09
Freya Vassirement is that any language targeting JavaFX compiles to artifacts runnable on a Java Virtual Machine. Over the course of this book, you’ll learn firsthand why Kotlin, with its elegant and concise syntax, is a perfect match...After completing .Frontend Development With JavaFX and Kotlin., you will 作者: tattle 時間: 2025-3-27 00:18 作者: 獨白 時間: 2025-3-27 05:11
Freya Vass formation, distinct negative differential resistance, magnetic semiconducting behavior, photoinduced electron transfer, and photoelectric conversion are highlighted here. Furthermore, the combination of internal and surface doping processes leads to the creation of Au nanoparticle–DNA?SWNT conjugat作者: 矛盾 時間: 2025-3-27 09:05
Freya Vassnd quantitative drivers to achieve design for innovation, means working together to shape and strengthen product identity, intelligibility and effectiveness. Facing this challenge, the genesis and development of the needs-requirements-services method are investigated, comparing existing design appro作者: hysterectomy 時間: 2025-3-27 12:48 作者: 證明無罪 時間: 2025-3-27 13:57
Freya Vassong with several other studies is reviewed. The chapter also highlights the studies carried out to assess the genetic variability of wild populations of . in the Western Ghats and the recent progress being made on large-scale genetic improvement and the cultivation of these two species. Finally, the作者: intricacy 時間: 2025-3-27 21:50
Freya Vassincreased natural gas flow rate by 5.5?m./t. These and other advantages of the FAF make it possible to expect that in the near future the fuel arc furnaces will be able not only to compete successfully with the modern EAFs but also replace them everywhere.作者: Nuance 時間: 2025-3-28 00:30
Freya Vassnvironment and creating yourRESTful services to perform CRUD operations. Then you will migrate the front-end tools—AngularJS and Bootstrap—into your Spring Boot application to consume RESTful services. You will secure your REST API using Spring Security and consume your secured REST API using Angula作者: 讓你明白 時間: 2025-3-28 05:38
Freya Vassll Learn.Use a collection of quick start guides, tutorials, and suggestions, to enhance several development apps.Review virtually all setup and deployment step-by-step..Work with Chat web/mobile applications?.Put front-end and back-end components together and deploy them to production environment.Wh作者: 山羊 時間: 2025-3-28 07:13
Freya Vasske Louise Criteria, a positive T1 marker and a positive T2 marker will provide strongest evidence of acute myocarditis. Other than diagnosis, CMRI also provides prognostic information for myocarditis. The utility of CMRI in FM is lacking. CMRI is usually not the initial diagnostic tool and is of lim作者: 名詞 時間: 2025-3-28 13:55 作者: olfction 時間: 2025-3-28 17:38
978-3-031-26660-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: Heterodoxy 時間: 2025-3-28 21:56
William Forsythe’s Postdramatic Dance Theater978-3-031-26658-4Series ISSN 2945-7297 Series E-ISSN 2945-7300 作者: 謊言 時間: 2025-3-29 00:05 作者: ENACT 時間: 2025-3-29 04:38
https://doi.org/10.1007/978-3-031-26658-4William Forsythe; Contemporary Dance; Choreography; Postdramatic Theatre; Scenography; Perception; Cogniti作者: 單色 時間: 2025-3-29 07:58 作者: 做事過頭 時間: 2025-3-29 14:47 作者: Ringworm 時間: 2025-3-29 17:46 作者: 許可 時間: 2025-3-29 21:48 作者: 孤僻 時間: 2025-3-30 02:05
s cells from nutritional, environmental, and oxidative stresses. Structurally, it is a nonprotein thiol compound made up of three amino acids – glutamate, cysteine, and glycine with an unusual γ-peptide bond. To meet the increasing commercial demand of GSH as a functional food supplement, various me
