標(biāo)題: Titlebook: ?Cocinando!; Fifty Years of Latin Pablo Ellicott Yglesias Book 2005Latest edition Princeton Architectural Press 2005 Album covers.Design.Pr [打印本頁(yè)] 作者: 相持不下 時(shí)間: 2025-3-21 18:36
書(shū)目名稱?Cocinando!影響因子(影響力)
作者: 不能和解 時(shí)間: 2025-3-21 21:42
Oriza,hetics (in the context of website design) are discussed.Spec.Balanced Website Design (BWD) is a new methodology that fuses traditional strengths of structured, stepped, and iterative approaches to design and implementation, with keeping a sharp focus (throughout a project) on defining and achieving 作者: 勛章 時(shí)間: 2025-3-22 01:32
,échale Salsita, sensor, counteracting, and indicator system. The balance types described include symmetrical and asymmetrical mechanical (besemer, steelyard) counterweight and electro-mechanical balances, suspension balances, aerometer, top pan and platform scales, decimal scales, deflection scales, pendulum scale作者: 陳列 時(shí)間: 2025-3-22 07:25
Oye Como Va,tion and agility needed in responding to complex non-routineThis work explores how reshaping budget rules and how they are applied presents a preferred means of public sector budgeting, rather than simply implementing fewer rules. Through enhanced approaches to resource flexibility, government entit作者: keloid 時(shí)間: 2025-3-22 11:52
Oh, Meu Brasil,elopments of EU copyright law, none of their proposed solutions has been proven successful. This chapter is based on the assumption that the cause of this impasse lies in the systematic chaos generated by the incompatibility of EU and national copyright models..Since its onset, EU copyright law has 作者: pessimism 時(shí)間: 2025-3-22 15:03 作者: 分期付款 時(shí)間: 2025-3-22 18:22 作者: dainty 時(shí)間: 2025-3-22 22:39
Book 2005Latest editiont of ground in IZZY SANABRIA this book both before and after my heyday, as well as the work of Brazilian artists. Just as the great works of One evening about a year ago I received a phone call art reflect social, religious, and political views at diff- from a young graphic designer and DJ named Pab作者: DEBT 時(shí)間: 2025-3-23 02:23 作者: constellation 時(shí)間: 2025-3-23 08:37 作者: 使困惑 時(shí)間: 2025-3-23 10:09 作者: 背書(shū) 時(shí)間: 2025-3-23 14:49
Einleitung und Problemstellung,lity, consistently better than anything ... ever seen in Latin jazz. In those days the liner notes were the only literature we had to learn about the music and who was creating it, and Cal’s were fantastic. They were more than just records, they were like cultural guides.”作者: 連詞 時(shí)間: 2025-3-23 18:44 作者: rectocele 時(shí)間: 2025-3-24 00:38 作者: 假裝是我 時(shí)間: 2025-3-24 06:24 作者: 驚呼 時(shí)間: 2025-3-24 10:09 作者: quiet-sleep 時(shí)間: 2025-3-24 13:47 作者: BROOK 時(shí)間: 2025-3-24 17:10
Back Matterseems to be very difficult to define exact boundaries between what can be considered as a think tank or not. So without deep-diving into the political think tank theory, the first part of this chapter (3.1) introduces traditional and recent findings on what think tanks are and what role they play in作者: Lacerate 時(shí)間: 2025-3-24 21:21
https://doi.org/10.1007/1-56898-634-3Album covers; Design; Print Media; album cover art; cover art; latin album作者: 他去就結(jié)束 時(shí)間: 2025-3-25 01:45 作者: indoctrinate 時(shí)間: 2025-3-25 04:13
Einleitung und Problemstellung,Times Square subway station. Sinuous syncopations coming from that urban oasis echoed along white tiled halls empty of commuters. In the window was a display of albums from the hottest Latin labels: Seeco, Tico, Alegre, Fania, Cotique, Vaya, and Coco.作者: 玩笑 時(shí)間: 2025-3-25 07:38
https://doi.org/10.1007/3-211-35987-7ul illustrations that condescendingly harped on the perceived primitive nature of the music. Though they may have cheapened the product, in retrospect we can be thankful for the window into the past these covers now provide.作者: Stagger 時(shí)間: 2025-3-25 13:09 作者: 小木槌 時(shí)間: 2025-3-25 18:41 作者: 受人支配 時(shí)間: 2025-3-25 23:38
Einleitung und Problemstellung,oogaloo—some of the older players of the previous decades had to make way for a new generation of upstarts. Visionary designers like Sanabria, Besalel, and John Murello helped the producers Al Santiago, George Goldner, Morris Levy, and Jerry Masucci capitalize on this new craze that was sweeping the作者: 走調(diào) 時(shí)間: 2025-3-26 00:40
Einleitung und Problemstellung,boogaloo, but Latin Soul never died, it just transformed. Inspired in part by black America’s search for roots and self-determination, and by the heady mix of styles that came out of Spanish Harlem in the 1960s, Nuyoricans investigated authentic Cuban and Puerto Rican sounds, recovering Africanisms 作者: 火車車輪 時(shí)間: 2025-3-26 07:24
Einleitung und Problemstellung,s a “panethnic” utopian movement that “mixed funk with jazz, post-psychedelic rock, African, and Latin elements.” Mandrill, War, and Malo are a few of the bands that pioneered this new sound, but the undisputed leader of the movement was Carlos Santana.作者: 享樂(lè)主義者 時(shí)間: 2025-3-26 11:55
Einleitung und Problemstellung, how different and refreshing this aesthetic can be. Yes, there are some similarities: a constant struggle with the idea of the exotic; the use of comic book styles and narrative photography; psychedelia; and portraiture. Yet there is always something peculiarly Brazilian at play, not the least of w作者: 和藹 時(shí)間: 2025-3-26 16:35 作者: ARIA 時(shí)間: 2025-3-26 18:00
http://image.papertrans.cn/012/image/101173.jpg作者: progestogen 時(shí)間: 2025-3-26 21:35 作者: 看法等 時(shí)間: 2025-3-27 02:21 作者: Agronomy 時(shí)間: 2025-3-27 06:34 作者: 同步信息 時(shí)間: 2025-3-27 11:54
Book 2005Latest edition. . . . . . . . . . . . . . . . . . 82 VIVA SOUL . . . . . . . . . . . . . . . . . . . . . . . . . éCHALE SALSITA . . . . . . . . . . . . . . . . . . . . 112 Contents OYE COMO VA. . . . . . . . . . . . . . . . . . . . . . . 150 OH, MEU BRASIL. . . . . . . . . . . . . . . . . . . . 170 BARRIO NUEVO. 作者: POWER 時(shí)間: 2025-3-27 17:21
. . . . . . . . . . . . . . . . . . . . . . . 82 VIVA SOUL . . . . . . . . . . . . . . . . . . . . . . . . . éCHALE SALSITA . . . . . . . . . . . . . . . . . . . . 112 Contents OYE COMO VA. . . . . . . . . . . . . . . . . . . . . . . 150 OH, MEU BRASIL. . . . . . . . . . . . . . . . . . . . 170 BARR作者: 數(shù)量 時(shí)間: 2025-3-27 19:33 作者: Indent 時(shí)間: 2025-3-28 01:29
Einleitung und Problemstellung,ic book styles and narrative photography; psychedelia; and portraiture. Yet there is always something peculiarly Brazilian at play, not the least of which are the markers of political, historical, artistic, and cultural difference. The color schemes, dimensions—even the paper stock and printing—are different too.作者: Cantankerous 時(shí)間: 2025-3-28 05:45
Einleitung und Problemstellung,ront and fostered an explosion of experimentation coupled with a new sense of purpose for the jacket as a marker of culture in the expanding Hispanic marketplace. As Harvey Averne comments: “My attitude was, let’s go get this music I love out of this . environment and treat it like every other genre.”作者: 植物群 時(shí)間: 2025-3-28 09:29 作者: 植物學(xué) 時(shí)間: 2025-3-28 11:37 作者: 主講人 時(shí)間: 2025-3-28 16:18 作者: 痛苦一生 時(shí)間: 2025-3-28 22:47
Introduction,e (International Union against Cancer, 1966). Incidence figures have been reported from new areas, and steps have been taken to obtain figures for others, where there is reason to believe that interesting contrasts might be revealed — for example, in Recife, Brazil; Fiji; the Mazandaran province of
